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HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

Gounod, Faust: Choeur des soldats (1st part)

Mélisande

1:07	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	48	8	6	84%
	24	35	7	6	71%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	48	8	6	84%
	24	35	7	6	71%
B1	13	0	5	8	91%
B2	11	0	1	8	91%
T1	15	0	4	8	91%
T2	15	0	6	8	91%

Verdi, Rigoletto: Act 2 - Scorrendo uniti

Mélisande

2:23	Est. Play Time
67	Measures
	4,135Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon	20	20	3	5	97%
	30	26	8	8	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon	20	20	3	5	97%
	30	26	8	8	100%
Violoncelle	21	3	4	8	100%
Alto	18	25	4	4	97%
Contrebasse	14	0	2	4	97%
Basson	22	26	6	7	94%
Hautbois	20	22	6	7	93%
Basses	18	2	4	7	86%
Borsa	19	0	5	8	85%
Ceprano	17	0	3	7	85%
Marullo	16	0	4	7	85%
Ténors	20	21	6	8	85%
Flûte	18	0	4	8	82%
Duc	6	0	1	4	18%

HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)

edward.maurath

2:01	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	7	7	97%
	24	25	7	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	7	7	97%
	24	25	7	6	100%
Violoncello	24	0	7	6	100%
Rinaldo	14	0	4	8	92%

N° 13 - "Presto presto pria chei venga" . Don Giovanni - Orchestral

FranckM.

4:45	Est. Play Time
173	Measures
	3,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
Violono I	13	0	1	4	5%
	25	10	9	12	94%
Violoncello Contrebasso	18	1	5	9	93%
	17	0	4	9	93%
Violino II	28	13	9	13	93%
2 Fagotti	21	28	8	8	81%
2 Gorni in C	10	12	0	5	79%
2 Oboi	10	6	1	3	5%
	18	27	7	9	74%
2 Flauti	16	27	5	11	69%
Don Giovanni	11	0	3	7	46%
Zerlina	13	0	5	6	45%
Masetto	14	0	4	7	36%
2 Trombe in C	7	4	0	4	30%
2 Clarinetti in C	11	11	0	7	28%
Timpani in C e G	2	0	0	5	16%
Coro Basso	7	0	0	3	13%
Tenore	8	0	0	3	13%
Violoncello e Contrabasso	8	0	1	3	5%
Violono II	12	0	1	4	5%
2 Corni ln F	5	3	0	3	5%

huguenots437

BossRC202

2:53	Est. Play Time
71	Measures
	1,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	9	86%
	13	4	4	9	83%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	9	86%
	13	4	4	9	83%
	12	17	3	6	37%
	12	6	2	7	74%
	16	5	1	7	86%
	19	15	8	8	97%
	13	7	2	5	31%

Introduccion_y_gran_aire_Marcial_de_la_Opera_de_las_Treguas

rufinb

5:26	Est. Play Time
139	Measures
	3,021Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	16	0	4	7	98%
Violas	23	18	7	7	98%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	16	0	4	7	98%
Violas	23	18	7	7	98%
Contrabasses	16	0	4	8	97%
Violins I	32	9	12	9	97%
Violins II	28	28	10	8	97%
Bassoons	24	0	7	9	95%
Horns in E♭	14	0	4	9	92%
Clarinets in B♭	20	0	6	9	86%
Trumpets in E♭	18	0	6	8	84%
Ophicleide or Tuba	15	0	4	7	82%
Oboes	21	0	6	9	78%
Flutes	16	0	5	9	70%
E♭ Trumpet 2	10	0	0	5	13%
Horn in E♭2	8	0	1	6	9%

"Ah! crudel, il pianto mio deh!," from "Rinaldo," HWV 7, (1711)

edward.maurath

5:50	Est. Play Time
45	Measures
	1,422Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	23	0	5	11	100%
Contrabass Solo	22	0	6	8	95%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	23	0	5	11	100%
Contrabass Solo	22	0	6	8	95%
Violoncello (Continuo)	20	0	5	8	95%
Cembalo (Continuo)	27	49	8	8	89%
	23	18	5	8	94%
Contrabassi (Continuo)	19	0	5	8	90%
Violas	15	0	3	8	90%
Violins 1	22	0	6	9	90%
Violins 2	22	0	4	8	90%
Violins 3	18	0	4	7	90%
Violoncelli (Continuo)	19	0	5	8	90%
Violoncello Solo	21	0	5	8	86%
Oboe	18	0	4	9	85%
Armida	17	0	6	9	68%

"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)

edward.maurath

3:29	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
Harp Continuo	22	28	5	7	100%
	23	34	5	7	100%
Violoncello Continuo	20	0	4	7	100%
Sesto	14	0	3	8	83%
Contrabassi Continuo	9	0	0	4	8%
Violini	9	0	0	6	8%
Violoncelli Continuo	9	0	0	4	8%

Ouverture for the opera "Rinaldo," hwv 7

edward.maurath

6:31	Est. Play Time
83	Measures
	2,058Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin Solo	16	0	3	10	96%
Oboe	15	0	3	10	95%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin Solo	16	0	3	10	96%
Oboe	15	0	3	10	95%
	19	0	4	9	95%
Violin I	15	0	3	10	91%
Violin II	19	0	4	9	91%
Bassoon (with Viola)	21	0	4	7	89%
Bassoon (Continuo)	21	0	5	7	88%
Cembalo (Continuo)	20	43	4	10	85%
	22	22	6	7	85%
Contrabassi (Continuo)	19	0	5	7	85%
Viola	17	0	4	7	85%
Violoncelli (Continuo)	19	0	5	7	85%
Violoncello (Continuo)	20	0	5	7	84%
Violoncello Solo	17	0	4	2	9%