Active Filters:
Participation: 80%-99%
Participation: 100%
Unique Notes: 6 - 10
Clear All Filters

Tags

Opera
La Donna e Mobile in C Major
The Jaze Master
2:10 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 14 0 0 5 100%
Treble 11 0 0 5 95%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 14 0 0 5 100%
Treble 11 0 0 5 95%
Double
Bass		 Bass 10 0 0 5 100%
Viola 11 0 0 5 100%
Tenor Treble 11 0 0 5 72%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione
Papibois
2:13 Est. Play
Time
75 Measures
1,156Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 64 8 5 100%
Bass 21 21 1 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 64 8 5 100%
Bass 21 21 1 3 100%
Tenore
1		 Treble 13 0 2 4 92%
Ténore
2		 Treble 15 0 4 4 92%
Soprano
1		 Treble 16 0 6 4 87%
Basso Bass 10 1 0 4 87%
Soprano
2		 Treble 13 0 5 4 87%
Gianetta Treble 9 0 0 4 55%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE
Papibois
2:13 Est. Play
Time
75 Measures
1,171Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 64 8 5 100%
Bass 21 21 1 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 64 8 5 100%
Bass 21 21 1 3 100%
Tenor
1		 Treble 13 0 2 4 92%
Tenor
2		 Treble 15 0 4 4 92%

Soprano
1		 Treble 16 0 6 4 87%
Basse Bass 10 1 2 4 87%
Soprano
2		 Treble 13 0 4 4 87%
Gianetta Treble 9 0 0 4 55%
 
Fortuna Imperatrix Mundi: O Fortuna
trolol3000
2:12 Est. Play
Time
51 Measures
4,687Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 2 0 0 5 100%
Bass 3 0 0 5 100%
View all 29 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 2 0 0 5 100%
Bass 3 0 0 5 100%
Bass 5 0 1 5 100%
Alto Treble 12 0 3 4 100%
Baritone Bass 9 0 2 4 100%
Bass Bass 8 6 2 4 100%
Bass
Trombone		 Bass 2 0 0 5 100%
Bassoon
1		 Bass 5 0 0 6 100%
Bassoon
2		 Bass 7 0 1 6 100%
B
Clarinet
1		 Treble 11 0 1 5 100%
B
Clarinet
2		 Treble 10 0 0 4 100%
Contrabass Bass 2 0 0 5 100%
Horn
3
4		 Treble 11 4 3 4 100%
Oboe
1		 Treble 11 0 1 4 100%
Oboe
2		 Treble 12 0 2 5 100%
Soprano Treble 12 5 2 4 100%
Tenor Treble 13 10 3 4 100%
Timpani Bass 5 0 0 6 100%
Viola 7 1 1 4 100%
Violin
1		 Treble 14 9 4 4 100%
Violin
2		 Treble 17 9 5 4 100%
Violoncello Bass 5 0 1 5 100%
Contrabassoon Bass 4 0 0 5 92%
B
Trumpet
1		 Treble 11 3 2 4 53%
B
Trumpet
2		 Treble 11 4 1 5 53%
Flute
1		 Treble 10 0 2 4 53%
Flute
2		 Treble 6 0 1 4 53%
Horn
1
2		 Treble 11 4 3 4 53%
Piccolo Treble 5 0 0 3 22%
 
"Night Train" - Philip Glass (arr. for solo piano)
bradleygpittman
7:35 Est. Play
Time
123 Measures
1,516Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 9 0 6 93%
Bass 9 1 0 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 9 0 6 93%
Bass 9 1 0 2 100%
 
HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"
edward.maurath
0:16 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Harpsichord Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Violoncello Bass 5 0 1 2 100%
Flute Treble 7 0 0 3 75%
 
HWV5A2N11 - "Mà Rodrigo"
edward.maurath
0:52 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
Bass 18 17 4 3 88%
Violoncello (Continuo) Bass 9 0 2 3 88%
Cembalo (Continuo) Treble 3 0 0 1 31%
Bass 15 9 2 3 44%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE
Papibois
1:14 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
Tenor
1		 Treble 13 0 2 4 93%
Tenor
2		 Treble 13 0 3 4 93%
Soprano
1		 Treble 15 0 5 4 89%
Soprano
2		 Treble 16 0 4 4 89%
Basse Bass 10 1 2 4 87%
Gianetta Treble 11 0 0 4 76%
Nemorino Treble 11 0 2 4 70%
 
HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)
edward.maurath
0:49 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
Alto 10 0 4 3 100%
Violoncello Bass 6 0 1 3 100%
 
HWV5A1N11 "Egregio Duce"
edward.maurath
0:35 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 11 11 4 3 80%
Bass 12 12 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 11 11 4 3 80%
Bass 12 12 3 5 100%
Esilena 8 0 2 3 100%
Violoncello (Continuo) Bass 8 0 2 3 100%