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Participation: 50%-79%
Unique Accidentals: 1
Unique Accidentals: > 4
Unique Notes: ≤ 5
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Opera
The Naval Battle
CelticRose
0:14 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn Treble 7 0 2 2 75%
Treble 7 0 2 2 75%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn Treble 7 0 2 2 75%
Treble 7 0 2 2 75%
Treble 7 0 2 2 75%
Treble 7 0 2 2 75%
B
Trumpet		 Treble 6 0 2 2 50%
Treble 6 0 2 2 50%
Double
Basses		 Bass 3 0 1 1 50%
Flute Treble 17 0 4 2 50%
Piccolo Treble 17 0 4 2 50%
Timpani Bass 1 0 0 2 50%
Violas 3 0 1 1 50%
Violins
1		 Treble 17 0 4 2 50%
Violins
2		 Treble 17 0 4 2 50%
Violoncellos Bass 3 0 1 1 50%
F
Tuba		 Bass 4 0 2 2 25%
Oboe Treble 3 0 1 1 25%
 
HWV8a0n4 - "Ma Terpsicore snella, dov'è?" recitativo secco
edward.maurath
0:36 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 10 0 3 3 100%
Harp Treble 12 7 4 3 56%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 10 0 3 3 100%
Harp Treble 12 7 4 3 56%
Bass 7 0 1 3 56%
Harpsichord Treble 12 7 5 1 56%
Bass 5 0 2 2 56%
Soprano as
Apollo		 5 0 1 4 56%
Soprano
as Erato		 6 0 1 3 56%
 
HWV8A0N17 - Dai, quando vuoi, recitativo secco
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
Bass 3 0 1 1 67%
Harpsichord Treble 10 3 3 2 67%
Bass 2 0 0 1 33%
Apollo 5 0 1 3 67%
Erato 4 0 0 3 67%
 
Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}
Jamie Holdham
2:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 4 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
View all 27 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 4 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
2.u.3.
(B.)		 Treble 18 21 7 5 66%
12
BRATSCHEN.		 17 0 4 5 57%
1. 3
gr.FLOTEN.		 Treble 9 1 3 5 56%
2
Tenor.
(B) 4
TUBEN.		 Treble 7 2 3 4 53%
2.u.3. Treble 12 10 4 5 48%
Treble 8 6 1 5 52%
Bass 6 0 2 4 33%
1.
(B.) 3
CLARINETTEN.		 Treble 17 0 5 3 52%
1
BASS- CLARINETTE.
(B)		 Bass 13 0 5 4 52%
3.u.4. Treble 15 14 8 5 52%
2
Bass.
(F.)		 Bass 5 4 1 4 50%
3. Bass 15 1 4 5 50%
1.u.2. 4
HORNER.		 Treble 15 12 8 5 48%
ENGLISCHES
HORN.		 Treble 5 0 2 5 48%
Violins Treble 24 0 9 5 48%
1. 3
TENOR-BASS- POSAUNEN.		 7 4 1 4 47%
16
erste 32
VIOLINEN. 16
zweite		 Treble 22 0 10 4 44%
1.u.2. 3
FAGOTTE.		 5 2 2 4 44%
1
BASS-TROMPETE. (Es.)		 Treble 13 0 5 5 44%
1. 3
HOBOEN.		 Treble 4 0 0 4 41%
1
CONTRABASS- POSAUNE.
(C)		 Bass 4 0 0 4 33%
8
CONTRABASSE.		 Bass 5 0 0 4 26%
1.
(Es.) 3
TROMPETTEN.		 Treble 3 0 3 4 22%
2.u.3.
(Es.)		 Treble 4 2 3 3 15%
Pauken. Bass 2 0 1 1 7%
 
Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}
Jamie Holdham
2:20 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 5 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
View all 27 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 5 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
2.u.3.
(B.)		 Treble 18 21 7 5 66%
12
BRATSCHEN.		 17 0 4 5 57%
1. 3
gr.FLOTEN.		 Treble 9 1 3 5 56%
2
Tenor.
(B) 4
TUBEN.		 Treble 7 2 3 4 53%
2.u.3. Treble 12 10 4 5 48%
Treble 8 6 1 5 52%
Bass 6 0 2 4 33%
1.
(B.) 3
CLARINETTEN.		 Treble 17 0 5 3 52%
1
BASS- CLARINETTE.
(B)		 Bass 13 0 5 4 52%
3.u.4. Treble 15 14 8 5 52%
2
Bass.
(F.)		 Bass 5 4 1 4 50%
3. Bass 15 1 4 5 50%
1.u.2. 4
HORNER.		 Treble 15 12 8 5 48%
ENGLISCHES
HORN.		 Treble 5 0 2 5 48%
Violins Treble 24 0 9 5 48%
1. 3
TENOR-BASS- POSAUNEN.		 7 4 1 4 47%
16
erste 32
VIOLINEN. 16
zweite		 Treble 22 0 10 4 44%
1.u.2. 3
FAGOTTE.		 5 2 2 4 44%
1
BASS-TROMPETE. (Es.)		 Treble 13 0 5 4 44%
1. 3
HOBOEN.		 Treble 4 0 0 4 41%
1
CONTRABASS- POSAUNE.
(C)		 Bass 4 0 0 4 33%
8
CONTRABASSE.		 Bass 5 0 0 4 26%
1.
(Es.) 3
TROMPETTEN.		 Treble 3 0 3 4 22%
2.u.3.
(Es.)		 Treble 4 2 3 3 15%
Pauken. Bass 2 0 1 1 7%
 
Wagner - Tristan und Isolde Love Duet. Professional production full score. {Unfinished.}
Jamie Holdham
1:50 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
1.
Halfte. Br. 2.
Halfte.		 23 0 10 6 71%
Horn
in
F		 Treble 10 0 6 6 67%
View all 32 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
1.
Halfte. Br. 2.
Halfte.		 23 0 10 6 71%
Horn
in
F		 Treble 10 0 6 6 67%
in
F.		 Treble 7 0 3 6 62%
Fag. 12 0 6 4 55%
1
Br. (allein)		 4 0 1 5 52%
2
I.VI.		 Treble 6 0 2 5 50%
Treble 4 0 1 5 48%
1.
Halfte. Vcl. 2.
Halfte.		 Bass 3 0 1 3 48%
1
Vcl. (allein)		 Bass 3 0 1 3 48%
2
II.VI.		 Treble 4 0 1 5 43%
Treble 4 0 1 5 43%
Viol.I. 2.
Halfte.		 Treble 4 0 1 5 43%
BaBkl. in
B.		 Bass 8 0 4 5 43%
in
E.		 Treble 8 0 3 5 43%
Viol.II. 2.
Halfte.		 Treble 3 0 1 5 43%
Violas 21 0 10 5 43%
Violoncellos Bass 3 0 1 3 43%
in
F. Hr. in
E.		 Treble 6 0 2 5 38%
Hob. Treble 10 0 4 3 29%
Klar. in
B.		 Treble 8 0 4 6 29%
Bassoon Bass 8 0 3 4 29%
I. Pos. II.III. 7 0 3 3 27%
Hrfe. Treble 14 0 6 1 24%
Bass 12 0 7 1 24%
Engl.H. Treble 4 0 1 4 24%
I.
II. K.B. III.
IV.		 Bass 3 0 1 4 14%
B♭
Clarinet		 Treble 3 0 1 2 14%
Contrabasses Bass 2 0 1 4 14%
Trombone Bass 4 0 2 3 14%
I. Gr.Fl. II.III. Treble 5 0 2 3 10%
Oboe Treble 1 0 1 2 10%
Pk. Bass 1 0 1 1 5%