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Participation: 80%-99%
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Opera
The Barber of Seville - Largo (Figaro!) - Rossini - Brass Quintet!
Iowabob
5:44 Est. Play
Time
263 Measures
2,157Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 27 0 9 7 95%
Tuba Bass 26 0 9 6 94%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 27 0 9 7 95%
Tuba Bass 26 0 9 6 94%
Trombone Bass 23 0 7 8 90%
B♭
Trumpet		 Treble 25 0 8 8 83%
Treble 26 1 11 7 85%
 
Tenor Envy (Baritone and Piano)
arthurbreur
5:03 Est. Play
Time
235 Measures
2,175Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 45 10 7 92%
Bass 27 17 3 6 93%
Voice Bass 18 0 4 7 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 45 10 7 92%
Bass 27 17 3 6 93%
Voice Bass 18 0 4 7 81%
 
Chorus from Act 3, Scene 1 of "Peter the Cruel"
rufinb
12:47 Est. Play
Time
329 Measures
1,584Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 34 97 17 11 95%
Bass 33 90 14 6 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 34 97 17 11 95%
Bass 33 90 14 6 97%
 
William Tell Overture
mike320
15:40 Est. Play
Time
453 Measures
9,161Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 29 0 14 8 83%
Violins
II		 Treble 34 13 19 7 80%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 29 0 14 8 83%
Violins
II		 Treble 34 13 19 7 80%
2
Bassoons		 Bass 30 40 12 7 79%
Contrabasses Bass 27 0 13 8 78%
Violas 27 58 14 5 78%
2
A
Clarinets		 Treble 30 61 15 6 72%
Violins
I		 Treble 40 10 22 9 71%
2
Horns
in
E		 Treble 17 22 5 7 66%
Timpani Bass 2 0 0 6 60%
Flute Treble 29 0 14 10 59%
2
Horns
in
G		 Treble 12 12 4 7 56%
2
Oboes		 Treble 30 52 15 6 53%
E
Trumpet		 Treble 10 8 0 7 50%
Piccolo Treble 27 0 13 8 49%
Bass
Trombone		 Bass 23 0 10 6 48%
2
Trombones		 Bass 23 1 9 6 40%
English
Horn		 Treble 16 0 4 6 9%
Violoncello
Soli		 Bass 11 0 6 6 8%
Bass 12 0 5 6 8%
Bass 15 0 5 6 8%
Bass 31 0 14 9 9%
Bass 9 0 3 8 8%
 
Dueto de Tiples en el 2° Acto de la Ópera Treguas de Tolemaida (Soprano duet)
rufinb
11:19 Est. Play
Time
263 Measures
2,203Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 37 110 16 7 95%
Bass 35 40 17 7 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 37 110 16 7 95%
Bass 35 40 17 7 96%
Berenguela Treble 17 0 9 9 78%
Matilde Treble 16 0 7 9 78%
 
Overture from the Opera "The Truce of Ptolemais"
rufinb
12:04 Est. Play
Time
402 Measures
5,766Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 23 0 11 6 98%
Violas 25 36 10 8 97%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 23 0 11 6 98%
Violas 25 36 10 8 97%
Violins
II		 Treble 30 36 15 7 97%
Contrabasses Bass 22 0 11 6 97%
Violins
I		 Treble 34 1 14 11 97%
Bassoons Bass 29 0 16 8 90%
Clarinets in
C		 Treble 25 0 13 13 89%
Oboes Treble 23 0 12 13 83%
Flutes Treble 22 0 9 13 78%
Trumpets in
C		 Treble 15 0 6 10 75%
Horns in
F		 Treble 17 0 5 10 71%
Ophicleide or
Tuba		 Bass 21 0 10 7 66%
 
Donne mie, la fate a tanti (piano-vocal score)
Carlos E. Marrero
6:28 Est. Play
Time
176 Measures
1,095Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 49 10 8 99%
Bass 32 49 8 6 99%
Guglielmo Bass 14 0 3 6 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 49 10 8 99%
Bass 32 49 8 6 99%
Guglielmo Bass 14 0 3 6 86%
 
ROSSINI - Barber Of Seville - Ouverture Symphony for Percussions
Kevfun3
7:19 Est. Play
Time
241 Measures
7,025Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano
I		 Treble 17 8 8 6 11%
Treble 34 0 12 10 87%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano
I		 Treble 17 8 8 6 11%
Treble 34 0 12 10 87%
Piano,
PIANO
II		 Treble 30 0 10 8 93%
Bass 16 4 6 6 46%
Piano,
Piano
III		 Treble 26 23 9 9 97%
Piano,
Piano
IV		 Bass 21 0 6 6 93%
Piano,
Piano
V		 Bass 21 0 6 6 90%
Glockenspiel
Alto
Orff,
Glockenspiel		 Treble 23 0 9 7 67%
Célesta,
Celesta
III		 Treble 25 49 9 9 66%
Marimba
(double
portée),
Marimba		 Bass 28 0 9 2 64%
Bass 11 1 3 1 11%
Clavecin,
Harpischord
I		 Bass 19 11 5 7 62%
Harpe,
Harp		 Treble 26 7 9 6 60%
Célesta,
Celesta
II		 Treble 24 43 9 8 55%
Célesta,
Celesta
I		 Treble 21 0 8 9 52%
Carillons,
Tubular
Bells		 Treble 19 1 6 2 44%
Xylophone,
Xylophone		 Treble 13 7 3 1 11%
Treble 30 0 9 3 43%
Clavecin,
Harpischord
II		 Treble 8 7 3 6 34%
Orgue,
Organ
I		 Bass 17 0 5 4 27%
Orgue,
Organ
II		 Bass 15 1 4 5 27%
 
Chacconne from Terpsichore, HWV 8 (last version)
edward.maurath
6:50 Est. Play
Time
178 Measures
1,620Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 6 6 84%
Treble 20 0 5 8 84%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 6 6 84%
Treble 20 0 5 8 84%
Viola 17 0 4 6 84%
Harpsichord Treble 17 49 2 7 74%
Bass 20 3 3 7 76%
Contrabass Bass 20 0 3 7 76%
Violoncello (Continuo) Bass 20 0 3 7 76%
Bassoon Bass 20 0 5 5 21%
Oboe Treble 13 0 6 6 17%
Treble 12 0 3 6 17%