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Measures: 60 - 150
Participation: 100%
Play Time: > 3:20
Unique Durations: 4-5
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Opera
HWV26A2N18 - Berengario, "D'instabile fortuna" in E Major
edward.maurath
6:14 Est. Play
Time
85 Measures
1,786Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 35 3 4 100%
Bass 21 68 4 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 35 3 4 100%
Bass 21 68 4 4 100%
Violoncello Continuo Bass 20 0 3 4 99%
Vln
1		 Treble 24 0 6 3 81%
Vln
2		 Treble 23 0 6 3 81%
Kontrebaß Bass 22 0 4 3 78%
Berengario 18 0 5 7 69%
Violas 16 0 4 3 46%
 
HWV26A1 - Se il mar promette calma - G Major
edward.maurath
4:08 Est. Play
Time
65 Measures
1,469Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 41 6 4 87%
Bass 26 17 7 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 41 6 4 87%
Bass 26 17 7 4 98%
Viola 22 0 7 3 97%
Violino
1		 Treble 23 0 6 7 97%
Violino
2		 Treble 24 0 7 6 97%
Double
Bass Continuo		 Bass 22 0 7 3 95%
Violoncello Continuo Bass 23 0 7 3 95%
Bass
as Clodomiro		 Bass 17 0 6 8 75%
Bassoon Continuo Bass 23 0 7 4 75%
 
HWV26A2N10 - Alto Aria for Matilde "Arma lo sguardo"
edward.maurath
5:55 Est. Play
Time
64 Measures
1,233Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 30 138 11 7 95%
Bass 25 28 6 4 98%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 30 138 11 7 95%
Bass 25 28 6 4 98%
Violoncello Continuo Bass 23 0 6 4 98%
Violini Treble 25 0 8 7 96%
Contrabasso Continuo Bass 21 0 6 4 85%
Maltilde 20 0 7 7 76%
 
AÏDA de Verdi : Chœurs Partie 3/10 Acte 2 :Introduzione
Papibois
4:06 Est. Play
Time
129 Measures
1,524Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpe Treble 37 65 15 9 92%
Bass 34 51 14 5 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpe Treble 37 65 15 9 92%
Bass 34 51 14 5 99%
Sop
2		 Treble 16 0 5 9 41%
Sop
1		 Treble 13 0 4 9 36%
Amnéris Treble 10 0 5 5 12%
 
"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
8:36 Est. Play
Time
100 Measures
2,042Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 49 4 6 100%
Bass 20 55 4 6 99%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 49 4 6 100%
Bass 20 55 4 6 99%
Harp Continuo Treble 21 46 4 6 100%
Bass 20 54 4 6 99%
Violoncello Continuo Bass 19 0 4 5 99%
Violini Treble 19 16 3 5 76%
Contrabassi Continuo Bass 16 0 2 3 75%
Violoncelli Continuo Bass 16 0 2 3 75%
Cleopatra Treble 16 0 2 5 72%
 
Cornelia, "Priva son d'ogni conforto" from HWV 17, Giulio Cesare
edward.maurath
12:33 Est. Play
Time
114 Measures
1,315Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
Lute Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
Celli Bass 17 0 3 2 100%
Continuo Bass 17 0 3 3 100%
Contrebaß Bass 17 0 3 2 100%
Violas 16 0 5 3 100%
Violins Treble 23 60 8 6 100%
Vln
2		 Treble 23 60 8 4 100%
Flute Treble 20 0 5 6 89%
Cornelia 15 0 5 7 88%
 
9. Love and Laughter
aamann
6:20 Est. Play
Time
148 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 53 9 7 96%
Bass 27 37 9 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 53 9 7 96%
Bass 27 37 9 5 100%
Sofia Treble 14 0 2 6 80%
Alto Treble 8 0 0 4 15%
Bass Bass 8 0 0 4 15%
Soprano Treble 9 0 0 4 15%
Tenor Treble 8 0 0 4 15%
 
"Frode, sol a te rivolta" from "Il Pastor Fido," HWV 8 (1733)
edward.maurath
3:24 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 21 69 6 6 95%
Bass 25 46 7 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 21 69 6 6 95%
Bass 25 46 7 4 100%
Violoncello (Continuo) Bass 22 0 6 4 100%
Soprano as
Eurilia		 12 0 4 5 68%
Violini Tutti Treble 14 0 1 6 55%
Contrabassi Bass 16 0 2 4 48%
Violoncelli (Continuo) Bass 16 0 2 4 48%
 
"Sento brillar" from "Il Pastor Fido," HWV 8, last season
edward.maurath
5:48 Est. Play
Time
104 Measures
2,734Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 68 8 10 99%
Bass 24 50 5 5 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 68 8 10 99%
Bass 24 50 5 5 100%
Violoncello Bass 19 0 3 5 100%
Contrabassi (Continuo) Bass 17 0 3 3 97%
Violas 18 0 4 4 97%
Violins
1		 Treble 20 0 4 4 97%
Violins
2		 Treble 22 0 5 4 97%
Violoncelli (Continuo) Bass 18 0 3 3 97%
Soprano as
Mirtillo		 18 0 6 10 75%
Bassoon (Continuo) Bass 13 0 1 3 31%
Bassoon with
violas		 11 0 1 3 31%
Oboe Treble 16 0 1 4 31%
 
Empio, diro, tu sei, from HWV 17, (1724)
edward.maurath
4:44 Est. Play
Time
64 Measures
1,120Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 10 8 5 100%
Bass 27 16 8 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 10 8 5 100%
Bass 27 16 8 6 100%
Celli Bass 27 0 8 6 100%
Continuo Bass 27 0 8 6 100%
Kontrebaß Bass 27 0 8 6 100%
Violini Treble 24 0 12 4 82%
Cesare Treble 16 0 6 6 65%
 
"Casta Dea, a te divoto" from "Il Pastor Fido," HWV 8 (1712)
edward.maurath
3:24 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 21 69 6 6 95%
Bass 25 46 7 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 21 69 6 6 95%
Bass 25 46 7 4 100%
Violoncello (Continuo) Bass 22 0 6 4 100%
Alto
as Silvio		 12 0 4 5 68%
Violini Tutti Treble 14 0 1 6 55%
Contrabassi (Continuo) Bass 16 0 2 4 48%
Violoncelli (Continuo) Bass 16 0 2 4 48%