Play Along Piano

Tags

Opera

The Naval Battle

CelticRose

0:14	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	0	2	2	75%
	7	0	2	2	75%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
B Trumpet	6	2	2	50%
	6	2	2	50%
Double Basses	3	1	1	50%
Flute	17	4	2	50%
Piccolo	17	4	2	50%
Timpani	1	0	2	50%
Violas	3	1	1	50%
Violins 1	17	4	2	50%
Violins 2	17	4	2	50%
Violoncellos	3	1	1	50%
F Tuba	4	2	2	25%
Oboe	3	1	1	25%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
	14	1	3	3	78%
Viola	9	0	2	3	78%
Violin 1	8	0	1	3	78%
Violin 2	7	0	2	3	78%
Violoncello Continuo	12	0	3	3	78%
Bassoon Continuo	11	0	2	3	74%

HWV5A2N11 - "Mà Rodrigo"

edward.maurath

0:52	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
	18	17	4	3	88%
Violoncello (Continuo)	9	0	2	3	88%
Cembalo (Continuo)	3	0	0	1	31%
	15	9	2	3	44%

HWV5A1N11 "Egregio Duce"

edward.maurath

0:35	Est. Play Time
10	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	11	11	4	3	80%
	12	12	3	5	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	11	11	4	3	80%
	12	12	3	5	100%
Esilena	8	0	2	3	100%
Violoncello (Continuo)	8	0	2	3	100%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%

HWV8a0n4 - "Ma Terpsicore snella, dov'è?" recitativo secco

edward.maurath

0:36	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	10	0	3	3	100%
Harp	12	7	4	3	56%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	10	0	3	3	100%
Harp	12	7	4	3	56%
	7	0	1	3	56%
Harpsichord	12	7	5	1	56%
	5	0	2	2	56%
Soprano as Apollo	5	0	1	4	56%
Soprano as Erato	6	0	1	3	56%

HWV8A0N7 - Ecco, sen vien - recitativo secco

edward.maurath

0:28	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	13	5	2	100%
	8	1	3	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	13	5	2	100%
	8	1	3	3	100%
Violoncello	7	0	2	3	100%
Apollo	8	0	3	3	86%

HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)

edward.maurath

1:02	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo (Continuo)	16	19	6	3	100%
	18	16	4	2	93%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo (Continuo)	16	19	6	3	100%
	18	16	4	2	93%
Florinda	10	0	1	3	100%
Violoncello (Continuo)	9	0	2	3	100%

HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)

edward.maurath

0:57	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
Mirtillo	11	0	3	3	100%
Violoncello	10	0	2	3	100%

HWV1N17vEJM - "Nein, Osman muß, was er versprochen"

edward.maurath

0:17	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	11	7	3	2	83%
	12	6	3	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	11	7	3	2	83%
	12	6	3	2	100%
Harpsichord	11	7	3	2	83%
	12	6	3	2	100%
Organo	11	7	3	2	83%
	12	6	3	2	100%
Consalvo	12	0	2	4	100%
Continuo	6	0	2	2	100%

HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco

edward.maurath

0:57	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
Mirtillo	11	0	3	3	100%
Violoncello	10	0	2	3	100%

"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

8:36	Est. Play Time
100	Measures
	2,042Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
Harp Continuo	21	46	4	6	100%
	20	54	4	6	99%
Violoncello Continuo	19	0	4	5	99%
Violini	19	16	3	5	76%
Contrabassi Continuo	16	0	2	3	75%
Violoncelli Continuo	16	0	2	3	75%
Cleopatra	16	0	2	5	72%

Mystic Opera

Kenichi Kitsune The Composer

0:42	Est. Play Time
35	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	7	2	3	100%
Viola	18	5	2	100%
Violin	19	5	2	97%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	7	2	3	100%
Viola	18	5	2	100%
Violin	19	5	2	97%

Wagner - Die Miestersinger von Nurnberg Overture to Akt 3. [Professional production full score.]

Jamie Holdham

7:34	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	34	0	10	8	55%
Violins	26	0	9	8	54%
2 Fagotte.	18	0	4	8	47%
Bassoon	17	0	4	9	40%
Hr.3 in D.	15	0	2	6	32%
Hr.2 in D.	12	0	2	6	29%
Hr.1 in D.	12	0	1	5	29%
Hr.4 in D.	14	0	2	5	28%
Contrabass.	14	1	4	5	27%
2 Clarinetten. (in A.)	18	0	4	7	27%
3 POSAUNEN.	11	4	1	5	15%
Hoboen.	9	0	1	5	15%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
A Clarinet	9	0	1	2	6%
BASS.TUBA.	7	0	2	3	6%

Lohengrin Vorspiel to Akt 2. {Professional production full score.}

Jamie Holdham

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani	2	1	1	100%
Violoncellos	14	4	7	86%
Bassoon	7	2	3	21%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani	2	1	1	100%
Violoncellos	14	4	7	86%
Bassoon	7	2	3	21%

Wagner - Tristan und Isolde Einleitung zu Akt 2. {Professional production full score.}

Jamie Holdham

3:09	Est. Play Time
97	Measures
	2,076Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
4 Horner in F.	23	13	8	8	67%
Horn in F	1	0	1	1	2%
	22	5	5	6	66%
Violinen II.	33	7	14	7	59%
3 FAGOTTE.	31	19	11	7	57%
BaBklarinette in B.	26	0	9	7	53%
Violinen I.	35	1	14	7	48%
2 Klarinetten in B.	28	3	11	7	45%
2 HOBOEN.	19	7	8	8	45%
Bassoon	18	0	5	6	8%
	18	3	8	7	43%
B♭ Clarinet	16	0	7	6	37%
Kontrabasse.	22	1	9	5	30%
II. III. Hr. in F. (a.d.Th.)	7	2	0	9	29%
Englisch Horn.	17	0	7	6	27%
Pauken.	2	0	0	1	23%
VI.	2	0	0	4	23%
Violas	11	0	3	3	22%
2 Floten.	22	1	9	6	22%
I.	7	0	0	9	21%
IV.	5	0	0	8	16%
V.	6	0	0	8	16%
Oboe	9	0	3	7	15%
Violoncellos	16	0	3	4	15%
Flute	10	1	5	4	9%
Violins	12	0	2	3	3%
	4	0	0	2	8%
Posaune.	6	0	2	3	6%

"Quel ch'il cielo" from "Il Pastor Fido," HWV 8a, 1712

edward.maurath

1:31	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	0	2	3	100%
	10	0	1	3	100%
View all 15 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	2	3	100%
	10	1	3	100%
Harpsichord	10	1	3	100%
	14	2	3	100%
Oboe	13	3	7	100%
	12	3	5	100%
Contrabasses	14	2	3	100%
Viola	10	1	3	100%
Violoncello	14	2	3	100%
Vn 1	13	3	7	100%
Vn 2	12	3	5	100%
Bass	12	2	3	93%
Soprano	12	3	6	93%
Tenor	11	2	3	93%
Alto	12	3	4	87%