Active Filters:
Clef: BassBass
Participation: 80%-99%
Unique Durations: 6-7
Unique Notes: 11 - 15
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Opera
Se il Rigor
MarcosMolina
4:03 Est. Play
Time
81 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 36 8 9 84%
Bass 22 18 3 4 84%
Voice Bass 15 0 3 7 83%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 36 8 9 84%
Bass 22 18 3 4 84%
Voice Bass 15 0 3 7 83%
 
LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 4/11 N° 7 Voici les Rois
Papibois
1:13 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
1-2		 Treble 30 47 10 5 100%
Bass 25 18 7 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
1-2		 Treble 30 47 10 5 100%
Bass 25 18 7 7 100%
Basse
1		 Bass 10 0 1 6 81%
Basse
2		 Bass 11 0 1 6 81%
Soprano
1		 Treble 12 0 1 6 81%
Soprano
2		 Treble 13 0 2 6 81%
Ténor
1		 Treble 11 0 0 6 81%
Ténor
2		 Treble 9 0 1 6 81%
 
Introduccion_y_gran_aire_Marcial_de_la_Opera_de_las_Treguas
rufinb
5:26 Est. Play
Time
139 Measures
3,021Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 16 0 4 7 98%
Violas 23 18 7 7 98%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 16 0 4 7 98%
Violas 23 18 7 7 98%
Contrabasses Bass 16 0 4 8 97%
Violins
I		 Treble 32 9 12 9 97%
Violins
II		 Treble 28 28 10 8 97%
Bassoons Bass 24 0 7 9 95%
Horns
in
E♭		 Treble 14 0 4 9 92%
Clarinets
in
B♭		 Treble 20 0 6 9 86%
Trumpets
in
E♭		 Treble 18 0 6 8 84%
Ophicleide or
Tuba		 Bass 15 0 4 7 82%
Oboes Treble 21 0 6 9 78%
Flutes Treble 16 0 5 9 70%
E♭
Trumpet

2		 Treble 10 0 0 5 13%
Horn
in
E♭2		 Treble 8 0 1 6 9%
 
Die Miestersinger Prelude to Act III - Richard Wagner.
Jamie Holdham
0:01 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncelle. Bass 15 0 3 6 84%
Bratsche. 11 0 3 5 58%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncelle. Bass 15 0 3 6 84%
Bratsche. 11 0 3 5 58%
2. Treble 8 0 2 4 32%
1 Violinen. Treble 7 0 1 4 26%
Fg.1 Bass 8 0 2 5 26%
Fg.2 Bass 9 0 2 7 26%
Hr.1
in
D.		 Treble 8 0 1 5 26%
Hr.2
in
D.		 Treble 5 0 0 3 26%
Hr.3
in
D.		 Treble 4 0 1 3 26%
Hr.4
in
D.		 Treble 6 0 1 4 21%
3
Pos.		 Bass 7 3 1 2 16%
2
Trp.
in
D.		 Treble 3 1 1 3 11%
B.T. Bass 2 0 0 2 11%
 
Donne mie, la fate a tanti (piano-vocal score)
Carlos E. Marrero
6:28 Est. Play
Time
176 Measures
1,095Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 49 10 8 99%
Bass 32 49 8 6 99%
Guglielmo Bass 14 0 3 6 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 49 10 8 99%
Bass 32 49 8 6 99%
Guglielmo Bass 14 0 3 6 86%
 
Love Is like A Rebellious Bird (L'amour est an oiseau rebelle) - CARMEN (Bizet)
Amanda Tholhuijsen-Quick
1:07 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 13 0 3 7 91%
Bass 12 5 2 3 93%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 13 0 3 7 91%
Bass 12 5 2 3 93%
Bass 23 6 4 5 93%
Bass 9 1 0 3 100%
 
Lohengrin Vorspiel to Akt 2. {Professional production full score.}
Jamie Holdham
1:25 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Timpani Bass 2 0 1 1 100%
Violoncellos Bass 14 0 4 7 86%
Bassoon Bass 7 0 2 3 21%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Timpani Bass 2 0 1 1 100%
Violoncellos Bass 14 0 4 7 86%
Bassoon Bass 7 0 2 3 21%
 
HWV 8-B Terpsicore GIGUE
edward.maurath
2:01 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 25 3 8 100%
Bass 11 1 1 6 96%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 25 3 8 100%
Bass 11 1 1 6 96%
Violas 11 0 1 6 100%
Violins
1		 Treble 17 0 1 7 100%
Violins
2		 Treble 14 0 3 7 100%
Continuo Bass 11 0 1 6 96%
Contrabass Bass 11 0 1 6 96%