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Opera
The Barber of Seville Overture
mike320
7:30 Est. Play
Time
265 Measures
5,916Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 26 35 12 9 97%
Violoncellos Bass 23 0 10 9 93%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 26 35 12 9 97%
Violoncellos Bass 23 0 10 9 93%
Violins
II		 Treble 33 45 14 11 93%
Contrabasses Bass 33 0 11 9 91%
Violins
I		 Treble 34 25 15 13 88%
Flutes Treble 25 0 7 11 66%
Bassoons Bass 23 19 9 9 60%
Oboes Treble 24 40 10 9 56%
Flute Treble 21 0 9 10 50%
Horn
in
E		 Treble 13 7 3 9 45%
C
Clarinet		 Treble 24 30 8 10 41%
Timpani Bass 5 0 1 5 35%
A
Trumpet		 Treble 7 6 0 6 35%
Trombone Bass 17 0 4 5 25%
A
Clarinet		 Treble 19 24 5 10 25%
Horn
in
G		 Treble 14 4 2 5 16%
 
HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major
edward.maurath
5:15 Est. Play
Time
113 Measures
1,931Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 23 51 5 7 82%
Bass 20 1 4 6 98%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 23 51 5 7 82%
Bass 20 1 4 6 98%
Cembalo Continuo Treble 22 51 5 7 79%
Bass 23 21 5 6 98%
Bassoon Continuo Bass 20 0 4 6 95%
Violin
2		 Treble 21 0 6 5 87%
Violoncello Continuo Bass 19 0 4 5 82%
Double
Bass Continuo		 Bass 19 0 4 5 81%
Viola 16 0 2 4 81%
Castrato Alto
as Bertarido		 Treble 14 0 4 8 66%
Violini
1		 Treble 15 0 4 5 65%
Oboe
1		 Treble 15 0 3 6 42%
Oboe
2		 Treble 20 0 6 6 42%
 
AÏDA de Verdi : Chœurs Partie 2/10 Acte 1 : Consacrazione e finale 1
Papibois
8:25 Est. Play
Time
182 Measures
2,899Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 47 131 24 11 90%
Bass 38 96 16 10 88%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 47 131 24 11 90%
Bass 38 96 16 10 88%
Ramfis Bass 19 0 8 11 47%
Basse
2		 Bass 18 0 6 10 36%
Ténor
2		 Treble 18 0 6 11 35%
Basse
1		 Bass 18 0 7 10 34%
Ténor
1		 Treble 21 0 7 11 34%
Soprano
2		 Treble 14 0 6 8 23%
Soprano
1		 Treble 14 0 4 8 22%
Gde
Prêtresse		 Treble 10 0 4 7 21%
Radamès Treble 19 0 5 11 20%
 
Carmen
d-klenin
1:57 Est. Play
Time
120 Measures
5,055Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
II		 Treble 32 2 12 6 98%
Violins
I		 Treble 32 4 11 6 98%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
II		 Treble 32 2 12 6 98%
Violins
I		 Treble 32 4 11 6 98%
Violoncellos Bass 27 0 10 6 98%
Violas 28 6 10 6 98%
Trumpets
in
A		 Treble 21 43 8 4 89%
Clarinets
in
A		 Treble 26 40 12 6 83%
Flute Treble 21 0 8 6 83%
Bassoons Bass 31 25 12 6 82%
Oboes Treble 23 16 8 6 80%
Contrebasses Bass 21 1 8 3 73%
Piccolo Treble 23 0 8 5 68%
Trombones 26 60 10 5 60%
Horn
in
A		 Treble 9 10 2 4 59%
Horn
in
E		 Treble 11 10 3 5 55%
Timpani Bass 2 0 0 4 35%
 
AÏDA de Verdi : Chœurs Partie 7/10 Gran finale 2 Parte 3 : Re, pei sacri Numi - BASSE 2 Peuple
Papibois
4:55 Est. Play
Time
138 Measures
4,010Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 43 136 23 10 96%
Bass 40 61 25 11 96%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 43 136 23 10 96%
Bass 40 61 25 11 96%
Re Bass 16 0 7 11 55%
Ramfis Bass 18 0 8 10 54%
Radamès Treble 16 0 8 11 48%
Peu.
Bas		 Bass 14 0 6 11 42%
Peu.
Bas2		 Bass 15 0 7 11 42%
Peu.
Ten		 Treble 16 0 8 11 41%
Peu.
Ten2		 Treble 15 0 7 11 41%
Peu.
Sop		 Treble 20 0 9 11 39%
Peu.
Sop2		 Treble 12 0 6 11 39%
Amneris Treble 21 0 11 10 38%
Prê.
Bas		 Bass 16 0 5 9 37%
Prê.
Bas2		 Bass 15 0 5 9 37%
Prê.
Ten		 Treble 17 0 5 9 37%
Prê.
Ten2		 Treble 16 0 6 9 37%
Aïda Treble 17 0 6 11 36%
Amonasro Bass 14 0 4 11 33%
Pris.
Bas		 Bass 12 0 3 9 31%
Pris.
Bas2		 Bass 13 0 4 9 31%
Escl.
Sop
1		 Treble 17 0 5 9 30%
Escl.
Sop
2		 Treble 12 0 4 9 30%
 
HWV7A2N8b - "Mio cor, che mi sai dir?" (b minor)
edward.maurath
4:43 Est. Play
Time
51 Measures
1,285Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 23 0 8 4 99%
Contrabassi (Continuo) Bass 22 0 7 4 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 23 0 8 4 99%
Contrabassi (Continuo) Bass 22 0 7 4 97%
Violoncelli (Continuo) Bass 21 0 7 4 97%
Cemballo
(Continuo)		 Treble 26 37 9 5 90%
Bass 33 23 12 6 96%
Violins I



 Treble 22 0 6 4 95%
Violins II



 Treble 21 0 5 4 91%
Tenor
as Goffredo		 14 0 5 6 60%
Bassoon
(Cembalo)		 Bass 18 0 4 4 47%
Oboe Treble 18 0 5 4 47%
 
Overture from the Opera "The Truce of Ptolemais"
rufinb
12:04 Est. Play
Time
402 Measures
5,766Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 23 0 11 6 98%
Violas 25 36 10 8 97%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 23 0 11 6 98%
Violas 25 36 10 8 97%
Violins
II		 Treble 30 36 15 7 97%
Contrabasses Bass 22 0 11 6 97%
Violins
I		 Treble 34 1 14 11 97%
Bassoons Bass 29 0 16 8 90%
Clarinets in
C		 Treble 25 0 13 13 89%
Oboes Treble 23 0 12 13 83%
Flutes Treble 22 0 9 13 78%
Trumpets in
C		 Treble 15 0 6 10 75%
Horns in
F		 Treble 17 0 5 10 71%
Ophicleide or
Tuba		 Bass 21 0 10 7 66%
 
Richard Wagner - ENDE.zu.GOTTERDAMMERUNG in Full score. {Unfinished.}
Jamie Holdham
6:13 Est. Play
Time
185 Measures
8,121Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bratschen. 34 23 30 13 96%
Violas 34 22 30 13 92%
View all 40 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bratschen. 34 23 30 13 96%
Violas 34 22 30 13 92%
Violoncelle. Bass 38 0 31 14 89%
Violoncellos Bass 38 0 31 13 89%
Violins Treble 35 29 29 13 89%
Violinen. Treble 42 6 34 13 78%
Horn
in
F		 Treble 25 20 23 12 71%
Horner. Treble 23 21 19 12 69%
Oboe Treble 22 1 19 12 59%
Treble 26 4 16 12 68%
Hoboen. Treble 24 0 16 12 67%
Clarinetten.
(B)		 Treble 30 1 20 12 56%
Contrabasse. Bass 27 0 18 9 55%
B♭
Clarinet		 Treble 31 0 24 12 51%
Treble 26 22 17 12 53%
Bassoon Bass 22 1 16 9 50%
Bass 28 0 18 13 47%
Fagotte. Bass 22 0 15 10 50%
4
Posaunen.		 Bass 22 6 12 10 47%
Tenor
Trombone		 Bass 22 14 12 11 44%
Flute Treble 12 0 8 10 27%
Treble 22 4 15 12 42%
Trompetten. Treble 18 0 14 10 37%
Floten. Treble 17 4 12 11 37%
Englishes
Horn.		 Treble 17 0 11 11 36%
C
Trumpet		 Treble 21 0 14 9 31%
Treble 15 0 11 10 20%
Pauken. Bass 10 0 5 5 30%
Bass
Trompetten.		 Treble 12 0 9 7 26%
6
Harfen.		 Treble 28 9 14 7 23%
Bass 25 13 13 6 24%
Trombone Bass 19 1 10 11 23%
Harp Treble 26 12 12 6 21%
Bass 26 13 13 6 22%
Contrabass
Tuben.		 Bass 19 0 10 6 20%
4
Tuben.		 Treble 12 1 8 6 19%
Timpani Bass 7 0 4 6 19%
Kleinen
Floten.		 Treble 20 0 11 8 18%
Tuba Bass 22 4 9 6 16%
Bass
Clarinetten.		 Bass 24 0 13 8 14%
 
Chorus of Soldiers and Shepherdesses
rufinb
7:22 Est. Play
Time
150 Measures
3,354Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 22 27 7 7 100%
Treble 28 23 10 7 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 22 27 7 7 100%
Treble 28 23 10 7 100%
Contrabass Bass 17 0 5 7 100%
Viola 19 24 9 6 100%
Violoncello Bass 23 0 6 6 100%
A
Clarinets 1
amp;amp;
2		 Treble 29 0 11 9 93%
Bassoon Bass 27 0 11 9 88%
Oboes 1
amp;amp;
2		 Treble 19 0 8 8 82%
E
Horns 1
amp;amp;
2		 Treble 11 0 2 8 72%
Flutes 1
amp;amp;
2		 Treble 19 0 9 8 69%
Trombones 1
amp;amp;
2		 Bass 17 0 6 5 61%
E
Trumpets 1
amp;amp;
2		 Treble 11 0 2 5 58%
Ophicleide Bass 12 0 3 5 46%
Piccolo Treble 13 0 3 6 45%
Timpani Bass 2 0 0 5 29%
A
Clarinet		 Treble 6 0 0 5 13%
Flute Treble 8 0 1 5 13%
 
Richard Strauss - Die Frau ohne Schatten Act 3 Finale (Vocal Score) WIP
LeftRight
1:28 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 49 45 16 7 97%
Treble 30 63 11 7 94%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 49 45 16 7 97%
Treble 30 63 11 7 94%
Treble 32 14 13 6 63%
Der
Ungeboren		 Treble 22 0 4 5 69%
Die
Kaiserin		 Treble 21 0 7 6 61%
Der
Kaiser		 Treble 18 0 5 6 52%
5
Solo
Voices		 Treble 11 6 2 4 20%
Treble 7 0 0 4 20%
 
HWV5A1N24 Cara Sposa, amante cara, dove sei?
edward.maurath
12:13 Est. Play
Time
93 Measures
1,084Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
II		 Treble 21 0 6 6 98%
Violin
I		 Treble 21 0 5 6 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
II		 Treble 21 0 6 6 98%
Violin
I		 Treble 21 0 5 6 96%
Viola 18 0 4 5 95%
Cembalo Continuo Treble 25 63 8 6 64%
Bass 26 57 6 6 75%
Cello Bass 22 0 5 6 73%
Rinaldo 16 0 6 5 73%
Double
Bass Continuo		 Bass 22 0 5 6 72%
 
HWV26A2N10 - Alto Aria for Matilde "Arma lo sguardo"
edward.maurath
5:55 Est. Play
Time
64 Measures
1,233Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 30 138 11 7 95%
Bass 25 28 6 4 98%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 30 138 11 7 95%
Bass 25 28 6 4 98%
Violoncello Continuo Bass 23 0 6 4 98%
Violini Treble 25 0 8 7 96%
Contrabasso Continuo Bass 21 0 6 4 85%
Maltilde 20 0 7 7 76%