Play Along Piano

Tags

Opera

The Phantom of the Opera

musikmann

4:02	Est. Play Time
121	Measures
	2,711Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	14	11	5	18%
	1	0	0	1	1%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	14	11	5	18%
	1	0	0	1	1%
	23	1	9	2	100%
Electric Bass	20	0	6	2	100%
Violoncello	18	0	3	3	77%
Contrabass	18	0	3	2	75%
Christine	29	0	3	7	57%
Electric Guitar	35	20	11	9	40%
Phantom	20	0	3	5	36%
Violin 1	25	0	3	7	30%
B♭ Trumpet 1	16	0	6	6	19%
Trombone 1	13	0	5	6	19%
Violin 2	24	0	3	7	17%
B♭ Trumpet 2	16	0	4	6	16%
F Horn 1 amp;amp; 3	13	0	6	4	12%
Viola	9	0	1	6	12%
Timpani	5	0	0	2	12%
Flute 1	9	0	3	6	11%
Trombone 2	11	0	4	5	11%
Flute 2	9	0	2	6	9%
F Horn 2 amp;amp; 4	13	0	5	4	7%
Tuba	12	0	3	4	7%
Oboe 1	8	0	2	6	7%
B♭ Clarinet 1	10	0	2	4	5%
B♭ Clarinet 2	7	0	2	4	5%
Bassoon 1	8	0	2	4	5%
Bassoon 2	10	0	2	4	5%
Oboe 2	10	0	3	4	5%

Giacomo Puccini - Turandot Act 3: Tu che di gel sei cinta

H. L.

7:40	Est. Play Time
94	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	134	9	6	98%
	43	65	11	9	94%
Flute	14	0	1	5	18%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	134	9	6	98%
	43	65	11	9	94%
Flute	14	0	1	5	18%

Dido and Æneas, No.38: Chorus - With drooping wings

Voorburgs Operakoor

5:24	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	71	11	8	97%
	28	39	10	6	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	71	11	8	97%
	28	39	10	6	99%
S	14	0	5	7	50%
T	13	0	3	5	50%
A	14	0	4	7	48%
B	14	0	3	5	48%
Dido	16	0	6	9	35%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Overture

BelCantoOpera

6:16	Est. Play Time
177	Measures
	1,908Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	0	6	69%
Violins 1	20	0	0	7	64%
View all 22 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	6	69%
Violins 1	20	0	7	64%
Violas	18	0	8	63%
Violins 2	21	0	5	61%
Double Basses	16	0	6	59%
Flute	11	0	5	18%
	14	0	7	34%
B Trumpet	11	4	9	25%
	15	5	7	18%
Trombone	14	0	7	24%
	4	0	2	4%
Oboe	10	0	5	7%
	14	0	6	22%
Horn	12	2	6	21%
	10	1	4	19%
Bassoon	14	0	7	16%
	10	0	7	10%
B Clarinet	11	4	4	10%
	10	2	4	10%
Timpani	4	0	2	9%
F Tuba	3	0	2	2%
Piccolo	3	0	2	2%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%

Work of Zwink 9

Zwink, Tyler

4:32	Est. Play Time
104	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	5	3	85%
	16	14	4	4	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	5	3	85%
	16	14	4	4	96%
Bass	13	1	3	7	68%
Electric Guitar	11	0	3	4	35%

Золотой петушок

Ivan P

4:08	Est. Play Time
80	Measures
	2,282Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
C.-Bassi	19	1	9	7	80%
2 Fagotti	31	0	17	8	75%
Viole	27	10	12	8	72%
Violini II	29	7	15	7	71%
2 Oboi	26	0	16	8	60%
2 Flauti	32	0	22	9	56%
2 Clarinetti in B	37	0	15	8	49%
2 Arpe	36	9	21	6	43%
	27	9	15	6	22%
4 Corni in F	16	0	3	5	28%
	19	0	6	5	41%
Corno Inglese	18	0	10	5	30%
2 Trombe in C	16	0	3	5	29%
Flauto piccolo	20	0	14	6	23%
Contrafagotto	8	0	3	5	22%
Звездочёт	16	0	6	5	22%
2 Clarinetti in A	34	0	20	8	21%
Timpani	2	0	0	3	20%
3 Tromboni	6	0	1	2	4%
	9	0	0	3	19%
Campanelli	13	0	5	1	14%
Clarinetto-basso in A	11	0	4	4	14%
Clarinetto-basso in B	7	0	2	3	8%
Celeste	16	12	7	1	4%
	12	8	5	1	4%
Tuba	6	0	1	3	3%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere» - BASSE

Papibois

3:58	Est. Play Time
149	Measures
	1,928Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	42	9	6	99%
	32	50	11	6	91%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	42	9	6	99%
	32	50	11	6	91%
Nemorino	16	0	6	6	75%
Adina	19	0	5	6	68%
Belcore	16	0	4	5	65%
Ténor 1	14	0	5	5	60%
Ténor 2	14	0	5	5	60%
Base	15	0	7	4	60%
Giannetta	18	0	6	4	53%
Soprano 1	14	0	4	4	53%
Soprano 2	14	0	3	4	53%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

The Barber of Seville Overture

mike320

7:30	Est. Play Time
265	Measures
	5,916Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	35	12	9	97%
Violoncellos	23	0	10	9	93%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	35	12	9	97%
Violoncellos	23	0	10	9	93%
Violins II	33	45	14	11	93%
Contrabasses	33	0	11	9	91%
Violins I	34	25	15	13	88%
Flutes	25	0	7	11	66%
Bassoons	23	19	9	9	60%
Oboes	24	40	10	9	56%
Flute	21	0	9	10	50%
Horn in E	13	7	3	9	45%
C Clarinet	24	30	8	10	41%
Timpani	5	0	1	5	35%
A Trumpet	7	6	0	6	35%
Trombone	17	0	4	5	25%
A Clarinet	19	24	5	10	25%
Horn in G	14	4	2	5	16%

HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major

edward.maurath

5:15	Est. Play Time
113	Measures
	1,931Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
Cembalo Continuo	22	51	5	7	79%
	23	21	5	6	98%
Bassoon Continuo	20	0	4	6	95%
Violin 2	21	0	6	5	87%
Violoncello Continuo	19	0	4	5	82%
Double Bass Continuo	19	0	4	5	81%
Viola	16	0	2	4	81%
Castrato Alto as Bertarido	14	0	4	8	66%
Violini 1	15	0	4	5	65%
Oboe 1	15	0	3	6	42%
Oboe 2	20	0	6	6	42%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere»

Papibois

3:58	Est. Play Time
149	Measures
	1,916Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	42	9	6	99%
	32	50	11	6	91%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	42	9	6	99%
	32	50	11	6	91%
Nemorino	16	0	6	6	75%
Adina	19	0	5	6	68%
Belcore	16	0	4	5	65%
Ténor 1	14	0	5	5	60%
Ténor 2	14	0	5	5	60%
Basse	15	0	5	4	60%
Giannetta	18	0	6	4	53%
Soprano 1	14	0	3	4	53%
Soprano 2	14	0	3	4	53%