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Opera

Les Huguenots Act V Trio - Bass Clarinet Solo

Aphrion

1:18	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Clarinet		21	0	5	10	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Clarinet		21	0	5	10	100%

Heut' Nacht hab ich geträumt von Dir - Last night I dreamed of you (The Violet From Montmartre)

julianibus

3:15	Est. Play Time
98	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	17	7	6	100%
Flute	25	13	8	100%
Viola	23	15	7	97%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	17	7	6	100%
Flute	25	13	8	100%
Viola	23	15	7	97%

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
Contrabasses	21	0	5	9	100%
Violins 1	21	0	4	9	100%
Violins 2	19	0	4	9	100%
Violoncello	21	0	5	9	100%
Violoncellos	21	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

HWV1A2N24 - Movei passi a le ruine (WIP)

edward.maurath

2:57	Est. Play Time
95	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin 1		21	0	7	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin 1		21	0	7	4	100%

HWV5A1N24 Cara Sposa, amante cara, dove sei?

edward.maurath

12:13	Est. Play Time
93	Measures
	1,084Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
Viola	18	0	4	5	95%
Cembalo Continuo	25	63	8	6	64%
	26	57	6	6	75%
Cello	22	0	5	6	73%
Rinaldo	16	0	6	5	73%
Double Bass Continuo	22	0	5	6	72%

Somewhere

Peter Gostelow

2:27	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lead Guitar	25	0	3	8	100%
Rhythm Guitar	14	16	0	5	87%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lead Guitar	25	0	3	8	100%
Rhythm Guitar	14	16	0	5	87%
Soprano	10	0	0	4	86%
Bass Guitar	10	0	0	4	77%

Wagner - Lohengrin Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

10:23	Est. Play Time
75	Measures
	2,059Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	12	0	5	9	32%
	36	0	19	14	97%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	12	0	5	9	32%
	36	0	19	14	97%
	32	12	18	13	96%
	28	0	17	12	59%
	29	0	16	13	59%
	11	0	3	10	32%
	10	0	2	9	32%
	9	0	4	10	32%
Flute	25	2	13	13	84%
	24	0	13	10	60%
A Clarinet	36	6	19	12	79%
Oboe	21	2	14	13	78%
Bassoon	36	38	22	11	66%
English Horn	22	0	11	11	59%
Bass Clarinet	36	0	16	10	56%
Horn in F	24	3	10	12	49%
	23	8	9	12	54%
Violas	24	9	14	12	47%
Violoncellos	27	1	14	12	40%
Contrabasse.	19	0	11	10	39%
Trombone	24	19	12	12	36%
Tuba	13	0	8	11	27%
D Trumpet	11	4	8	11	27%
	8	0	2	7	16%
Timpani	2	0	0	3	19%

Wagner - Siegfried Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:57	Est. Play Time
46	Measures
	1,369Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
Contrabasse.	25	0	11	8	100%
Violins	23	0	9	8	100%
Violoncelle.	27	0	12	8	100%
FAGOTTEN.	28	8	9	8	90%
1. BASS-TUBA. (in B.)	21	2	10	8	88%
CONTRABASS-TUBA.	18	0	5	7	82%
BASS-CLARINETTE. (in B.)	23	0	7	7	75%
2 TENOR-TUBEN. (in Es.)	11	5	2	7	69%
Bassoon	26	0	9	7	68%
3 POSAUNEN.	21	5	7	7	63%
HORNER.	18	0	8	9	53%
2. BASS-TUBA.	10	0	6	7	50%
PAUKEN. (1. PAAR.)	2	0	0	4	43%
TROMPETEN.	8	0	3	5	38%
HOBOEN.	17	0	7	3	35%
CONTRABASS- POSAUNE.	6	0	3	2	32%
BASS TROMPETEN.	8	0	2	6	29%
CLARINETTEN.	17	0	8	4	25%
B♭ Clarinet	16	0	7	3	21%
Englisch Horn.	13	0	6	4	21%
F Trumpet	6	0	3	6	21%
Oboe	14	0	6	3	21%
Horn in F	15	7	5	3	21%
GROSSE FLOTEN.	4	1	1	3	14%
Flute	5	3	1	3	14%
Trombone	10	0	3	6	14%
Kleinen Floten.	2	0	1	2	7%
PAUKEN. (2. PAAR.)	1	0	0	1	7%

Wagner - Parsifal Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

5:29	Est. Play Time
44	Measures
	1,198Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Violinen. 2.	34	0	21	13	100%
Violoncelle.	27	0	19	13	98%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Violinen. 2.	34	0	21	13	100%
Violoncelle.	27	0	19	13	98%
BRATSCHEN.	25	8	18	12	93%
Violins	25	8	17	13	89%
Contrabasse.	23	0	14	10	50%
Bassoon	19	0	10	10	39%
	19	0	10	8	39%
ENGLISCHES HORN.	16	0	9	9	39%
Horn in F	22	5	8	8	38%
	15	0	8	8	34%
	19	5	7	8	31%
3 POSAUNE.	11	0	4	6	37%
B♭ Clarinet	20	0	11	9	32%
	12	0	4	8	16%
3 FAGOTT.	15	0	9	6	32%
3 CLARINETTEN. (in B)	22	6	12	10	30%
4 HORNER. (in F)	14	0	6	8	30%
BASS TUBA.	11	0	4	6	30%
CONTRAFAGOTT.	14	0	7	8	25%
Oboe	9	0	2	5	7%
	11	0	5	8	23%
Bass Trombone	10	0	4	7	23%
3 HOBOEN.	18	0	6	10	20%
Tenor Trombone	9	0	3	5	20%
BASS CLARINETTEN. (B)	10	0	6	5	14%
Floten.	10	0	3	4	5%
Pauken.	1	0	0	2	5%

Wagner - Parsifal Overture to Akt 3. Professional production full score.

Jamie Holdham

5:42	Est. Play Time
46	Measures
	1,181Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Violinen. 2.	34	0	21	13	100%
Violoncelle.	27	0	19	13	98%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Violinen. 2.	34	0	21	13	100%
Violoncelle.	27	0	19	13	98%
BRATSCHEN.	25	8	18	12	94%
Violins	25	8	17	13	87%
Contrabasse.	23	0	14	10	49%
Bassoon	20	0	10	10	40%
	19	0	10	8	40%
ENGLISCHES HORN.	16	0	9	9	38%
Horn in F	22	5	8	8	37%
	15	0	8	8	33%
	19	5	7	8	30%
3 POSAUNE.	11	0	4	6	36%
B♭ Clarinet	21	0	11	9	33%
	12	0	4	8	16%
3 FAGOTT.	15	0	9	6	33%
3 CLARINETTEN. (in B)	22	6	12	10	30%
4 HORNER. (in F)	14	0	6	8	29%
BASS TUBA.	11	0	4	6	29%
CONTRAFAGOTT.	14	0	7	8	24%
Oboe	9	0	2	5	7%
	11	0	5	8	22%
Bass Trombone	10	0	4	7	22%
3 HOBOEN.	18	0	6	10	20%
Tenor Trombone	9	0	3	5	20%
BASS CLARINETTEN. (B)	11	0	6	5	16%
Floten.	10	0	3	4	4%
Pauken.	1	0	0	2	4%

I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8

edward.maurath

3:47	Est. Play Time
35	Measures
	1,413Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
Bassoon (Continuo)	15	0	1	6	100%
Contrabassi (Continuo)	15	0	1	6	100%
Violas	16	0	4	6	100%
Violins 1	22	0	4	7	100%
Violins 2	18	0	5	7	100%
Violoncelli (Continuo)	15	0	1	6	100%
Oboe	17	0	4	5	97%
Horn	12	0	1	5	79%
Alto	7	0	2	5	74%
Bass	12	0	1	5	74%
Soprano	10	0	1	6	74%
Tenor	8	0	1	5	74%

Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734

edward.maurath

3:16	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	15	6	11	100%
	18	19	3	9	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	15	6	11	100%
	18	19	3	9	100%
Basso Continuo	18	0	3	9	100%
Contrabasses	17	0	3	9	100%
Violas	16	0	3	9	100%
Violini 1	24	0	5	12	100%
Violini 2	24	0	5	13	100%

"Sento brillar" from "Il Pastor Fido," HWV 8, last season

edward.maurath

5:48	Est. Play Time
104	Measures
	2,734Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	68	8	10	99%
	24	50	5	5	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	68	8	10	99%
	24	50	5	5	100%
Violoncello	19	0	3	5	100%
Contrabassi (Continuo)	17	0	3	3	97%
Violas	18	0	4	4	97%
Violins 1	20	0	4	4	97%
Violins 2	22	0	5	4	97%
Violoncelli (Continuo)	18	0	3	3	97%
Soprano as Mirtillo	18	0	6	10	75%
Bassoon (Continuo)	13	0	1	3	31%
Bassoon with violas	11	0	1	3	31%
Oboe	16	0	1	4	31%

Se a me non sei crudele, ogn' or from "Giulio Cesare," HWV 17 (1724)

edward.maurath

5:15	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
Contrabass	23	0	6	9	100%
Violin	24	0	7	9	100%
Violoncello	24	0	7	9	100%
Violoncellos	23	0	6	9	100%
ACHILLA	17	0	4	8	77%

HWV7A1N24Y1731 Rinaldo, "Cara Sposa, amante care, dove sei?"

edward.maurath

12:14	Est. Play Time
93	Measures
	1,328Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
Viola	18	0	4	5	95%
Harpsi	30	84	8	7	76%
	26	56	6	6	73%
Cello	22	0	5	6	73%
Rinaldo	16	0	6	5	73%
Kontrebaß	22	0	5	6	72%
Violoncellos	22	0	5	6	72%

"Al lampo del armi" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

4:17	Est. Play Time
62	Measures
	1,714Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	0	5	3	100%
	23	0	5	3	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	0	5	3	100%
	23	0	5	3	100%
Harp Continuo	23	0	5	3	100%
	23	0	5	3	100%
Contrabassi Continuo	23	0	5	3	100%
Violoncelli Continuo	23	0	5	3	100%
Violoncello Continuo	23	0	5	3	100%
Violini	18	0	4	5	95%
Cesare	11	0	2	5	78%
Bassi	8	0	0	2	4%
Contralti	9	10	0	2	4%
Soprani	5	0	0	2	4%

"Il Tricerbero humiliato" from "Rinaldo," HWV 7 (1711 and 1717)

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	22	5	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	22	5	9	100%
Contrabasses	22	0	5	9	100%
Violins	22	0	4	9	100%
Violins 2	20	0	4	9	100%
Violoncello	22	0	5	9	100%
Violoncellos	22	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%