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Opera

Giacomo Puccini - Turandot Act 1: Ah! Per l'ultima volta!

H. L.

4:25	Est. Play Time
59	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	27	11	7	27%
		40	81	9	13	99%
		37	43	7	15	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	27	11	7	27%
		40	81	9	13	99%
		37	43	7	15	89%

Coro de las Palmadas

rufinb

8:03	Est. Play Time
170	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	43	4	4	95%
Piano		32	38	7	7	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	43	4	4	95%
Piano		32	38	7	7	99%

Giacomo Puccini - Turandot Act 3: Tu che di gel sei cinta

H. L.

7:40	Est. Play Time
94	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	134	9	6	98%
		43	65	11	9	94%
Flute		14	0	1	5	18%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	134	9	6	98%
		43	65	11	9	94%
Flute		14	0	1	5	18%

Terceto Del Primero Acto de "La Tregua di Ptolemaide" (Trio from the First Act of "The Truce of Ptolemaide")

rufinb

7:51	Est. Play Time
226	Measures
	1,581Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	129	25	8	100%
		36	103	21	7	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	129	25	8	100%
		36	103	21	7	99%

"Sull' april d'una vita" y "Dará vita al mio furor"

rufinb

7:00	Est. Play Time
145	Measures
	1,693Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	85	25	7	98%
		35	41	15	6	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	85	25	7	98%
		35	41	15	6	98%
Matilde		20	0	13	12	72%
Riccardo		15	0	8	9	26%

Dido and Æneas, No.38: Chorus - With drooping wings

Voorburgs Operakoor

5:24	Est. Play Time
85	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	71	11	8	97%
		28	39	10	6	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	71	11	8	97%
		28	39	10	6	99%
S		14	0	5	7	50%
T		13	0	3	5	50%
A		14	0	4	7	48%
B		14	0	3	5	48%
Dido		16	0	6	9	35%

AÏDA de Verdi : Chœurs Partie 10/10 Acte 4 : Finale ultimo

Papibois

3:33	Est. Play Time
61	Measures
	1,036Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	37	9	9	99%
		33	27	8	5	96%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	37	9	9	99%
		33	27	8	5	96%
Aïda		15	0	2	9	70%
Radamès		14	0	2	9	62%
Prêtres Bas		9	4	2	9	48%
Prêtresses Sop		11	5	3	9	48%
Prêtres Ten		10	6	2	9	41%
Amnéris		7	0	1	6	18%

Sorga l'alba

rufinb

8:47	Est. Play Time
204	Measures
	1,094Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	45	13	8	98%
Piano		36	102	17	7	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	45	13	8	98%
Piano		36	102	17	7	98%
Matilde		19	0	9	7	78%
Berenguela		12	0	3	6	25%

A Real Slow Drag - Scott Joplin - 1913

James Brigham

5:06	Est. Play Time
128	Measures
	1,852Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	85	19	7	100%
		32	39	18	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	85	19	7	100%
		32	39	18	6	94%

HWV1A2N30 - Sanerà la piaga un dì

edward.maurath

3:30	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	45	6	4	98%
		23	14	5	2	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	45	6	4	98%
		23	14	5	2	100%
Bassoon Continuo		22	0	5	2	98%
Soprano as Almira		15	0	3	6	87%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere» - BASSE

Papibois

3:58	Est. Play Time
149	Measures
	1,928Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
Nemorino		16	0	6	6	75%
Adina		19	0	5	6	68%
Belcore		16	0	4	5	65%
Ténor 1		14	0	5	5	60%
Ténor 2		14	0	5	5	60%
Base		15	0	7	4	60%
Giannetta		18	0	6	4	53%
Soprano 1		14	0	4	4	53%
Soprano 2		14	0	3	4	53%

Presto, presto, pria ch’ei venga. Don Giovanni

FranckM.

4:45	Est. Play Time
172	Measures
	1,586Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	76	12	11	100%
		24	47	5	9	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	76	12	11	100%
		24	47	5	9	99%
M.		23	10	3	7	49%
G.		11	0	2	7	46%
Z.		13	0	4	6	45%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		21	86	6	9	100%
		22	37	5	6	99%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		21	86	6	9	100%
		22	37	5	6	99%
Violoncello Continuo		17	2	1	3	86%
Violins		15	0	2	8	73%
Rodelinda		13	0	3	5	68%
Contrabasses		14	0	0	3	60%
Violincello Continuo		14	0	0	3	60%
Violas		13	0	2	5	55%
Bassoon Continuo		14	0	0	3	15%
Oboe		10	0	0	6	14%

Overture for A Life for the Tsar

El Porra

5:18	Est. Play Time
437	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		32	99	14	6	99%
		30	91	17	6	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		32	99	14	6	99%
		30	91	17	6	98%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere»

Papibois

3:58	Est. Play Time
149	Measures
	1,916Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
Nemorino		16	0	6	6	75%
Adina		19	0	5	6	68%
Belcore		16	0	4	5	65%
Ténor 1		14	0	5	5	60%
Ténor 2		14	0	5	5	60%
Basse		15	0	5	4	60%
Giannetta		18	0	6	4	53%
Soprano 1		14	0	3	4	53%
Soprano 2		14	0	3	4	53%

N°12. "Batti, batti, o bel Masetto". Don Giovanni

FranckM.

5:05	Est. Play Time
101	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	35	7	7	98%
		22	9	5	6	99%
Z.		17	0	4	6	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	35	7	7	98%
		22	9	5	6	99%
Z.		17	0	4	6	92%

HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"

edward.maurath

3:55	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		23	74	5	7	100%
		17	19	2	4	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		23	74	5	7	100%
		17	19	2	4	100%
Violoncello Continuo		16	0	2	4	100%
Bertarido		13	0	2	6	76%
Vln 1		14	0	0	7	57%
Contrabass Continuo		11	0	0	4	53%
Viola		10	0	0	4	47%
Vln 2		11	0	0	5	47%

E pur'io torno

HoltWasHere

3:52	Est. Play Time
183	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	69	9	8	100%
		22	9	3	6	100%
Voice		15	0	3	8	77%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	69	9	8	100%
		22	9	3	6	100%
Voice		15	0	3	8	77%

Overture from the Opera "The Truce of Ptolemais"

rufinb

12:04	Est. Play Time
402	Measures
	5,766Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		23	0	11	6	98%
Violas		25	36	10	8	97%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		23	0	11	6	98%
Violas		25	36	10	8	97%
Violins II		30	36	15	7	97%
Contrabasses		22	0	11	6	97%
Violins I		34	1	14	11	97%
Bassoons		29	0	16	8	90%
Clarinets in C		25	0	13	13	89%
Oboes		23	0	12	13	83%
Flutes		22	0	9	13	78%
Trumpets in C		15	0	6	10	75%
Horns in F		17	0	5	10	71%
Ophicleide or Tuba		21	0	10	7	66%

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