Active Filters:
Play Time: < 1:00
Unique Accidentals: 3-4
Unique Notes: 11 - 15
Clear All Filters

Tags

J.S. Bach
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus VII.
Samuel Ricke
0:53 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 14 0 4 6 100%
Bass 22 0 6 6 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 14 0 4 6 100%
Bass 22 0 6 6 100%
Alto. 8 0 1 5 100%
Basso. Bass 15 0 5 6 100%
Continuo. Bass 15 0 5 6 100%
Cornetto. 11 0 3 4 100%
Soprano. 11 0 3 4 100%
Tenore. 12 0 3 4 100%
Trombone
I.		 8 0 1 5 100%
Trombone
II.		 12 0 3 4 100%
Trombone
III.		 Bass 15 0 5 6 100%
Viola
I.		 8 0 1 5 100%
Viola
II.		 12 0 3 4 100%
Violino
I.II.		 Treble 11 0 3 4 100%
Violone. Bass 15 0 5 6 100%
 
236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.
SDG
0:32 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 4 100%
Treble 7 0 1 4 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 4 100%
Treble 7 0 1 4 100%
Oboe Treble 10 0 2 5 45%
Treble 7 0 1 4 100%
Violin Treble 11 0 2 5 45%
Treble 7 0 1 4 100%
C
Trumpet		 Treble 12 0 1 4 95%
Soprano/Alto Treble 15 0 3 5 95%
Contrabass Bass 13 0 0 4 91%
Viola 13 0 3 4 91%
Violoncello Bass 13 0 0 4 91%
Tenor/Bass Bass 18 0 3 6 86%
Timpani Bass 2 0 0 4 82%
 
87. Es ist das Heil uns kommen her (Ob sich's anliess, als wollt' er nicht). BWV 9.7
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 25 0 8 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 25 0 8 3 100%
Contrabass Bass 16 0 3 3 51%
Violoncello Bass 16 0 3 3 51%
 
217. Keinen hat Gott verlassen. BWV 369
SDG
0:52 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Contrabass Bass 13 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Contrabass Bass 13 0 3 4 50%
 
339. Was Gott thut, das ist wohlgethan. BWV 250.
SDG
0:50 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Soprano		 Treble 9 0 1 4 100%
extra
Tenor		 Treble 10 0 1 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Soprano		 Treble 9 0 1 4 100%
extra
Tenor		 Treble 10 0 1 2 100%
Soprano/Alto Treble 15 0 3 4 100%
Tenor/Bass Bass 17 0 2 4 100%
Horn
in
F		 Treble 10 0 1 4 97%
extra
Bass		 Bass 12 0 1 3 55%
Contrabass Bass 11 0 1 3 50%
extra
Alto		 Treble 11 0 2 3 50%
 
103. Freu' dich sehr, o meine Seele (Tröstet, tröstet meine Lieben). BWV 30/6.
SDG
0:58 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 3 6 100%
Tenor/Bass Bass 24 0 7 5 100%
Contrabass Bass 15 0 4 4 49%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 3 6 100%
Tenor/Bass Bass 24 0 7 5 100%
Contrabass Bass 15 0 4 4 49%
 
242. Meinen Jesum lass' ich nicht. BWV 380.
SDG
0:44 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 21 0 6 4 100%
Contrabass Bass 17 0 4 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 21 0 6 4 100%
Contrabass Bass 17 0 4 3 50%
 
213. In dich hab' ich gehoffet, Herr. BWV 244 #32
SDG
0:32 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 18 0 4 3 100%
Contrabass Bass 13 0 4 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 18 0 4 3 100%
Contrabass Bass 13 0 4 2 50%
 
150. Herr, wie du willst, so schick's mit mir (Aus tiefer Noth schrei' ich zu dir). BWV 156/5.
SDG
0:54 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 100%
Tenor/Bass Bass 17 0 4 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 100%
Tenor/Bass Bass 17 0 4 4 100%
Contrabass Bass 14 0 4 4 50%
Violoncello Bass 14 0 4 4 50%
 
212. In dich hab' ich gehoffet, Herr. BWV 52 #6
SDG
0:40 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 11 0 1 4 100%
Soprano/Alto Treble 12 0 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 11 0 1 4 100%
Soprano/Alto Treble 12 0 3 5 100%
Tenor/Bass Bass 17 0 2 6 100%
Contrabass Bass 10 0 1 5 48%
 
192. Jesu Leiden, Pein und Tod. BWV 245/14.
SDG
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 7 4 100%
Contrabass Bass 15 0 4 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 7 4 100%
Contrabass Bass 15 0 4 3 50%
 
96. Es woll' uns Gott genädig sein. BWV 312.
SDG
0:01 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 4 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 4 5 50%
 
239. Mach's mit mir, Gott, nach deiner Güt (Durch dein Gefängniss Gottes Sohn). BWV 245/22.
SDG
0:47 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 22 0 5 4 100%
Contrabass Bass 14 0 3 2 47%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 22 0 5 4 100%
Contrabass Bass 14 0 3 2 47%