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J.S. Bach
J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer
Samuel Ricke
0:38 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 11 12 3 2 88%
Bass 9 0 2 1 89%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 11 12 3 2 88%
Bass 9 0 2 1 89%
Continuo. Bass 9 0 2 1 89%
Evangelist. 11 0 2 3 89%
Violone. Bass 9 0 2 1 89%
Judas. Bass 8 0 1 2 33%
 
1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 13 0 2 4 100%
Contrabass Bass 10 0 2 3 50%
 
12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Bass 16 0 3 4 100%
Bass 16 0 3 4 100%
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 14 0 2 2 50%
 
338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Treble 12 0 1 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Treble 12 0 1 4 100%
Bass 14 0 1 4 100%
Bass 14 0 1 4 100%
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 14 0 1 4 100%
Contrabass Bass 9 0 1 3 50%
 
259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.
SDG
2:10 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 18 0 5 2 100%
Horn
in
F		 Treble 16 0 5 7 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 18 0 5 2 100%
Horn
in
F		 Treble 16 0 5 7 100%
Violoncello Bass 18 0 5 2 100%
Timpani Bass 2 0 0 4 76%
Soprano/Alto Treble 9 0 2 3 63%
Tenor/Bass Bass 17 0 2 4 63%
Flute Treble 7 0 1 3 55%
Treble 7 0 1 3 55%
Oboe Treble 7 0 1 3 55%
Treble 7 0 1 3 55%
Violin Treble 6 0 1 2 35%
Treble 7 0 1 3 55%
Soprano Treble 7 0 1 3 55%
Viola 7 0 1 4 55%
 
46. Christus der ist mein Leben, Melchior Vulpius, J.S. Bach, BWV 281.
SDG
0:26 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 0 6 100%
Treble 10 0 0 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 0 6 100%
Treble 10 0 0 6 100%
Bass 18 0 3 6 100%
Bass 18 0 3 6 100%
Soprano/Alto Treble 10 0 0 6 100%
Tenor/Bass Bass 18 0 3 6 100%
Contrabass Bass 12 0 2 4 50%