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J.S. Bach

Air, orchestral suite nº3, Johan Sebastian Bach

davidcianorris

2:00	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	20	16	5	6	100%
	25	0	8	3	100%
Violin	14	0	5	8	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	20	16	5	6	100%
	25	0	8	3	100%
Violin	14	0	5	8	100%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus IV.

Samuel Ricke

2:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	25	14	9	9	99%
	24	0	9	7	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	25	14	9	9	99%
	24	0	9	7	100%
Continuo.	24	0	9	7	100%
Tenore.	18	0	7	6	100%
Soprano.	18	0	7	5	98%
Bass	21	0	7	6	93%
Violone.	21	0	8	7	93%
Alto	11	0	5	6	52%

J.S. Bach: Mass in B Minor, BWV 232: III. Agnus Dei

Samuel Ricke

6:26	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	22	88	10	6	100%
	22	0	9	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	22	88	10	6	100%
	22	0	9	3	100%
Continuo.	22	0	9	3	100%
Violino I.II.	27	0	9	4	100%
Violone.	22	0	9	3	100%
Alto.	18	0	6	6	69%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.

Samuel Ricke

3:32	Est. Play Time
53	Measures
	1,124Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	24	6	9	98%
	28	0	9	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	24	6	9	98%
	28	0	9	4	100%
Violoncello.	28	0	9	3	100%
Violone.	28	0	9	3	100%
Cornetto.	13	0	4	8	89%
Soprano.	13	0	4	6	89%
Alto.	14	0	5	7	83%
Trombone I.	14	0	5	6	83%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: II. Adagio

Samuel Ricke

5:27	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	24	34	8	6	100%
	22	2	10	6	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	24	34	8	6	100%
	22	2	10	6	100%
Fagotto.	23	0	10	6	100%
Oboe I.	18	0	7	10	100%
Oboe II.	17	0	5	5	100%
Oboe III.	13	0	4	5	100%
Viola.	17	0	7	7	100%
Violino I.	19	0	5	7	100%
Violino II.	16	0	6	5	100%
Violino piccolo.	23	0	9	9	100%
Violoncello.	22	0	10	6	100%
Violone.	22	2	10	6	100%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus III.

Samuel Ricke

2:03	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	23	7	6	99%
	17	0	4	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	23	7	6	99%
	17	0	4	4	100%
Continuo.	17	0	4	4	100%
Violino I.II.	20	5	6	4	100%
Violone.	17	0	4	4	100%
Tenore.	13	0	4	6	62%

19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.

SDG

0:41	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
	19	1	4	6	100%
	19	1	4	6	100%
Soprano/Alto	13	0	2	5	100%
Tenor/Bass	19	1	4	6	100%
Contrabass	15	0	2	3	50%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
View all 35 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
	20	0	6	4	82%
	25	0	9	4	100%
Fagotto.	20	0	6	4	82%
	25	0	9	4	100%
Violoncello.	20	0	6	4	82%
	25	0	9	4	100%
Violino I.	28	0	10	5	100%
	28	0	10	5	81%
Flauto traverso II.	28	0	10	7	100%
	26	0	10	6	80%
Oboe II.	24	0	9	6	100%
	23	0	8	6	80%
Viola.	21	0	5	6	80%
	23	0	7	5	100%
Violino II.	27	0	9	6	100%
	25	0	8	6	80%
Organo	23	67	8	5	100%
Violone.	25	0	9	4	100%
Oboe I.	22	0	8	5	99%
	23	0	9	6	81%
Flauto traverso I.	24	0	9	7	99%
	22	0	9	6	79%
Organo.	23	63	8	5	82%
Violone	20	0	6	4	82%
Alto.	15	0	6	5	43%
	18	0	6	6	69%
Tenore.	19	0	6	6	69%
	16	0	4	4	43%
Soprano.	16	0	5	6	68%
	15	0	4	5	46%
Basso.	23	0	8	6	66%
	16	0	4	5	43%
Soprano ripieno.	9	0	0	5	28%

Air ('on the G string')

Shoichi

3:36	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		14	0	5	8	100%
Guitar		26	14	8	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		14	0	5	8	100%
Guitar		26	14	8	5	97%

J.S. Bach: Matthäus-Passion, BWV 244: V. Recitativo: Du lieber Heiland du - Aria: Buß und Reu

Samuel Ricke

9:32	Est. Play Time
116	Measures
	1,385Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	72	13	6	100%
	22	0	6	5	91%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	72	13	6	100%
	22	0	6	5	91%
Bassoon	22	0	9	5	100%
Organo e Continuo.	22	0	9	5	100%
Violone	22	0	9	5	100%
Flauto traverso I.	21	0	12	5	86%
Flauto traverso II.	22	0	11	5	86%
Alto.	19	0	11	7	67%

J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus

Samuel Ricke

4:08	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	1	7	4	100%
	22	0	7	5	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	1	7	4	100%
	22	0	7	5	100%
Continuo.	10	0	2	2	100%
Violone.	10	0	2	2	100%
Flauto traverso I.	20	0	7	1	92%
Flauto traverso II.	20	0	7	1	92%
Viola.	19	0	7	2	92%
Violino I.	20	0	7	2	92%
Violino II.	16	0	5	2	92%
Soprano II.	17	0	6	5	81%
Alto.	18	0	6	6	77%
Basso.	15	0	4	4	70%
Tenore.	14	0	5	5	68%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
Continuo.	24	1	7	5	100%
Fagotti.	24	1	7	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	12	0	2	4	98%
Flauto traverso II. Oboe II.	11	0	2	5	98%
Oboe II.	11	0	2	5	98%
Violino II.	12	0	2	5	98%
Flauto traverso I. Oboe I.	14	0	3	4	93%
Oboe I.	14	0	3	4	93%
Soprano.	14	0	3	4	93%
Violino I.	14	0	3	4	93%
Violone.	22	0	7	5	93%
Basso.	19	0	6	4	91%
Tromba I.	9	0	1	5	43%
Tromba II.	9	0	1	5	30%
Timpani.	2	0	0	5	22%
Tromba III.	11	0	1	6	22%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus VI.

Samuel Ricke

2:27	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	31	7	4	99%
	21	0	5	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	31	7	4	99%
	21	0	5	3	100%
Continuo.	21	0	5	3	100%
Violone.	21	0	5	3	100%
Soprano.	17	0	5	4	84%
Tenore.	15	0	5	4	79%

J.S. Bach: Mass in B Minor, BWV 232: VII. Gratias agimus tibi

Samuel Ricke

4:02	Est. Play Time
46	Measures
	1,160Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	23	1	6	5	100%
Tenore.	15	0	3	5	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	23	1	6	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	11	0	1	4	98%
Oboe II.	10	0	1	4	98%
Violino II.	11	0	1	4	98%
Flauto traverso I.II.	14	0	3	5	93%
Oboe I.	14	0	3	5	93%
Soprano I.II.	14	0	3	5	93%
Violino I.	14	0	3	5	93%
Violone.	21	0	6	5	93%
Basso.	19	0	6	4	91%
Fagotti.	21	0	6	5	91%
Tromba I.	9	0	1	4	43%
Tromba II.	8	0	1	4	30%
Timpani.	2	0	0	4	22%
Tromba III.	11	0	1	4	22%