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Participation: 50%-79%
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J.S. Bach
J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)
Samuel Ricke
1:08 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 12 11 3 5 90%
Bass 6 0 2 3 88%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 12 11 3 5 90%
Bass 6 0 2 3 88%
Continuo. Bass 6 0 2 3 88%
Violone. Bass 6 0 2 3 88%
Jesus. Bass 14 0 4 3 75%
Viola. 6 0 1 3 75%
Violino
I.		 Treble 7 0 2 3 75%
Violino
II.		 Treble 7 0 1 4 75%
Evangelist. 8 0 0 2 38%
 
221. Komm, heiliger Geist, Herre Gott (Du heilige Brunst, süsser Trost). BWV 226/2
SDG
1:14 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 17 0 5 6 100%
Contrabass Bass 13 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 17 0 5 6 100%
Contrabass Bass 13 0 3 3 50%
 
176. Ich dank' dir, lieber Herre. BWV 347.
SDG
1:00 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 19 0 4 6 100%
Contrabass Bass 13 0 2 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 19 0 4 6 100%
Contrabass Bass 13 0 2 3 50%
 
248. Meines Lebens letzte Zeit. BWV 381.
SDG
1:05 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 19 0 3 5 100%
Contrabass Bass 14 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 19 0 3 5 100%
Contrabass Bass 14 0 3 3 50%
 
113. Gott der Vater wohn' uns bei. BWV 317.
SDG
1:29 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 100%
Tenor/Bass Bass 18 0 2 5 100%
Contrabass Bass 13 0 1 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 100%
Tenor/Bass Bass 18 0 2 5 100%
Contrabass Bass 13 0 1 3 50%
 
174. Ich bin ja, Herr, in deiner Macht. BWV 345.
SDG
1:02 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 6 5 100%
Tenor/Bass Bass 17 0 6 4 100%
Contrabass Bass 14 0 4 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 6 5 100%
Tenor/Bass Bass 17 0 6 4 100%
Contrabass Bass 14 0 4 3 50%
 
164. Herzlich thut mich verlangen (Wenn ich einmal soll scheiden). BWV 244/62.
SDG
1:03 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 23 0 8 4 100%
Contrabass Bass 17 0 6 3 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 23 0 8 4 100%
Contrabass Bass 17 0 6 3 53%
 
153. Herzlich lieb hab' ich Dich, o Herr. BWV 174/5.
SDG
1:21 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 2 100%
Tenor/Bass Bass 20 0 5 2 100%
Contrabass Bass 16 0 4 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 2 100%
Tenor/Bass Bass 20 0 5 2 100%
Contrabass Bass 16 0 4 2 50%