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J.S. Bach

J.S. Bach - St Matthew Passion Part II No. 39: Aria "Erbarme dich, mein Gott"

Roland Bouman

5:52	Est. Play Time
47	Measures
	1,796Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
Violas		22	0	8	4	98%
Violins 1		19	0	6	7	98%
Violins 2		22	0	9	4	98%
Alto		17	0	6	7	77%

J.S. Bach: Matthäus-Passion, BWV 244: VII. Aria: Blute nur, du liebes Herz!

Samuel Ricke

3:26	Est. Play Time
46	Measures
	1,134Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.		22	0	8	8	100%
Organo.		22	50	8	5	87%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.		22	0	8	8	100%
Organo.		22	50	8	5	87%
		28	0	10	3	87%
Fagotto.		28	0	10	3	87%
Organo e Continuo.		28	0	10	3	87%
Violone.		28	0	10	3	87%
Viola.		17	0	6	4	76%
Violino I.		21	0	6	3	76%
Violino II.		21	0	6	3	76%
Flauto traverso II.		18	0	5	2	70%
Soprano.		16	0	6	7	61%

J.S. Bach: Mass in B Minor, BWV 232: III. Agnus Dei

Samuel Ricke

6:26	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		22	88	10	6	100%
		22	0	9	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		22	88	10	6	100%
		22	0	9	3	100%
Continuo.		22	0	9	3	100%
Violino I.II.		27	0	9	4	100%
Violone.		22	0	9	3	100%
Alto.		18	0	6	6	69%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.

Samuel Ricke

3:32	Est. Play Time
53	Measures
	1,124Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		23	24	6	9	98%
		28	0	9	4	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		23	24	6	9	98%
		28	0	9	4	100%
Violoncello.		28	0	9	3	100%
Violone.		28	0	9	3	100%
Cornetto.		13	0	4	8	89%
Soprano.		13	0	4	6	89%
Alto.		14	0	5	7	83%
Trombone I.		14	0	5	6	83%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: II. Adagio

Samuel Ricke

5:27	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		24	34	8	6	100%
		22	2	10	6	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		24	34	8	6	100%
		22	2	10	6	100%
Fagotto.		23	0	10	6	100%
Oboe I.		18	0	7	10	100%
Oboe II.		17	0	5	5	100%
Oboe III.		13	0	4	5	100%
Viola.		17	0	7	7	100%
Violino I.		19	0	5	7	100%
Violino II.		16	0	6	5	100%
Violino piccolo.		23	0	9	9	100%
Violoncello.		22	0	10	6	100%
Violone.		22	2	10	6	100%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus III.

Samuel Ricke

2:03	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	23	7	6	99%
		17	0	4	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	23	7	6	99%
		17	0	4	4	100%
Continuo.		17	0	4	4	100%
Violino I.II.		20	5	6	4	100%
Violone.		17	0	4	4	100%
Tenore.		13	0	4	6	62%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1		14	0	5	9	100%
Mellophone 2		18	0	4	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1		14	0	5	9	100%
Mellophone 2		18	0	4	6	100%
Mellophone 3		11	0	2	6	100%
Trombone		25	0	8	3	100%

Fantasia and Fugue in C Minor, BWV 537 By Johann Sebastian Bach

Samuel Ricke

7:13	Est. Play Time
179	Measures
	1,237Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		30	0	13	9	97%
		28	0	11	9	84%
		23	0	8	7	72%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		30	0	13	9	97%
		28	0	11	9	84%
		23	0	8	7	72%

Prelude in D Minor

Shoichi

1:35	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		32	2	12	3	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		32	2	12	3	52%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

Passacaglia & Fugue in C Minor

Fugue Troll

7:19	Est. Play Time
293	Measures
	4,544Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet		28	0	11	10	97%
		26	0	8	10	81%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet		28	0	11	10	97%
		26	0	8	10	81%
B Tuba		22	0	10	6	71%
Trombone		31	0	15	8	67%
Horn		22	0	10	7	48%

J.S. Bach Organ: Toccata and Fugue in D Minor "The Dorian", BWV 538

Samuel Ricke

15:12	Est. Play Time
321	Measures
	2,312Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		26	2	9	8	94%
		23	2	6	8	61%
		39	1	13	8	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		26	2	9	8	94%
		23	2	6	8	61%
		39	1	13	8	93%

J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus

Samuel Ricke

4:08	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
Continuo.		10	0	2	2	100%
Violone.		10	0	2	2	100%
Flauto traverso I.		20	0	7	1	92%
Flauto traverso II.		20	0	7	1	92%
Viola.		19	0	7	2	92%
Violino I.		20	0	7	2	92%
Violino II.		16	0	5	2	92%
Soprano II.		17	0	6	5	81%
Alto.		18	0	6	6	77%
Basso.		15	0	4	4	70%
Tenore.		14	0	5	5	68%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo		24	0	8	5	93%
Contrabass		24	0	8	5	93%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo		24	0	8	5	93%
Contrabass		24	0	8	5	93%
Fagotto		24	0	8	5	93%
Viola.		23	0	8	8	93%
Violino II.		24	0	8	8	93%
Violino I.		28	0	9	8	91%
Oboe II.		19	0	6	8	79%
Flauto traverso II.		22	0	7	8	79%
Flauto traverso I.		23	0	7	8	78%
Oboe I.		21	0	7	8	78%
Tenore.		18	0	6	7	71%
Alto.		17	0	6	7	70%
Basso.		18	0	6	7	70%
Soprano		19	0	6	8	67%
		19	0	6	8	67%
Soprano.		19	0	6	8	67%
Tromba I.		12	0	1	8	34%
Tromba II.		11	0	1	5	29%
Tromba III.		7	0	0	5	28%
Timpani.		2	0	0	5	27%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
Continuo.		24	1	7	5	100%
Fagotti.		24	1	7	5	100%
Tenore.		15	0	3	5	100%
Viola.		15	0	3	5	100%
Alto.		12	0	2	4	98%
Flauto traverso II. Oboe II.		11	0	2	5	98%
Oboe II.		11	0	2	5	98%
Violino II.		12	0	2	5	98%
Flauto traverso I. Oboe I.		14	0	3	4	93%
Oboe I.		14	0	3	4	93%
Soprano.		14	0	3	4	93%
Violino I.		14	0	3	4	93%
Violone.		22	0	7	5	93%
Basso.		19	0	6	4	91%
Tromba I.		9	0	1	5	43%
Tromba II.		9	0	1	5	30%
Timpani.		2	0	0	5	22%
Tromba III.		11	0	1	6	22%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		26	0	9	5	100%
Continuo II		26	0	9	5	100%
View all 23 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		26	0	9	5	100%
Continuo II		26	0	9	5	100%
Double Bass		32	0	9	5	100%
Violino I		27	0	9	7	97%
Viola		24	0	8	5	95%
Violino II		22	0	8	5	95%
Flauto traverso I		23	0	8	6	92%
Flauto traverso II		23	0	8	6	92%
Oboe I		22	0	7	7	90%
Oboe II		21	0	8	5	88%
Soprano		18	0	6	7	53%
		18	0	6	7	53%
		18	0	6	7	53%
Alto		16	0	5	7	52%
		16	0	5	7	52%
		16	0	5	7	52%
Tenore		19	0	6	5	51%
Bass		20	0	6	5	50%
Basso		20	0	6	5	50%
Tromba I		11	0	1	7	48%
Tromba II		12	0	1	5	39%
Tromba III		7	0	0	4	29%
Timpani		2	0	0	4	26%

J.S. Bach: Magnificat in D Major, BWV 243 - XI. Sicut locutus

Samuel Ricke

1:46	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	36	4	6	93%
		17	0	2	5	98%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	36	4	6	93%
		17	0	2	5	98%
Fagotti.		15	0	2	5	98%
Organo e Continuo.		15	0	2	5	98%
Violone.		15	0	2	5	98%
Tenore.		11	0	1	5	87%
Alto.		11	0	1	5	79%
Basso.		13	0	2	5	79%
Soprano II.		11	0	1	6	77%
Soprano I.		13	0	2	5	62%

J.S. Bach: Mass in B Minor, BWV 232: VII. Gratias agimus tibi

Samuel Ricke

4:02	Est. Play Time
46	Measures
	1,160Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		23	1	6	5	100%
Tenore.		15	0	3	5	100%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		23	1	6	5	100%
Tenore.		15	0	3	5	100%
Viola.		15	0	3	5	100%
Alto.		11	0	1	4	98%
Oboe II.		10	0	1	4	98%
Violino II.		11	0	1	4	98%
Flauto traverso I.II.		14	0	3	5	93%
Oboe I.		14	0	3	5	93%
Soprano I.II.		14	0	3	5	93%
Violino I.		14	0	3	5	93%
Violone.		21	0	6	5	93%
Basso.		19	0	6	4	91%
Fagotti.		21	0	6	5	91%
Tromba I.		9	0	1	4	43%
Tromba II.		8	0	1	4	30%
Timpani.		2	0	0	4	22%
Tromba III.		11	0	1	4	22%

J.S. Bach: Mass in B Minor, BWV 232: III. Kyrie eleison (II)

Samuel Ricke

5:32	Est. Play Time
59	Measures
	1,257Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		23	0	8	6	100%
Violone.		23	0	8	6	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		23	0	8	6	100%
Violone.		23	0	8	6	100%
Tenore.		17	0	7	6	97%
Viola.		17	0	7	6	97%
Alto.		17	0	7	5	86%
Oboe II.		17	0	7	5	86%
Violino II.		17	0	7	5	86%
Flauto traverso I.II.		16	0	6	4	76%
Oboe I.		16	0	6	4	76%
Soprano I.II.		16	0	6	4	76%
Violino I.		16	0	6	4	76%
Basso.		20	0	7	5	75%
Fagotti.		21	0	7	5	75%

J.S. Bach: Mass in B Minor, BWV 232: VIII. Confiteor - IX. Et expecto

Samuel Ricke

8:45	Est. Play Time
251	Measures
	5,309Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	2	9	5	98%
		33	4	14	6	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	2	9	5	98%
		33	4	14	6	100%
Continuo.		25	0	9	4	100%
Fagotti.		25	0	9	4	100%
Violone.		25	0	9	4	100%
Alto.		22	0	10	5	90%
Soprano II.		20	0	7	5	88%
Tenore.		20	0	9	5	87%
Soprano I.		21	0	8	5	87%
Basso.		21	0	8	6	75%
Flauto traverso I.		18	0	1	3	35%
Flauto traverso II.		17	0	3	3	34%
Oboe I.		17	0	2	4	32%
Viola.		19	0	4	3	32%
Oboe II.		13	0	1	3	31%
Violino II.		16	0	1	3	31%
Violino I.		19	0	2	4	31%
Tromba I.		12	0	1	5	24%
Timpani.		3	0	0	3	24%
Tromba II.		10	0	1	5	21%
Tromba III.		6	0	0	4	20%

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