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J.S. Bach

Air, orchestral suite nº3, Johan Sebastian Bach

davidcianorris

2:00	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	16	5	6	100%
		25	0	8	3	100%
Violin		14	0	5	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	16	5	6	100%
		25	0	8	3	100%
Violin		14	0	5	8	100%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
View all 35 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
		20	0	6	4	82%
		25	0	9	4	100%
Fagotto.		20	0	6	4	82%
		25	0	9	4	100%
Violoncello.		20	0	6	4	82%
		25	0	9	4	100%
Violino I.		28	0	10	5	100%
		28	0	10	5	81%
Flauto traverso II.		28	0	10	7	100%
		26	0	10	6	80%
Oboe II.		24	0	9	6	100%
		23	0	8	6	80%
Viola.		21	0	5	6	80%
		23	0	7	5	100%
Violino II.		27	0	9	6	100%
		25	0	8	6	80%
Organo		23	67	8	5	100%
Violone.		25	0	9	4	100%
Oboe I.		22	0	8	5	99%
		23	0	9	6	81%
Flauto traverso I.		24	0	9	7	99%
		22	0	9	6	79%
Organo.		23	63	8	5	82%
Violone		20	0	6	4	82%
Alto.		15	0	6	5	43%
		18	0	6	6	69%
Tenore.		19	0	6	6	69%
		16	0	4	4	43%
Soprano.		16	0	5	6	68%
		15	0	4	5	46%
Basso.		23	0	8	6	66%
		16	0	4	5	43%
Soprano ripieno.		9	0	0	5	28%

Air ('on the G string')

Shoichi

3:36	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		14	0	5	8	100%
Guitar		26	14	8	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		14	0	5	8	100%
Guitar		26	14	8	5	97%

38. Christ lag in Todesbanden. BWV 277.

SDG

0:58	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
		23	0	7	6	100%
		23	0	7	6	100%
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		23	0	7	6	100%
Contrabass		15	0	5	5	50%

50. Christus, der uns selig macht. BWV 245.37. Joh. Passion. J.S. Bach.

SDG

0:49	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	5	4	100%
Tenor/Bass		21	0	9	4	100%
Contrabass		17	0	7	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	5	4	100%
Tenor/Bass		21	0	9	4	100%
Contrabass		17	0	7	4	50%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	6	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	6	5	100%
Contrabass		15	0	5	5	50%
Soprano		2	0	0	1	11%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus VII.

Samuel Ricke

0:53	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	0	4	6	100%
		22	0	6	6	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	0	4	6	100%
		22	0	6	6	100%
Alto.		8	0	1	5	100%
Basso.		15	0	5	6	100%
Continuo.		15	0	5	6	100%
Cornetto.		11	0	3	4	100%
Soprano.		11	0	3	4	100%
Tenore.		12	0	3	4	100%
Trombone I.		8	0	1	5	100%
Trombone II.		12	0	3	4	100%
Trombone III.		15	0	5	6	100%
Viola I.		8	0	1	5	100%
Viola II.		12	0	3	4	100%
Violino I.II.		11	0	3	4	100%
Violone.		15	0	5	6	100%

39. Christ lag in Todesbanden. BWV 278.

SDG

1:01	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	5	6	100%
Tenor/Bass		22	0	6	6	100%
Contrabass		15	0	5	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	5	6	100%
Tenor/Bass		22	0	6	6	100%
Contrabass		15	0	5	6	50%

97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.

SDG

1:10	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		10	0	3	4	100%
Soprano/Alto		15	0	6	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		10	0	3	4	100%
Soprano/Alto		15	0	6	5	100%
Tenor		11	0	5	4	100%
Tenor/Bass		21	0	10	4	100%
B♭ Trumpet		12	11	4	8	71%
Timpani		2	0	0	5	71%
Alto		11	0	4	5	50%
Bass		13	0	6	4	50%
Contrabass		15	0	6	4	50%
Violoncello		15	0	6	4	50%

145. Herr Jesu Christ, mein's Lebens Licht. BWV 335.

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	6	4	100%
Tenor/Bass		19	0	6	2	100%
Contrabass		14	0	5	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	6	4	100%
Tenor/Bass		19	0	6	2	100%
Contrabass		14	0	5	2	50%

160. Herzlich thut mich verlangen (Und obgleich alle Teufel dir wolten widerstehn). BWV 153/5.

SDG

0:56	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	4	100%
Tenor/Bass		20	0	7	4	100%
Contrabass		15	0	6	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	4	100%
Tenor/Bass		20	0	7	4	100%
Contrabass		15	0	6	2	50%

167. Herzliebster Jesu, was hast du verbrochen (Wie wunderbarlich ist doch diese Strafe). BWV 244/46

SDG

0:36	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	3	4	100%
Tenor/Bass		19	0	6	5	100%
Contrabass		14	0	5	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	3	4	100%
Tenor/Bass		19	0	6	5	100%
Contrabass		14	0	5	4	50%

342. Was mein Gott will, das g'scheh' allzeit. BWV 244/25.

SDG

0:57	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	3	3	100%
Tenor/Bass		21	0	7	2	100%
Contrabass		14	0	5	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	3	3	100%
Tenor/Bass		21	0	7	2	100%
Contrabass		14	0	5	2	50%

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