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J.S. Bach

J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer

Samuel Ricke

0:38	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
Continuo.		9	0	2	1	89%
Evangelist.		11	0	2	3	89%
Violone.		9	0	2	1	89%
Judas.		8	0	1	2	33%

Ach Gott und Herr BWV692恩主保佑（馬拉巴禮拜歌）

doctorandrewtam

1:06	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	4	100%
		13	0	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	4	100%
		13	0	0	3	100%

338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		14	0	1	4	100%
Contrabass		9	0	1	3	50%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

16. Allein zu dir, Herr Jesu Christ. BWV 33.6.

SDG

1:14	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	6	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	6	6	100%
Contrabass		19	0	5	4	52%
Bass		4	0	0	2	20%
Tenor		4	0	0	2	16%

13. Allein Gott in der Höh' sei Ehr', BWV 104.6. Cantate 104. Du Hirte Israel, höre.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	1	3	100%
		11	0	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	1	3	100%
		11	0	1	3	100%
		16	0	2	4	100%
		16	0	2	4	100%
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		16	0	2	4	100%
Oboe		8	0	1	4	85%
Contrabass		10	0	1	2	50%

218. Komm, Gott Schöpfer, heiliger Geist. BWV 370

SDG

0:24	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		16	0	1	4	100%
Contrabass		10	0	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		16	0	1	4	100%
Contrabass		10	0	0	3	50%

339. Was Gott thut, das ist wohlgethan. BWV 250.

SDG

0:50	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
extra Soprano		9	0	1	4	100%
extra Tenor		10	0	1	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
extra Soprano		9	0	1	4	100%
extra Tenor		10	0	1	2	100%
Soprano/Alto		15	0	3	4	100%
Tenor/Bass		17	0	2	4	100%
Horn in F		10	0	1	4	97%
extra Bass		12	0	1	3	55%
Contrabass		11	0	1	3	50%
extra Alto		11	0	2	3	50%

102. Freu' dich sehr, o meine Seele (Weg, mein Herz mit den Gedanken). BWV 32.6

SDG

0:50	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		11	0	1	3	49%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		11	0	1	3	49%

118. Gottlob, es geht nunmehr zu Ende. BWV 321.

SDG

0:58	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	5	100%
Tenor/Bass		17	0	1	6	100%
Contrabass		11	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	5	100%
Tenor/Bass		17	0	1	6	100%
Contrabass		11	0	1	3	50%

179. Ich dank' dir schon durch deinen Sohn. BWV 349.

SDG

0:40	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	5	100%
Tenor/Bass		18	0	2	5	100%
Contrabass		11	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	5	100%
Tenor/Bass		18	0	2	5	100%
Contrabass		11	0	1	3	50%

214. In dich hab' ich gehoffet, Herr. BWV 248 #46.

SDG

0:01	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	6	100%
Tenor/Bass		18	0	4	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	6	100%
Tenor/Bass		18	0	4	4	100%
Contrabass		14	0	3	4	54%
Violoncello		1	0	0	1	8%

J.S. Bach: Mass in B Minor, BWV 232: VIII. Confiteor - IX. Et expecto

Samuel Ricke

8:45	Est. Play Time
251	Measures
	5,309Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	2	9	5	98%
		33	4	14	6	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	2	9	5	98%
		33	4	14	6	100%
Continuo.		25	0	9	4	100%
Fagotti.		25	0	9	4	100%
Violone.		25	0	9	4	100%
Alto.		22	0	10	5	90%
Soprano II.		20	0	7	5	88%
Tenore.		20	0	9	5	87%
Soprano I.		21	0	8	5	87%
Basso.		21	0	8	6	75%
Flauto traverso I.		18	0	1	3	35%
Flauto traverso II.		17	0	3	3	34%
Oboe I.		17	0	2	4	32%
Viola.		19	0	4	3	32%
Oboe II.		13	0	1	3	31%
Violino II.		16	0	1	3	31%
Violino I.		19	0	2	4	31%
Tromba I.		12	0	1	5	24%
Timpani.		3	0	0	3	24%
Tromba II.		10	0	1	5	21%
Tromba III.		6	0	0	4	20%

J.S. Bach: Magnificat in D Major, BWV 243 - I. Magnificat anima mea

Samuel Ricke

4:05	Est. Play Time
90	Measures
	2,536Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		34	0	11	3	96%
Flauto traverso I.		20	0	4	6	92%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		34	0	11	3	96%
Flauto traverso I.		20	0	4	6	92%
Flauto traverso II.		18	0	3	5	92%
Oboe I.		17	0	3	6	92%
Oboe II.		15	0	4	6	92%
Viola.		18	0	4	3	92%
Violino I.		23	0	5	3	90%
Violino II.		20	0	5	4	90%
Tromba in D.		12	0	1	6	80%
		11	0	1	3	64%
		13	0	1	5	64%
Timpani in D.A.		2	0	0	3	61%
Soprano I.		13	0	3	5	48%
Soprano II.		14	0	2	7	47%
Alto.		15	0	4	5	46%
Tenore.		12	0	2	5	44%
Basso.		17	0	3	4	41%

370. Wer nur den lieben Gott lässt walten. BWV 197/10.

SDG

0:51	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		14	0	1	3	100%
Contrabass		10	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		14	0	1	3	100%
Contrabass		10	0	1	3	50%

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