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J.S. Bach

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
View all 35 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
		20	0	6	4	82%
		25	0	9	4	100%
Fagotto.		20	0	6	4	82%
		25	0	9	4	100%
Violoncello.		20	0	6	4	82%
		25	0	9	4	100%
Violino I.		28	0	10	5	100%
		28	0	10	5	81%
Flauto traverso II.		28	0	10	7	100%
		26	0	10	6	80%
Oboe II.		24	0	9	6	100%
		23	0	8	6	80%
Viola.		21	0	5	6	80%
		23	0	7	5	100%
Violino II.		27	0	9	6	100%
		25	0	8	6	80%
Organo		23	67	8	5	100%
Violone.		25	0	9	4	100%
Oboe I.		22	0	8	5	99%
		23	0	9	6	81%
Flauto traverso I.		24	0	9	7	99%
		22	0	9	6	79%
Organo.		23	63	8	5	82%
Violone		20	0	6	4	82%
Alto.		15	0	6	5	43%
		18	0	6	6	69%
Tenore.		19	0	6	6	69%
		16	0	4	4	43%
Soprano.		16	0	5	6	68%
		15	0	4	5	46%
Basso.		23	0	8	6	66%
		16	0	4	5	43%
Soprano ripieno.		9	0	0	5	28%

Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.

SDG

6:35	Est. Play Time
129	Measures
	3,658Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		21	0	7	5	96%
Organo e Continuo		0	0	0	0	0%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		21	0	7	5	96%
Organo e Continuo		0	0	0	0	0%
		21	0	7	5	96%
Violoncello		21	0	7	5	96%
Viola		23	0	8	5	89%
Violino II		23	0	8	5	89%
Violino I		26	0	10	6	88%
Alto		17	0	7	6	77%
Soprano		20	0	8	6	77%
Tenore		18	0	6	6	77%
Flauto traverso I,II		23	0	8	6	73%
Basso		18	0	7	5	67%
Oboe I/II		23	0	8	6	60%

4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	4	6	100%
		24	0	7	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	4	6	100%
		24	0	7	6	100%
Soprano/Alto		13	0	4	6	100%
Tenor/Bass		24	0	7	6	100%
Contrabass		17	0	6	4	50%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
Violoncello		18	0	5	2	100%
Timpani		2	0	0	4	76%
Soprano/Alto		9	0	2	3	63%
Tenor/Bass		17	0	2	4	63%
Flute		7	0	1	3	55%
		7	0	1	3	55%
Oboe		7	0	1	3	55%
		7	0	1	3	55%
Violin		6	0	1	2	35%
		7	0	1	3	55%
Soprano		7	0	1	3	55%
Viola		7	0	1	4	55%

361. Bin ich gleich von dir gewichen, Werde munter, mein Gemüthe, J.S. Bach, BWV 244-40.

SDG

0:52	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
		20	0	3	3	100%
		20	0	3	3	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		20	0	3	3	100%
Contrabass		15	0	2	3	54%

J.S. Bach: Matthäus-Passion, BWV 244: III. Chorale - Herzliebster Jesu

Samuel Ricke

1:00	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		15	0	3	6	100%
		16	0	4	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		15	0	3	6	100%
		16	0	4	6	100%
Alto.		10	0	1	5	100%
Basso.		15	0	4	4	100%
Fagotti.		15	0	4	4	100%
Flauti traversi.		11	0	2	4	100%
Oboi.		11	0	2	4	100%
Organo e Continuo.		15	0	4	4	100%
Soprano.		11	0	2	4	100%
Tenore.		10	0	2	5	100%
Viola		10	0	2	6	100%
Violino I.		11	0	2	4	100%
Violino II.		10	0	1	5	100%
Violone.		15	0	4	4	100%

46. Christus der ist mein Leben, Melchior Vulpius, J.S. Bach, BWV 281.

SDG

0:26	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		10	0	0	6	100%
		10	0	0	6	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		10	0	0	6	100%
		10	0	0	6	100%
		18	0	3	6	100%
		18	0	3	6	100%
Soprano/Alto		10	0	0	6	100%
Tenor/Bass		18	0	3	6	100%
Contrabass		12	0	2	4	50%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo		24	0	8	5	93%
Contrabass		24	0	8	5	93%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo		24	0	8	5	93%
Contrabass		24	0	8	5	93%
Fagotto		24	0	8	5	93%
Viola.		23	0	8	8	93%
Violino II.		24	0	8	8	93%
Violino I.		28	0	9	8	91%
Oboe II.		19	0	6	8	79%
Flauto traverso II.		22	0	7	8	79%
Flauto traverso I.		23	0	7	8	78%
Oboe I.		21	0	7	8	78%
Tenore.		18	0	6	7	71%
Alto.		17	0	6	7	70%
Basso.		18	0	6	7	70%
Soprano		19	0	6	8	67%
		19	0	6	8	67%
Soprano.		19	0	6	8	67%
Tromba I.		12	0	1	8	34%
Tromba II.		11	0	1	5	29%
Tromba III.		7	0	0	5	28%
Timpani.		2	0	0	5	27%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Sinfonia

Samuel Ricke

1:28	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	20	6	5	96%
		19	0	5	6	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	20	6	5	96%
		19	0	5	6	100%
Continuo.		16	0	4	5	100%
Viola I.		11	0	2	4	100%
Viola II.		14	0	4	5	100%
Violino I.		16	0	4	7	100%
Violino II.		12	0	3	5	100%
Violone.		16	0	4	5	100%

16. Allein zu dir, Herr Jesu Christ. BWV 33.6.

SDG

1:14	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	6	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	6	6	100%
Contrabass		19	0	5	4	52%
Bass		4	0	0	2	20%
Tenor		4	0	0	2	16%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
Continuo.		24	1	7	5	100%
Fagotti.		24	1	7	5	100%
Tenore.		15	0	3	5	100%
Viola.		15	0	3	5	100%
Alto.		12	0	2	4	98%
Flauto traverso II. Oboe II.		11	0	2	5	98%
Oboe II.		11	0	2	5	98%
Violino II.		12	0	2	5	98%
Flauto traverso I. Oboe I.		14	0	3	4	93%
Oboe I.		14	0	3	4	93%
Soprano.		14	0	3	4	93%
Violino I.		14	0	3	4	93%
Violone.		22	0	7	5	93%
Basso.		19	0	6	4	91%
Tromba I.		9	0	1	5	43%
Tromba II.		9	0	1	5	30%
Timpani.		2	0	0	5	22%
Tromba III.		11	0	1	6	22%

7. Ach Gott, vom Himmel sieh' darein, J.S. Bach, M. Luther, BWV 2#6

SDG

0:45	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		14	0	4	4	100%
		20	0	6	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		14	0	4	4	100%
		20	0	6	5	100%
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		20	0	6	5	100%
Contrabass		14	0	4	4	50%

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