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HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV1A2N15 "Durchlauchtigste, darf ich"
edward.maurath
0:26 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Consalvo Bass 8 0 1 4 100%
Continuo Bass 6 0 0 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Consalvo Bass 8 0 1 4 100%
Continuo Bass 6 0 0 4 100%
Harp Treble 13 11 1 4 88%
Bass 6 0 0 5 88%
Harpsi Treble 13 11 1 4 88%
Bass 6 0 0 5 88%
Organo Treble 13 11 1 4 88%
Bass 6 0 0 5 88%
 
HWV1N17vEJM - "Nein, Osman muß, was er versprochen"
edward.maurath
0:17 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Harpsichord Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Organo Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Consalvo Bass 12 0 2 4 100%
Continuo Bass 6 0 2 2 100%
 
HWV8A0N11 - Pingi i trasporti (Apollo) recitativo secco
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 11 7 1 4 100%
Bass 4 0 0 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 11 7 1 4 100%
Bass 4 0 0 2 100%
Apollo 6 0 1 3 100%
Violoncello Bass 4 0 0 2 100%
 
HWV61A2N45 - Oh Sentence too severe!
edward.maurath
0:22 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
NITOCRIS 6 0 3 3 83%
ORG
RH		 Treble 14 6 5 2 83%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
NITOCRIS 6 0 3 3 83%
ORG
RH		 Treble 14 6 5 2 83%
Organ
LH		 Bass 15 8 5 2 83%
Vcl Bass 7 0 1 2 83%
Violone Bass 7 0 1 2 83%
 
HWV61A1N7 - Well may they laugh!
edward.maurath
0:58 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 15 15 3 1 93%
HSC
RH		 Treble 12 16 4 1 93%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 15 15 3 1 93%
HSC
RH		 Treble 12 16 4 1 93%
ORG
LH		 Bass 11 6 3 2 93%
ORG
RH		 Treble 12 16 4 2 93%
Vcl Bass 8 0 2 2 93%
VNE Bass 8 0 2 2 93%
GOBRIAS Bass 9 0 0 3 47%
CYRUS
S		 9 0 3 4 40%
 
HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
"Non disperar, chi sa?" from HWV 17
edward.maurath
0:01 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 24 12 6 6 98%
Bass 23 4 6 5 98%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 24 12 6 6 98%
Bass 23 4 6 5 98%
Harpsichord Treble 24 10 7 6 98%
Bass 23 5 7 5 98%
Continuo Bass 23 0 6 5 98%
Cleopatra 16 0 5 5 72%
Violini Treble 16 0 2 6 62%
Celli Bass 17 0 1 3 56%
Violas 11 0 0 4 33%
Kontrebaß Bass 13 0 0 2 21%
 
HWV17A3N02Y1724 Sinfonia in D Major, "La battaglia"
edward.maurath
0:52 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 13 0 1 3 100%
Bass 11 0 1 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 13 0 1 3 100%
Bass 11 0 1 3 100%
Harpsichord Treble 13 0 1 3 100%
Bass 13 0 1 3 100%
Oboe Treble 13 0 2 4 100%
Treble 18 0 2 2 100%
Celli Bass 13 0 1 3 100%
Continuo Bass 13 0 1 3 100%
Kontrebaß Bass 13 0 1 3 100%
Violas 11 0 1 3 100%
Violini Treble 18 0 2 2 100%
 
"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)
edward.maurath
0:01 Est. Play
Time
98 Measures
1,841Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
Violoncello (Continuo) Bass 18 0 3 8 100%
Soprano
as Almirena		 13 0 2 11 77%
Violoncelli (Continuo) Bass 17 0 2 7 76%
Contrabassi (Continuo) Bass 16 0 1 7 75%
Violin Treble 17 0 2 8 75%
 
HWV56N30 - Behold and see, If there be any sorrow
edward.maurath
0:31 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 0 3 3 94%
Bass 16 2 4 3 94%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 0 3 3 94%
Bass 16 2 4 3 94%
Cello Bass 15 0 3 3 94%
Contrabass Bass 15 0 3 3 94%
Vln
I		 Treble 18 0 2 4 94%
Vln
II		 Treble 19 0 3 5 94%
Tenor Treble 12 0 2 6 81%
Viola 9 0 0 5 50%
 
HWV56N42 - He that dwelleth in heaven shall laugh
edward.maurath
0:18 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 11 6 3 3 100%
Bass 7 5 0 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 11 6 3 3 100%
Bass 7 5 0 3 100%
Cello Bass 6 0 0 3 100%
Contrabass Bass 6 0 0 3 100%
Tenor 8 0 1 3 80%
 
Trio Sonata(?)
Rômulo Mello
0:18 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I		 Treble 11 0 3 3 100%
Violoncello Bass 12 0 3 1 100%
Viola 7 0 1 3 56%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I		 Treble 11 0 3 3 100%
Violoncello Bass 12 0 3 1 100%
Viola 7 0 1 3 56%
 
HWV56N19Y1742 - Messiah - Alto - Then shall the eyes of the blind be opened (1742)
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
Contrabass Bass 7 0 2 4 100%
HPSI
LH		 Bass 10 8 3 4 100%
Hpsi
RH		 Treble 11 9 4 4 100%
 
HWV56N31 - He was cut off out of the land of the living
edward.maurath
0:18 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 4 0 1 3 100%
BC
RH		 Treble 10 7 4 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 4 0 1 3 100%
BC
RH		 Treble 10 7 4 3 100%
Cello Continuo Bass 4 0 1 3 100%
Contrabass Bass 4 0 1 3 100%
Tenor Treble 8 0 4 3 100%
Viola 4 0 1 3 100%
Violoncellos Bass 4 0 1 3 100%
Vln
I		 Treble 5 0 2 4 100%
Vln
II		 Treble 5 0 3 3 100%
 
HWV56N15 - And the angel said unto them
edward.maurath
0:35 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 14 3 6 100%
Bass 14 7 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 14 3 6 100%
Bass 14 7 2 4 100%
Cello Bass 8 0 1 4 100%
Contrabass Bass 8 0 1 4 100%
Soprano 9 0 2 5 82%
 
HWV56N08 Messiah: Behold, a virgin shall conceive
edward.maurath
0:14 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 4 0 0 2 100%
HPSI
LH		 Bass 9 8 1 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 4 0 0 2 100%
HPSI
LH		 Bass 9 8 1 2 100%
Hpsi
RH		 Treble 10 8 1 2 100%
Violone Bass 4 0 0 2 100%
Alto 7 0 1 4 86%
 
HWV56N49 - Then shall be brought to pass
edward.maurath
0:22 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 15 22 1 7 100%
BC
RH		 Treble 16 29 2 7 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 15 22 1 7 100%
BC
RH		 Treble 16 29 2 7 100%
Cello Bass 6 0 1 3 100%
Contrabass Bass 6 0 1 3 100%
Alto 6 0 0 4 83%
 
HWV56N34 - Unto which of the angles said he at any time
edward.maurath
0:16 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 8 4 2 2 100%
Bass 7 4 2 1 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 8 4 2 2 100%
Bass 7 4 2 1 100%
Cello Bass 4 0 1 1 100%
Contrabass Bass 4 0 1 1 100%
Tenor 8 0 3 4 100%
 
[NOT COMPLETED] My first (reed) organ composition!
Rômulo Mello
0:21 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harmônio
Elétrico		 Treble 15 0 1 3 100%
Bass 14 0 1 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harmônio
Elétrico		 Treble 15 0 1 3 100%
Bass 14 0 1 2 100%