Play Along Piano

Tags

Handel

HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)

edward.maurath

1:32	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	27	7	4	100%
	17	13	7	3	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	27	7	4	100%
	17	13	7	3	100%
Amarilli	14	0	5	3	100%
Contrabasses	11	0	4	3	100%
Violas	9	0	2	4	100%
Violins 1	12	0	4	3	100%
Violins 2	11	0	4	3	100%
Violoncello	11	0	4	3	100%
Violoncellos	11	0	4	3	100%

HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)

edward.maurath

2:01	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	7	7	97%
	24	25	7	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	7	7	97%
	24	25	7	6	100%
Violoncello	24	0	7	6	100%
Rinaldo	14	0	4	8	92%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

Handel Sarabande Siebente Suite in g moll - HWV 432

pental

3:22	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	6	6	100%
		16	1	4	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	6	6	100%
		16	1	4	5	100%

HWV1A2N16vEJM, "No, no, non voglio" (Almira)

edward.maurath

1:41	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
Harpsichord	17	36	5	4	98%
	24	29	7	4	100%
Violoncello	20	0	6	4	100%
Almira	14	0	6	4	88%

Handel – Prelude «Voi che mie fide ancelle» from "Giulio Cesare" for Sax soprano & Strings Synth.

Aquarius-Ru

2:24	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings Synth.	24	51	8	6	100%
Violoncello	15	0	4	9	100%
Saxophone soprano	14	0	6	9	94%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings Synth.	24	51	8	6	100%
Violoncello	15	0	4	9	100%
Saxophone soprano	14	0	6	9	94%

Handel: Almira, "Wer umb Geld und Hoheit willen," (Consalvo)

edward.maurath

1:59	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	17	41	4	4	100%
	19	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	17	41	4	4	100%
	19	0	3	4	100%
Continuo	19	0	3	4	100%
Consalvo	16	0	4	4	76%

Caro Tebro

Pronoia

1:56	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		21	0	5	4	100%
Flute		12	0	2	6	82%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		21	0	5	4	100%
Flute		12	0	2	6	82%

"Prestami un solo dardo," from act 2 of Handel's 'Rodrigo,' HWV 5 (1707)

edward.maurath

4:25	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	28	10	6	89%
	26	39	9	8	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	28	10	6	89%
	26	39	9	8	100%
Harp (Continuo)	22	28	10	6	89%
	26	39	9	8	100%
Violoncello (Continuo)	25	0	8	7	100%
Evaneo	15	0	5	6	97%

"Perchè viva" from HWV 5, "Rodrigo" (1707)

edward.maurath

3:36	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
Violoncello (Continuo)	22	0	6	6	100%
Esilena	17	0	7	7	73%
Contrabassi (Continuo)	15	0	1	4	18%
Violins 1	15	0	2	8	18%
Violins 2	14	0	2	6	18%
Violas	10	0	1	6	15%
Violoncelli (Continuo)	16	0	1	4	15%

Sinfonia in G Major

edward.maurath

3:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
Fagotto	17	4	1	4	91%
Oboe 1	13	0	1	4	91%
Oboe 2	11	0	1	5	91%
Viole	11	0	0	4	91%
Violini 1	13	0	1	4	91%
Violini 2	16	0	1	4	91%
Violoncello Continuo	15	0	1	4	91%
Contrabassi Continuo	15	0	1	4	83%
Violoncelli Continuo	15	0	1	4	83%
Corni G	11	18	0	5	67%
Corni D	11	15	1	5	35%

"Occhi belli" from "Il Pastor Fido" HWV 8, 1712

edward.maurath

3:28	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	69	12	7	100%
	20	24	5	5	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	69	12	7	100%
	20	24	5	5	100%
Contrabasses	19	0	4	5	100%
Violins 1	18	0	4	5	100%
Violoncellos	19	0	4	5	100%
Soprano	12	0	4	9	77%

HWV56N05Y1742 - Mesiah - Thus saith the Lord

edward.maurath

1:40	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	13	0	3	4	94%
Cello	18	0	4	3	94%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	13	0	3	4	94%
Cello	18	0	4	3	94%
Viola	10	0	0	3	94%
Violin I	14	0	2	3	94%
Violin II	13	0	3	3	94%
Violone	18	0	4	3	94%
BC LH	18	20	5	5	90%
BC RH	16	18	5	4	61%

"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)

edward.maurath

2:57	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	97	10	8	100%
	26	62	6	7	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	97	10	8	100%
	26	62	6	7	100%
Violoncello	22	1	4	7	100%
Mirtillo	15	0	5	8	85%

"Sol dal brando," from "Rinaldo," HWV 7

edward.maurath

2:43	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
Violoncello (Continuo)	19	0	4	5	100%
Alto as Goffredo	16	0	5	7	77%
Contrabasses	16	0	1	4	77%
Violini	16	0	1	4	77%
Violoncellos	16	0	1	3	77%

"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)

edward.maurath

2:20	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	4	6	4	100%
	20	4	6	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	4	6	4	100%
	20	4	6	4	100%
Harpsichord	17	4	6	4	100%
	20	4	6	4	100%
Celli	16	0	5	4	100%
Continuo	16	0	5	4	100%
Contrabasses	15	0	5	4	100%
Violas	14	0	5	4	100%
Vln 1	14	0	5	6	100%
Vln 2	14	0	4	6	100%
Cesare	15	0	6	4	83%

"Fato crudo, Amor serero" from "Il Pastor Fido," HWV8 (1733)

edward.maurath

2:46	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
Violoncello (Contniuo)	20	0	2	10	96%
Contrabassi (Continuo)	20	0	2	10	80%
Violoncelli (Continuo)	20	0	2	10	80%
Violini 1	16	0	2	9	76%
Violini 2	16	0	3	8	76%
Soprano as Mirtillo	11	0	1	9	72%

HWV56N37 - The Lord gave the word

edward.maurath

1:32	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
Cello	12	0	0	4	92%
Violone	12	0	0	4	92%
Viola	10	0	0	5	88%
Vln I	16	0	1	7	88%
Vln II	16	0	1	5	88%
Bassi	11	0	0	6	84%
Tenori	10	0	1	6	84%
Alti	8	0	0	6	80%
Soprani	10	0	1	6	80%

"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)

edward.maurath

3:29	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
Harp Continuo	22	28	5	7	100%
	23	34	5	7	100%
Violoncello Continuo	20	0	4	7	100%
Sesto	14	0	3	8	83%
Contrabassi Continuo	9	0	0	4	8%
Violini	9	0	0	6	8%
Violoncelli Continuo	9	0	0	4	8%

HWV56N10 Behold, darkness shall cover the earth

edward.maurath

2:47	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	42	11	4	96%
	16	4	6	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	42	11	4	96%
	16	4	6	4	100%
Cello	14	0	4	4	100%
Viola	16	0	5	4	100%
Violin I	17	0	5	5	100%
Violoncello Continuo	14	0	4	4	100%
Violone	14	0	4	4	100%
Violin II	18	0	6	4	96%
Bass	14	0	3	8	83%