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Unique Durations: 4-5
Unique Durations: > 9
Unique Accidentals: 3-4
Unique Notes: 6 - 10
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Handel
HWV7A3N3b - "Andante, o forti" in G Major
edward.maurath
0:40 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
Basso Continuo Bass 17 0 6 7 100%
Violoncello Bass 17 0 6 7 100%
Contrabass Bass 16 0 6 7 97%
Violins Treble 19 0 6 7 97%
Mago
as bass		 Bass 12 0 3 7 75%
Viola 7 0 3 5 15%
 
HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)
edward.maurath
0:40 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
Organ Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
Soprano 8 1 1 5 77%
Bassoon Bass 9 0 0 5 75%
Bass 9 0 0 5 75%
Celli Bass 7 0 0 5 75%
Kontrebaß Bass 7 0 0 5 75%
Tenor 8 0 3 5 70%
Bass Bass 9 0 0 5 67%
Viole 3 0 0 5 67%
Violini Treble 12 0 2 5 67%
Oboe Treble 9 0 2 5 55%
 
HWV61A1N7 - Well may they laugh!
edward.maurath
0:58 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 15 15 3 1 93%
HSC
RH		 Treble 12 16 4 1 93%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 15 15 3 1 93%
HSC
RH		 Treble 12 16 4 1 93%
ORG
LH		 Bass 11 6 3 2 93%
ORG
RH		 Treble 12 16 4 2 93%
Vcl Bass 8 0 2 2 93%
VNE Bass 8 0 2 2 93%
GOBRIAS Bass 9 0 0 3 47%
CYRUS
S		 9 0 3 4 40%
 
"Che sento Oh dio Morra Cleopatra ancora," from "Giulio Cesare in Egitto"
edward.maurath
1:17 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
Harpsichord Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
Celli Bass 15 0 5 5 100%
Kontrebaß Bass 15 0 5 5 100%
Violas 12 0 5 5 100%
Vln
1		 Treble 13 0 6 5 100%
Vln
2		 Treble 10 0 4 5 100%
Cleopatra Treble 14 0 6 3 95%
 
HWV56N19Y1741 - Soprano - Then shall the eyes of the blind be opened
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 7 0 2 4 100%
HPSI
LH		 Bass 13 10 4 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 7 0 2 4 100%
HPSI
LH		 Bass 13 10 4 4 100%
Hpsi
RH		 Treble 12 10 3 4 100%
Soprano 10 0 4 5 100%
 
HWV56N34 - Unto which of the angles said he at any time
edward.maurath
0:16 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 8 4 2 2 100%
Bass 7 4 2 1 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 8 4 2 2 100%
Bass 7 4 2 1 100%
Cello Bass 4 0 1 1 100%
Contrabass Bass 4 0 1 1 100%
Tenor 8 0 3 4 100%
 
HWV56N19Y1742 - Messiah - Alto - Then shall the eyes of the blind be opened (1742)
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
Contrabass Bass 7 0 2 4 100%
HPSI
LH		 Bass 10 8 3 4 100%
Hpsi
RH		 Treble 11 9 4 4 100%
 
HWV17A3N19 - Recitative, "Quì Curio vincitor"
edward.maurath
2:44 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 17 0 7 5 100%
Harpsichord Treble 10 9 3 5 46%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 17 0 7 5 100%
Harpsichord Treble 10 9 3 5 46%
Bass 19 26 7 5 51%
Cesare Treble 12 0 4 5 45%
Harp Treble 17 20 6 6 42%
Bass 15 16 5 5 44%
Sesto Treble 9 0 4 3 22%
Cornelia 11 0 3 3 18%
Nireno 7 0 0 3 14%
Cleopatra Treble 7 0 2 4 10%
Lute Treble 5 1 1 2 4%
Bass 12 3 5 2 6%