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HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)

edward.maurath

0:33	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo	10	0	1	3	100%
Violoncello (Continuo)	6	0	0	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo	10	0	1	3	100%
Violoncello (Continuo)	6	0	0	3	100%
Cembalo (Continuo)	10	13	2	4	92%
	10	6	1	5	92%

HWV8A0N2 - Melodiosa Germana (Apollo) recitativo secco

edward.maurath

0:42	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC	14	14	2	4	100%
	8	2	1	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC	14	14	2	4	100%
	8	2	1	2	100%
Vcl	7	0	1	2	100%
Apollo	10	0	3	3	89%

HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"

edward.maurath

3:55	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
Violoncello Continuo	16	0	2	4	100%
Bertarido	13	0	2	6	76%
Vln 1	14	0	0	7	57%
Contrabass Continuo	11	0	0	4	53%
Viola	10	0	0	4	47%
Vln 2	11	0	0	5	47%

HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major

edward.maurath

2:40	Est. Play Time
134	Measures
	1,102Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
Double Bass Continuo	16	0	2	4	94%
Violin 1	20	0	2	5	94%
Violincello Continuo	17	0	2	4	94%
Viola	17	0	2	5	93%
Violin 2	18	0	3	5	93%
Bassoon Continuo	17	0	2	4	89%
Bass as Clodomiro	16	0	3	5	65%
Oboe	12	0	0	5	29%

Handel: La March - D Major

edward.maurath

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
Bassoon	12	3	2	5	100%
BSN	15	2	1	5	100%
Kontrebaß	15	0	1	5	100%
Oboe 1	12	0	1	5	100%
Oboe 2	13	2	3	5	100%
Vcl	15	0	1	5	100%
Vla	12	3	2	5	100%
Vln	15	39	3	5	100%
Trumpet at concert pitch	12	1	1	5	75%

"Hai tanto rapido" with ballet from Terpsichore, prologue to 'Il Pastor Fido,' HWV 8 (1734)

edward.maurath

6:33	Est. Play Time
142	Measures
	1,083Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
Cembalo (Continuo)	23	45	4	6	50%
	19	13	2	3	56%
Violoncello (Continuo)	16	0	1	3	56%
Violas	12	0	1	5	53%
Contrabassi (Contrabassi)	14	0	1	3	52%
Violoncelli (Continuo)	14	0	1	3	52%
Soprano as Apollo	12	0	1	6	50%
Flute	12	0	1	7	44%
	13	0	1	5	44%

HWV56N04 - Messiah - And the Glory of the Lord

edward.maurath

5:54	Est. Play Time
138	Measures
	1,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	74	3	5	98%
	16	41	2	4	94%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	74	3	5	98%
	16	41	2	4	94%
Cello	22	1	4	5	98%
Violone	22	1	4	5	98%
Violin 2	19	1	3	6	79%
Bassoon	17	0	4	4	78%
Oboi	15	2	2	5	77%
Viola	17	0	4	4	77%
Alti	11	1	2	5	75%
Violin 1	17	0	2	6	75%
Tenori	11	0	2	5	72%
Bassoon Continuo	22	0	4	4	72%
Bassi	16	0	3	4	63%
Soprani	13	0	2	5	63%

"Nel tuo seno" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

2:34	Est. Play Time
27	Measures
	1,274Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	12	2	6	96%
	17	9	1	5	96%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	12	2	6	96%
	17	9	1	5	96%
Harp Contnuo	21	42	3	6	96%
	18	14	2	5	96%
Contrabassi Continuo	14	0	1	5	96%
Violini 1	19	0	2	6	96%
Violini 2	19	0	2	6	96%
Violoncelli Continuo	15	0	1	5	96%
Violoncello Continuo	15	0	1	5	96%
Cornelia Contralto	10	0	2	5	78%

Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)

edward.maurath

2:17	Est. Play Time
64	Measures
	1,288Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
Bassoon (Violas)	12	0	1	5	100%
Bassoon Continuo	15	0	1	2	100%
Contrabasses Continuo	15	0	1	2	100%
Oboe 1	15	7	3	6	100%
Oboe 2	15	0	3	5	100%
Violas	12	0	1	5	100%
Violins 1	15	7	3	6	100%
Violins 2	15	0	3	5	100%
Violoncellos Continuo	15	0	1	2	100%
Horn A	9	18	0	5	69%
Horn D	9	18	2	5	69%
Basses	12	1	1	4	41%
CONTRALTOS	11	0	2	3	41%
Sopranos	9	2	2	6	41%
Tenors	9	5	1	3	41%

"Svegliatevi nel core" from HWV 17, (1724)

edward.maurath

3:08	Est. Play Time
64	Measures
	1,364Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	22	6	6	5	100%
	23	9	4	6	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	22	6	6	5	100%
	23	9	4	6	100%
Harpsichord	21	2	4	5	100%
	24	10	7	6	100%
Celli	21	0	4	5	100%
Continuo	21	1	4	5	100%
Contrabasses	21	0	4	5	100%
Vln 1	23	0	5	5	98%
Vln 2	19	0	4	5	98%
Castrato as Sesto	15	0	3	6	80%
Flute	13	17	2	4	25%