Active Filters:
Play Time: > 3:20
Unique Durations: 4-5
Unique Durations: > 9
Unique Notes: 6 - 10
Clear All Filters

Tags

Handel
HWV63A3N58 - "See, the conquering hero comes"
edward.maurath
3:33 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
Treble 13 0 2 8 67%
Alto 11 0 1 6 58%
Organ
as by
Handel		 14 0 1 6 58%
Soprano
II		 12 0 3 6 58%
French Horn
I		 Treble 9 0 1 6 50%
French Horn
II		 Treble 9 0 1 6 50%
Oboe Treble 13 16 2 6 35%
Bass Bass 9 0 1 6 33%
Cello Continuo Bass 9 0 1 6 33%
Cortrebass Continuo Bass 9 0 1 6 33%
Organ Continuo Treble 16 18 3 5 33%
Organo Continuo Bass 10 1 1 6 33%
Tenor 8 0 2 6 33%
Viola 9 0 1 4 33%
Violin
I		 Treble 9 0 1 5 33%
Violin
II		 Treble 10 0 2 8 33%
 
The Trumpet Shall Sound (From Handel's "Messiah Oratorio" HWV 56, Part III, Scenes I and II)
Classical Music Central
5:46 Est. Play
Time
223 Measures
2,687Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone
Saxophone		 Treble 27 0 7 8 98%
Tenor
Saxophone		 Treble 19 0 4 8 97%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone
Saxophone		 Treble 27 0 7 8 98%
Tenor
Saxophone		 Treble 19 0 4 8 97%
B♭
Clarinet		 Treble 23 0 5 10 96%
Treble 6 0 1 5 4%
Flute Treble 23 0 5 10 96%
Treble 6 0 1 5 4%
Alto
Saxophone		 Treble 27 0 5 10 96%
Tuba Bass 21 0 5 7 94%
Horn
in
F		 Treble 22 0 5 9 92%
Treble 22 0 5 8 89%
B♭
Trumpet		 Treble 19 0 5 9 78%
Treble 7 0 1 5 4%
Baritone Treble 16 0 4 7 67%
Bassoon Bass 7 0 1 5 4%
 
HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"
edward.maurath
3:55 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Bertarido Treble 13 0 2 6 76%
Vln
1		 Treble 14 0 0 7 57%
Contrabass Continuo Bass 11 0 0 4 53%
Viola 10 0 0 4 47%
Vln
2		 Treble 11 0 0 5 47%
 
I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8
edward.maurath
3:47 Est. Play
Time
35 Measures
1,413Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
Bassoon
(Continuo)		 Bass 15 0 1 6 100%
Contrabassi (Continuo) Bass 15 0 1 6 100%
Violas 16 0 4 6 100%
Violins
1		 Treble 22 0 4 7 100%
Violins
2		 Treble 18 0 5 7 100%
Violoncelli (Continuo) Bass 15 0 1 6 100%
Oboe Treble 17 0 4 5 97%
Horn Treble 12 0 1 5 79%
Alto 7 0 2 5 74%
Bass Bass 12 0 1 5 74%
Soprano 10 0 1 6 74%
Tenor 8 0 1 5 74%
 
"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
19:47 Est. Play
Time
146 Measures
1,291Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 82 10 7 98%
Bass 19 7 6 5 81%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 82 10 7 98%
Bass 19 7 6 5 81%
Violini Tutti Treble 21 0 5 7 76%
Cleopatra Treble 15 0 4 6 62%
Violoncello Continuo Bass 18 0 4 5 61%
Oboe Treble 12 0 1 7 59%
Contrabassi Continuo Bass 17 0 2 5 51%
Violoncelli Continuo Bass 17 0 2 5 51%
Bassoon Continuo Bass 15 0 0 5 44%
Viole Treble 10 0 0 5 34%
Bassoon Viola 10 0 0 5 16%
 
"Lontan del mio tesoro" from "Il Pastor Fido," HWV 8 (Early 1733)
edward.maurath
5:20 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 23 46 7 10 100%
Bass 23 24 4 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 23 46 7 10 100%
Bass 23 24 4 5 100%
Violoncello (Continuo) Bass 19 0 3 5 100%
Soprano as
Mirtillo		 17 0 6 6 76%
Contrabassi (Continuo) Bass 7 0 0 5 10%
Viole 9 0 0 4 10%
Violini 1 Treble 9 0 0 5 10%
Violini 2 Treble 10 0 0 4 10%
Violoncelli (Continuo) Bass 7 0 0 5 10%
 
"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)
edward.maurath
3:29 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 29 5 6 100%
Bass 23 32 5 7 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 29 5 6 100%
Bass 23 32 5 7 100%
Harp Continuo Treble 22 28 5 7 100%
Bass 23 34 5 7 100%
Violoncello Continuo Bass 20 0 4 7 100%
Sesto Treble 14 0 3 8 83%
Contrabassi Continuo Bass 9 0 0 4 8%
Violini Treble 9 0 0 6 8%
Violoncelli Continuo Bass 9 0 0 4 8%
 
"Fra gelsomini, fra gratifiori" from "Il Pastor Fido," HWV 8, both revival versions
edward.maurath
11:44 Est. Play
Time
100 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 22 39 5 7 99%
Bass 26 40 8 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 22 39 5 7 99%
Bass 26 40 8 5 100%
Violoncello (Continuo) Bass 21 0 5 5 100%
Soprano as
Mirtillo		 14 0 4 6 78%
Violini Treble 16 0 2 7 68%
Bassoon (Viola)
 10 0 1 4 23%
Bassoon
(Continuo)		 Bass 14 0 1 3 23%
Contrabassi (Continuo) Bass 14 0 1 3 23%
Oboe Treble 13 0 1 7 23%
Violas 10 0 1 4 23%
Violoncelli (Continuo) Bass 14 0 1 3 23%