Play Along Piano

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Handel

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Sarabande

Paul Cooper1

6:24	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder	16	0	3	6	100%
	15	0	3	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder	16	3	6	100%
	15	3	6	100%
	18	4	5	100%
	11	2	4	100%

Händel - Lascia Ch'io Pianga, for Flute and Cello

Hyeon Kim

3:36	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	17	3	6	100%
	16	6	2	5	99%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	17	3	6	100%
	16	6	2	5	99%
Cello	20	0	2	8	89%
Flute	15	0	3	11	89%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"

edward.maurath

3:55	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
Violoncello Continuo	16	0	2	4	100%
Bertarido	13	0	2	6	76%
Vln 1	14	0	0	7	57%
Contrabass Continuo	11	0	0	4	53%
Viola	10	0	0	4	47%
Vln 2	11	0	0	5	47%

"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

8:36	Est. Play Time
100	Measures
	2,042Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
Harp Continuo	21	46	4	6	100%
	20	54	4	6	99%
Violoncello Continuo	19	0	4	5	99%
Violini	19	16	3	5	76%
Contrabassi Continuo	16	0	2	3	75%
Violoncelli Continuo	16	0	2	3	75%
Cleopatra	16	0	2	5	72%

"Frode, sol a te rivolta" from "Il Pastor Fido," HWV 8 (1733)

edward.maurath

3:24	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
Violoncello (Continuo)	22	0	6	4	100%
Soprano as Eurilia	12	0	4	5	68%
Violini Tutti	14	0	1	6	55%
Contrabassi	16	0	2	4	48%
Violoncelli (Continuo)	16	0	2	4	48%

"Hai tanto rapido" with ballet from Terpsichore, prologue to 'Il Pastor Fido,' HWV 8 (1734)

edward.maurath

6:33	Est. Play Time
142	Measures
	1,083Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
Cembalo (Continuo)	23	45	4	6	50%
	19	13	2	3	56%
Violoncello (Continuo)	16	0	1	3	56%
Violas	12	0	1	5	53%
Contrabassi (Contrabassi)	14	0	1	3	52%
Violoncelli (Continuo)	14	0	1	3	52%
Soprano as Apollo	12	0	1	6	50%
Flute	12	0	1	7	44%
	13	0	1	5	44%

I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8

edward.maurath

3:47	Est. Play Time
35	Measures
	1,413Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
Bassoon (Continuo)	15	0	1	6	100%
Contrabassi (Continuo)	15	0	1	6	100%
Violas	16	0	4	6	100%
Violins 1	22	0	4	7	100%
Violins 2	18	0	5	7	100%
Violoncelli (Continuo)	15	0	1	6	100%
Oboe	17	0	4	5	97%
Horn	12	0	1	5	79%
Alto	7	0	2	5	74%
Bass	12	0	1	5	74%
Soprano	10	0	1	6	74%
Tenor	8	0	1	5	74%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
Violini Tutti	21	0	5	7	76%
Cleopatra	15	0	4	6	62%
Violoncello Continuo	18	0	4	5	61%
Oboe	12	0	1	7	59%
Contrabassi Continuo	17	0	2	5	51%
Violoncelli Continuo	17	0	2	5	51%
Bassoon Continuo	15	0	0	5	44%
Viole	10	0	0	5	34%
Bassoon Viola	10	0	0	5	16%

HWV17a2n05y1724 "Se in fiorto ameno prato" from "Giulio Cesare in Egitto"

edward.maurath

6:49	Est. Play Time
97	Measures
	1,535Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
	28	68	10	8	84%
Harpsichord	20	48	6	8	84%
	27	51	9	8	84%
Cesare	15	0	6	8	71%
Bassoon	14	7	0	7	60%
Continuo	22	0	6	5	55%
Vln 1	16	0	4	8	37%
Celli	16	0	2	5	35%
Kontrebaß	16	0	2	5	35%
Vln 2	13	0	0	6	32%
Violas	10	0	0	7	29%

"Casta Dea, a te divoto" from "Il Pastor Fido," HWV 8 (1712)

edward.maurath

3:24	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
Violoncello (Continuo)	22	0	6	4	100%
Alto as Silvio	12	0	4	5	68%
Violini Tutti	14	0	1	6	55%
Contrabassi (Continuo)	16	0	2	4	48%
Violoncelli (Continuo)	16	0	2	4	48%

"L' aure che spira tiranno e fiero" from "Giulio Cesare," HWV 17

edward.maurath

6:55	Est. Play Time
108	Measures
	1,899Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
Harp (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
Violoncello (Continuo)	23	0	6	6	94%
Bassoon (Continuo)	23	0	6	6	91%
Oboe	19	0	5	7	89%
Violini 1	23	0	5	5	89%
Violini 2	23	0	5	6	89%
Contrabassi (Continuo)	23	0	6	6	81%
Violoncelli (Continuo)	23	0	6	6	81%
Soprano as Sesto	17	0	5	7	69%
Bassoon (VLI)	19	0	2	5	46%
Viole	16	0	2	5	46%