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Play Time: 1:30 - 2:10
Play Time: > 3:20
Unique Durations: 4-5
Unique Chords: 7-10
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Handel
HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor
edward.maurath
4:29 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 45 7 6 92%
Bass 20 10 4 5 95%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 45 7 6 92%
Bass 20 10 4 5 95%
Cello Bass 17 0 3 5 95%
Juno Treble 15 0 4 9 84%
Vln
1		 Treble 20 0 4 5 80%
Violas 19 0 4 5 74%
Vln
2		 Treble 21 0 6 3 70%
Celli Bass 17 0 3 3 66%
Kontrebaß Bass 17 0 3 3 66%
 
HWV63A1N2 - "Mourn, ye afflicted children" in c minor
edward.maurath
5:08 Est. Play
Time
47 Measures
1,196Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 7 6 5 94%
Bass 25 11 8 7 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 7 6 5 94%
Bass 25 11 8 7 100%
Contrabasses Bass 22 0 8 7 100%
Violas 21 0 7 6 100%
Violoncellos Bass 25 0 8 7 100%
Vln
1		 Treble 25 0 9 6 100%
Vln
2		 Treble 27 0 10 6 100%
Alto 15 0 5 4 87%
Tenor 15 0 5 4 87%
Bass Bass 22 0 11 4 85%
Soprano 19 0 9 5 85%
Oboe Treble 19 0 7 6 74%
Treble 19 0 7 6 74%
Bassoon Bass 23 0 8 5 74%
 
"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
19:47 Est. Play
Time
146 Measures
1,291Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 82 10 7 98%
Bass 19 7 6 5 81%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 82 10 7 98%
Bass 19 7 6 5 81%
Violini Tutti Treble 21 0 5 7 76%
Cleopatra Treble 15 0 4 6 62%
Violoncello Continuo Bass 18 0 4 5 61%
Oboe Treble 12 0 1 7 59%
Contrabassi Continuo Bass 17 0 2 5 51%
Violoncelli Continuo Bass 17 0 2 5 51%
Bassoon Continuo Bass 15 0 0 5 44%
Viole Treble 10 0 0 5 34%
Bassoon Viola 10 0 0 5 16%
 
Empio, diro, tu sei, from HWV 17, (1724)
edward.maurath
4:44 Est. Play
Time
64 Measures
1,120Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 10 8 5 100%
Bass 27 16 8 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 10 8 5 100%
Bass 27 16 8 6 100%
Celli Bass 27 0 8 6 100%
Continuo Bass 27 0 8 6 100%
Kontrebaß Bass 27 0 8 6 100%
Violini Treble 24 0 12 4 82%
Cesare Treble 16 0 6 6 65%
 
"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)
edward.maurath
3:51 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 8 4 4 100%
Bass 22 20 5 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 8 4 4 100%
Bass 22 20 5 4 100%
Harp Continuo Treble 20 18 5 4 100%
Bass 21 13 4 4 100%
Violoncello Continuo Bass 20 0 4 4 100%
Contrabassi Continuo Bass 17 0 3 4 93%
Violini Treble 19 0 5 3 93%
Violoncelli Contniuo Bass 18 0 3 4 93%
Cornelia 14 0 4 7 76%
 
Cesare, "Non e si vago e bello" from HWV 17, (1724)
edward.maurath
4:10 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 8 6 4 100%
Bass 21 16 6 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 8 6 4 100%
Bass 21 16 6 4 100%
Harpsichord Treble 20 8 6 4 100%
Bass 22 17 6 4 100%
Celli Bass 21 0 5 4 100%
Continuo Bass 21 0 5 5 100%
Kontrebaß Bass 21 0 5 4 100%
Violini Treble 14 4 1 5 90%
Cesare 14 0 3 5 79%
Violas 11 0 0 4 16%
 
"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)
edward.maurath
1:58 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 16 10 3 5 100%
Bass 17 0 3 4 77%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 16 10 3 5 100%
Bass 17 0 3 4 77%
Bass 18 6 4 5 94%
Harp (Continuo) Treble 16 10 3 5 100%
Bass 18 6 4 5 94%
Bass 17 0 3 4 77%
Violoncello (Continuo) Bass 18 0 3 5 94%
Contrabass (Continuo) Bass 17 0 3 4 77%
Contrabasses (Continuo) Bass 17 0 3 4 77%
Strings 16 0 3 4 77%
Violoncellos (Continuo) Bass 18 0 3 4 77%
Rodrigo 15 0 5 7 67%
 
HWV56N40 - Why do the nations? - with da capo repeat
edward.maurath
6:31 Est. Play
Time
109 Measures
3,053Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 64 8 6 90%
Bass 22 7 6 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 64 8 6 90%
Bass 22 7 6 4 100%
Contrabass Bass 21 0 6 4 100%
Violoncello Continuo Bass 22 1 6 4 100%
Violin
I		 Treble 27 0 9 6 99%
Viola 23 0 6 5 98%
Violin
II		 Treble 25 0 7 5 97%
Organo Treble 21 65 7 6 91%
Orgono Bass 20 43 7 4 90%
Basso Bass 16 0 5 9 73%