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Play Time: > 3:20
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Unique Chords: > 10
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Handel
Handel - Passacaille Suite 7 - HWV 432
pental
5:07 Est. Play
Time
65 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 13 8 7 98%
Bass 25 32 6 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 13 8 7 98%
Bass 25 32 6 5 100%
 
Händel - Lascia Ch'io Pianga, for Baroque Flute (A=415)
Hyeon Kim
3:45 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 21 3 8 100%
Bass 16 17 3 5 100%
Flute Treble 12 0 4 11 70%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 21 3 8 100%
Bass 16 17 3 5 100%
Flute Treble 12 0 4 11 70%
 
HWV1A2N30 - Sanerà la piaga un dì
edward.maurath
3:30 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
Bassoon Continuo Bass 22 0 5 2 98%
Soprano as
Almira		 Treble 15 0 3 6 87%
 
HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"
edward.maurath
5:20 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
Violoncello Continuo Bass 23 0 7 5 97%
Arsace 18 0 6 7 74%
Violini Treble 21 5 4 4 66%
Contrabassi Continuo Bass 19 0 4 5 63%
Contrabasso Continuo Bass 19 0 4 5 63%
Violoncelli Continuo Bass 19 0 4 5 63%
 
HWV26A2N18 - Berengario, "D'instabile fortuna" in E Major
edward.maurath
6:14 Est. Play
Time
85 Measures
1,786Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 35 3 4 100%
Bass 21 68 4 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 35 3 4 100%
Bass 21 68 4 4 100%
Violoncello Continuo Bass 20 0 3 4 99%
Vln
1		 Treble 24 0 6 3 81%
Vln
2		 Treble 23 0 6 3 81%
Kontrebaß Bass 22 0 4 3 78%
Berengario 18 0 5 7 69%
Violas 16 0 4 3 46%
 
HWV26A1 - Se il mar promette calma - G Major
edward.maurath
4:08 Est. Play
Time
65 Measures
1,469Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 41 6 4 87%
Bass 26 17 7 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 41 6 4 87%
Bass 26 17 7 4 98%
Viola 22 0 7 3 97%
Violino
1		 Treble 23 0 6 7 97%
Violino
2		 Treble 24 0 7 6 97%
Double
Bass Continuo		 Bass 22 0 7 3 95%
Violoncello Continuo Bass 23 0 7 3 95%
Bass
as Clodomiro		 Bass 17 0 6 8 75%
Bassoon Continuo Bass 23 0 7 4 75%
 
Handel - Sarabande Variations
Parasκevas
3:25 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 20 4 5 100%
Bass 17 1 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 20 4 5 100%
Bass 17 1 3 4 100%
 
HWV61A3N60 - Great victor at thy feet I bow
edward.maurath
4:48 Est. Play
Time
130 Measures
1,206Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 27 134 8 9 98%
Bass 22 65 6 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 27 134 8 9 98%
Bass 22 65 6 4 98%
Violoncello Continuo Bass 21 0 5 5 98%
Vln
1		 Treble 23 0 7 8 66%
Vln
2		 Treble 21 0 4 7 65%
Vcl Bass 19 0 4 5 63%
VNE Bass 18 0 4 5 63%
CYRUS 15 0 4 5 45%
NITOCRIS 14 0 4 5 42%
 
HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"
edward.maurath
3:55 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Bertarido Treble 13 0 2 6 76%
Vln
1		 Treble 14 0 0 7 57%
Contrabass Continuo Bass 11 0 0 4 53%
Viola 10 0 0 4 47%
Vln
2		 Treble 11 0 0 5 47%
 
HWV26A2N10 - Alto Aria for Matilde "Arma lo sguardo"
edward.maurath
5:55 Est. Play
Time
64 Measures
1,233Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 30 138 11 7 95%
Bass 25 28 6 4 98%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 30 138 11 7 95%
Bass 25 28 6 4 98%
Violoncello Continuo Bass 23 0 6 4 98%
Violini Treble 25 0 8 7 96%
Contrabasso Continuo Bass 21 0 6 4 85%
Maltilde 20 0 7 7 76%
 
Cornelia, "Priva son d'ogni conforto" from HWV 17, Giulio Cesare
edward.maurath
12:33 Est. Play
Time
114 Measures
1,315Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
Lute Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
Celli Bass 17 0 3 2 100%
Continuo Bass 17 0 3 3 100%
Contrebaß Bass 17 0 3 2 100%
Violas 16 0 5 3 100%
Violins Treble 23 60 8 6 100%
Vln
2		 Treble 23 60 8 4 100%
Flute Treble 20 0 5 6 89%
Cornelia 15 0 5 7 88%
 
"Frode, sol a te rivolta" from "Il Pastor Fido," HWV 8 (1733)
edward.maurath
3:24 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 21 69 6 6 95%
Bass 25 46 7 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 21 69 6 6 95%
Bass 25 46 7 4 100%
Violoncello (Continuo) Bass 22 0 6 4 100%
Soprano as
Eurilia		 12 0 4 5 68%
Violini Tutti Treble 14 0 1 6 55%
Contrabassi Bass 16 0 2 4 48%
Violoncelli (Continuo) Bass 16 0 2 4 48%
 
"Sento brillar" from "Il Pastor Fido," HWV 8, last season
edward.maurath
5:48 Est. Play
Time
104 Measures
2,734Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 68 8 10 99%
Bass 24 50 5 5 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 68 8 10 99%
Bass 24 50 5 5 100%
Violoncello Bass 19 0 3 5 100%
Contrabassi (Continuo) Bass 17 0 3 3 97%
Violas 18 0 4 4 97%
Violins
1		 Treble 20 0 4 4 97%
Violins
2		 Treble 22 0 5 4 97%
Violoncelli (Continuo) Bass 18 0 3 3 97%
Soprano as
Mirtillo		 18 0 6 10 75%
Bassoon (Continuo) Bass 13 0 1 3 31%
Bassoon with
violas		 11 0 1 3 31%
Oboe Treble 16 0 1 4 31%
 
"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)
edward.maurath
3:51 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 8 4 4 100%
Bass 22 20 5 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 8 4 4 100%
Bass 22 20 5 4 100%
Harp Continuo Treble 20 18 5 4 100%
Bass 21 13 4 4 100%
Violoncello Continuo Bass 20 0 4 4 100%
Contrabassi Continuo Bass 17 0 3 4 93%
Violini Treble 19 0 5 3 93%
Violoncelli Contniuo Bass 18 0 3 4 93%
Cornelia 14 0 4 7 76%
 
"Casta Dea, a te divoto" from "Il Pastor Fido," HWV 8 (1712)
edward.maurath
3:24 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 21 69 6 6 95%
Bass 25 46 7 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 21 69 6 6 95%
Bass 25 46 7 4 100%
Violoncello (Continuo) Bass 22 0 6 4 100%
Alto
as Silvio		 12 0 4 5 68%
Violini Tutti Treble 14 0 1 6 55%
Contrabassi (Continuo) Bass 16 0 2 4 48%
Violoncelli (Continuo) Bass 16 0 2 4 48%
 
"Occhi belli" from "Il Pastor Fido" HWV 8, 1712
edward.maurath
3:28 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
Contrabasses Bass 19 0 4 5 100%
Violins
1		 Treble 18 0 4 5 100%
Violoncellos Bass 19 0 4 5 100%
Soprano 12 0 4 9 77%
 
"Lontan del mio tesoro" from "Il Pastor Fido," HWV 8 (Early 1733)
edward.maurath
5:20 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 23 46 7 10 100%
Bass 23 24 4 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 23 46 7 10 100%
Bass 23 24 4 5 100%
Violoncello (Continuo) Bass 19 0 3 5 100%
Soprano as
Mirtillo		 17 0 6 6 76%
Contrabassi (Continuo) Bass 7 0 0 5 10%
Viole 9 0 0 4 10%
Violini 1 Treble 9 0 0 5 10%
Violini 2 Treble 10 0 0 4 10%
Violoncelli (Continuo) Bass 7 0 0 5 10%