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Composition: Ensemble
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Participation: 1%-49%
Unique Durations: 6-7
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Handel
HWV63A3N58 - "See, the conquering hero comes"
edward.maurath
3:33 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
Treble 13 0 2 8 67%
Alto 11 0 1 6 58%
Organ
as by
Handel		 14 0 1 6 58%
Soprano
II		 12 0 3 6 58%
French Horn
I		 Treble 9 0 1 6 50%
French Horn
II		 Treble 9 0 1 6 50%
Oboe Treble 13 16 2 6 35%
Bass Bass 9 0 1 6 33%
Cello Continuo Bass 9 0 1 6 33%
Cortrebass Continuo Bass 9 0 1 6 33%
Organ Continuo Treble 16 18 3 5 33%
Organo Continuo Bass 10 1 1 6 33%
Tenor 8 0 2 6 33%
Viola 9 0 1 4 33%
Violin
I		 Treble 9 0 1 5 33%
Violin
II		 Treble 10 0 2 8 33%
 
HWV7A2N4b - "Il Tricerbero humiliato"
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
Contrabasses Bass 21 0 5 9 100%
Violins
1		 Treble 21 0 4 9 100%
Violins
2		 Treble 19 0 4 9 100%
Violoncello Bass 21 0 5 9 100%
Violoncellos Bass 21 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
HWV1A2N14 "Nein, nein, Fernando, nein!"
edward.maurath
2:11 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
Fernando 14 0 4 6 46%
Harp Treble 19 25 6 4 42%
Bass 13 11 3 4 42%
Harpsi Treble 16 17 4 3 33%
Bass 17 15 5 3 33%
Lute Treble 17 17 6 2 25%
Bass 21 15 7 2 29%
Osman 11 0 1 3 17%
 
HWV63A0 - Judas Maccabeus (1746) Overture in g minor
edward.maurath
11:07 Est. Play
Time
186 Measures
2,568Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violini 1 Treble 26 0 9 10 97%
Violini 2 Treble 27 0 9 10 94%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violini 1 Treble 26 0 9 10 97%
Violini 2 Treble 27 0 9 10 94%
Viole 18 0 4 8 83%
Contrabassi Continuo Bass 25 0 10 10 81%
Violoncelli Continuo Bass 25 0 10 10 81%
Bassoon Continuo Bass 26 0 10 10 45%
Oboe 1 Treble 22 0 8 9 45%
Organo Treble 16 39 5 9 40%
Bass 20 1 5 9 41%
Cembalo Continuo Treble 17 42 5 6 30%
Bass 20 4 3 6 30%
Oboe 2 Treble 18 0 5 7 26%
 
HWV7A2N0b "Siam prossimi al porto" (1731)
edward.maurath
2:15 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 58 6 8 99%
Bass 23 23 6 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 58 6 8 99%
Bass 23 23 6 7 100%
Violoncello Bass 22 0 6 7 100%
Goffredo 14 0 4 7 57%
Violins Treble 12 0 2 6 41%
Kontrebaß Bass 15 0 1 5 40%
Violoncellos Bass 15 0 1 5 40%
 
Concerto for Viola, Cello, and Orchestra in C minor, Op. 17: I. Con brio
Armin Thomas
7:43 Est. Play
Time
280 Measures
2,886Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 34 3 15 9 76%
Cellos Bass 28 4 13 9 76%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 34 3 15 9 76%
Cellos Bass 28 4 13 9 76%
Violas 21 0 10 7 76%
Violins
2		 Treble 27 0 11 8 75%
Horn
in
F		 Treble 22 0 7 8 47%
1.2.
Clarinet
in
B		 Treble 29 2 10 6 47%
Flute Treble 24 0 10 8 42%
Trumpet
in
B		 Treble 24 0 7 8 38%
Oboe Treble 32 0 13 7 36%
Solo
Viola 		35 14 16 10 27%
Solo
cello		 Bass 32 7 17 10 24%
Timpani Bass 11 0 4 6 12%
 
"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711
edward.maurath
1:46 Est. Play
Time
96 Measures
1,603Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo

 Treble 24 71 5 8 85%
Bass 25 50 6 8 97%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo

 Treble 24 71 5 8 85%
Bass 25 50 6 8 97%
Violoncello (Continuo) Bass 18 0 4 7 53%
Violin Treble 18 0 4 7 45%
Treble 17 0 4 7 45%
Contrabassi (Continuo) Bass 18 0 4 6 44%
Violoncelli (Continuo) Bass 18 0 4 6 44%
Armida

(Soprano)		 14 0 3 8 43%
Viola 14 0 4 4 43%
Oboe Treble 12 0 0 7 30%
Treble 13 0 2 7 30%
Bassoon
(Continuo)		 Bass 14 0 0 6 27%