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Handel

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		11	0	2	6	92%
Flute		13	0	1	6	67%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		11	0	2	6	92%
Flute		13	0	1	6	67%
		13	0	2	8	67%
Alto		11	0	1	6	58%
Organ as by Handel		14	0	1	6	58%
Soprano II		12	0	3	6	58%
French Horn I		9	0	1	6	50%
French Horn II		9	0	1	6	50%
Oboe		13	16	2	6	35%
Bass		9	0	1	6	33%
Cello Continuo		9	0	1	6	33%
Cortrebass Continuo		9	0	1	6	33%
Organ Continuo		16	18	3	5	33%
Organo Continuo		10	1	1	6	33%
Tenor		8	0	2	6	33%
Viola		9	0	1	4	33%
Violin I		9	0	1	5	33%
Violin II		10	0	2	8	33%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		27	29	9	7	97%
		25	19	5	7	97%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		27	29	9	7	97%
		25	19	5	7	97%
Violoncello		24	0	5	6	97%
Contrabass		24	0	5	5	88%
Dorinda		17	0	6	6	75%
Violins 1		22	0	7	7	56%
Contrabasses		17	0	4	3	47%
Violoncellos		17	0	4	3	47%
Bassoon		10	0	2	3	13%
Oboe		14	0	2	5	13%

The Trumpet Shall Sound (From Handel's "Messiah Oratorio" HWV 56, Part III, Scenes I and II)

Classical Music Central

5:46	Est. Play Time
223	Measures
	2,687Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone		27	0	7	8	98%
Tenor Saxophone		19	0	4	8	97%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone		27	0	7	8	98%
Tenor Saxophone		19	0	4	8	97%
B♭ Clarinet		23	0	5	10	96%
		6	0	1	5	4%
Flute		23	0	5	10	96%
		6	0	1	5	4%
Alto Saxophone		27	0	5	10	96%
Tuba		21	0	5	7	94%
Horn in F		22	0	5	9	92%
		22	0	5	8	89%
B♭ Trumpet		19	0	5	9	78%
		7	0	1	5	4%
Baritone		16	0	4	7	67%
Bassoon		7	0	1	5	4%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		21	86	6	9	100%
		22	37	5	6	99%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		21	86	6	9	100%
		22	37	5	6	99%
Violoncello Continuo		17	2	1	3	86%
Violins		15	0	2	8	73%
Rodelinda		13	0	3	5	68%
Contrabasses		14	0	0	3	60%
Violincello Continuo		14	0	0	3	60%
Violas		13	0	2	5	55%
Bassoon Continuo		14	0	0	3	15%
Oboe		10	0	0	6	14%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		26	0	9	10	97%
Violini 2		27	0	9	10	94%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		26	0	9	10	97%
Violini 2		27	0	9	10	94%
Viole		18	0	4	8	83%
Contrabassi Continuo		25	0	10	10	81%
Violoncelli Continuo		25	0	10	10	81%
Bassoon Continuo		26	0	10	10	45%
Oboe 1		22	0	8	9	45%
Organo		16	39	5	9	40%
		20	1	5	9	41%
Cembalo Continuo		17	42	5	6	30%
		20	4	3	6	30%
Oboe 2		18	0	5	7	26%

HWV7A2N8b - "Mio cor, che mi sai dir?" (b minor)

edward.maurath

4:43	Est. Play Time
51	Measures
	1,285Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)		23	0	8	4	99%
Contrabassi (Continuo)		22	0	7	4	97%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)		23	0	8	4	99%
Contrabassi (Continuo)		22	0	7	4	97%
Violoncelli (Continuo)		21	0	7	4	97%
Cemballo (Continuo)		26	37	9	5	90%
		33	23	12	6	96%
Violins I		22	0	6	4	95%
Violins II		21	0	5	4	91%
Tenor as Goffredo		14	0	5	6	60%
Bassoon (Cembalo)		18	0	4	4	47%
Oboe		18	0	5	4	47%

Messiah| No.53: Worthy Is The Lamb That Was Slain

Pete Alan

6:24	Est. Play Time
146	Measures
	4,569Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		25	0	5	7	92%
Tenor		18	0	6	8	86%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		25	0	5	7	92%
Tenor		18	0	6	8	86%
Bass		14	0	3	8	84%
Violins 1		25	0	6	6	81%
Alto		14	0	3	8	79%
Violins 2		22	0	5	8	77%
Soprano		16	1	4	7	73%
Violas		20	0	5	8	73%
Double Basses		23	11	6	7	70%
C Trumpet I, II		13	0	1	8	54%
Timpani		2	0	0	8	34%

Concerto for Viola, Cello, and Orchestra in C minor, Op. 17: I. Con brio

Armin Thomas

7:43	Est. Play Time
280	Measures
	2,886Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1		34	3	15	9	76%
Cellos		28	4	13	9	76%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1		34	3	15	9	76%
Cellos		28	4	13	9	76%
Violas		21	0	10	7	76%
Violins 2		27	0	11	8	75%
Horn in F		22	0	7	8	47%
1.2. Clarinet in B		29	2	10	6	47%
Flute		24	0	10	8	42%
Trumpet in B		24	0	7	8	38%
Oboe		32	0	13	7	36%
Solo Viola		35	14	16	10	27%
Solo cello		32	7	17	10	24%
Timpani		11	0	4	6	12%

Händel: "Samson," (oratorio), "Let the Bright Seraphim"

edward.maurath

3:59	Est. Play Time
76	Measures
	1,390Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		22	0	5	5	82%
Vln 1		24	0	7	6	73%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		22	0	5	5	82%
Vln 1		24	0	7	6	73%
Violas		17	0	5	6	72%
Vln 2		23	0	6	6	72%
Harpsi		17	15	3	7	71%
		20	16	3	4	61%
Israelite Woman		16	0	4	9	70%
Celli		20	0	4	5	59%
Kontrebaß		20	0	4	5	59%
Trumpet		10	0	1	8	51%
Organ with out pedals (Continuo)		16	12	5	5	22%
		15	8	3	3	22%

"Frode, sol a te rivolta" from "Il Pastor Fido," HWV 8 (1733)

edward.maurath

3:24	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		21	69	6	6	95%
		25	46	7	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		21	69	6	6	95%
		25	46	7	4	100%
Violoncello (Continuo)		22	0	6	4	100%
Soprano as Eurilia		12	0	4	5	68%
Violini Tutti		14	0	1	6	55%
Contrabassi		16	0	2	4	48%
Violoncelli (Continuo)		16	0	2	4	48%

HWV17a2n16y1724: Cleopatra, "Venere belle" in A Major

edward.maurath

11:30	Est. Play Time
123	Measures
	1,072Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	31	5	5	62%
		26	50	8	5	90%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	31	5	5	62%
		26	50	8	5	90%
Harp		17	18	3	5	45%
		25	61	8	5	90%
Continuo		20	0	5	5	90%
Violino solo		22	0	6	6	85%
Cleopatra		16	0	5	5	67%
Violini		17	0	1	5	38%
Celli		12	0	0	5	35%
Kontrebaß		12	0	0	5	35%

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