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Clef: TrebleTreble
Composition: Ensemble
Unique Durations: 6-7
Unique Accidentals: > 4
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Handel
Handel - Son nata a lagrimar
HoltWasHere
3:52 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 52 8 5 94%
Bass 19 0 5 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 52 8 5 94%
Bass 19 0 5 4 100%
Sesto Treble 14 0 5 6 70%
Cornelia Treble 13 0 5 6 68%
 
1. Sinfonia (Overture)
Pika3323
2:37 Est. Play
Time
98 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I		 Treble 24 0 8 7 98%
Violin
II		 Treble 22 0 6 8 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I		 Treble 24 0 8 7 98%
Violin
II		 Treble 22 0 6 8 96%
Viola 19 0 5 8 93%
Cello Bass 22 0 7 7 92%
 
Handel, G.F., O Sing unto the Lord a New Song
pental
3:11 Est. Play
Time
60 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 35 9 7 99%
Bass 27 19 7 7 93%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 35 9 7 99%
Bass 27 19 7 7 93%
Organ Treble 27 0 5 5 100%
Oboe Treble 17 0 5 7 98%
Violino
I		 Treble 22 0 6 7 98%
Canto Treble 15 0 4 8 95%
Bassoon Bass 17 0 4 5 93%
Violino
II		 Treble 25 0 8 6 93%
Violoncello Bass 21 0 5 5 93%
Contrabass Bass 20 0 4 5 92%
Basso Bass 16 0 5 8 90%
Tenore Treble 16 0 6 7 78%
 
HWVA3N15 - "Se Fiera belva"
edward.maurath
6:18 Est. Play
Time
71 Measures
1,346Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 19 19 6 6 77%
Bass 23 9 6 8 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 19 19 6 6 77%
Bass 23 9 6 8 100%
Cembalo Continuo Treble 17 8 5 6 65%
Bass 23 34 7 8 100%
Contrebasso Continuo Bass 20 0 5 5 91%
Violini Treble 28 0 9 5 91%
Violoncello Continuo Bass 20 0 5 5 90%
Castrato Alto
as Bertarido		 15 0 5 5 66%
Bassoon Continuo Bass 21 0 5 4 65%
Viola 14 0 1 5 42%
 
HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor
edward.maurath
4:29 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 45 7 6 92%
Bass 20 10 4 5 95%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 45 7 6 92%
Bass 20 10 4 5 95%
Cello Bass 17 0 3 5 95%
Juno Treble 15 0 4 9 84%
Vln
1		 Treble 20 0 4 5 80%
Violas 19 0 4 5 74%
Vln
2		 Treble 21 0 6 3 70%
Celli Bass 17 0 3 3 66%
Kontrebaß Bass 17 0 3 3 66%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV7A3N3b - "Andante, o forti" in G Major
edward.maurath
0:40 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
Basso Continuo Bass 17 0 6 7 100%
Violoncello Bass 17 0 6 7 100%
Contrabass Bass 16 0 6 7 97%
Violins Treble 19 0 6 7 97%
Mago
as bass		 Bass 12 0 3 7 75%
Viola 7 0 3 5 15%
 
HWV56N48 - The Trumpet shall sound
edward.maurath
6:43 Est. Play
Time
215 Measures
1,825Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 21 0 5 7 99%
Harpsichord Treble 19 81 5 7 92%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 21 0 5 7 99%
Harpsichord Treble 19 81 5 7 92%
Bass 24 43 7 7 90%
Bass Voice Bass 16 0 4 8 70%
Trumpet Treble 9 0 1 7 64%
Viola 14 0 1 6 52%
Violin
1		 Treble 14 0 1 6 52%
Violin
2		 Treble 11 0 1 6 52%
Violoncello Continuo Bass 16 0 1 6 52%
Violone Continuo Bass 15 0 1 6 52%
 
Messiah| No.33: Lift Up Your Heads, O Ye Gates
Pete Alan
2:34 Est. Play
Time
78 Measures
1,195Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 124 6 6 100%
Bass 31 20 6 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 124 6 6 100%
Bass 31 20 6 7 100%
Alto Treble 8 0 1 7 90%
Tenor Treble 12 0 2 7 82%
Soprano
II		 Treble 11 0 1 7 78%
Bass Bass 15 0 2 6 74%
Soprano
1		 Treble 8 0 1 5 21%
 
HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"
edward.maurath
5:20 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
Violoncello Continuo Bass 23 0 7 5 97%
Arsace 18 0 6 7 74%
Violini Treble 21 5 4 4 66%
Contrabassi Continuo Bass 19 0 4 5 63%
Contrabasso Continuo Bass 19 0 4 5 63%
Violoncelli Continuo Bass 19 0 4 5 63%