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Clef: TrebleTreble
Composition: Ensemble
Play Time: < 1:00
Unique Notes: 16 - 20
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Handel
HWV7A3N3b - "Andante, o forti" in G Major
edward.maurath
0:40 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
Basso Continuo Bass 17 0 6 7 100%
Violoncello Bass 17 0 6 7 100%
Contrabass Bass 16 0 6 7 97%
Violins Treble 19 0 6 7 97%
Mago
as bass		 Bass 12 0 3 7 75%
Viola 7 0 3 5 15%
 
HWV61A1N8 - Oh memory, still bitter to my soul!
edward.maurath
0:35 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 17 12 5 4 100%
HSC
RH		 Treble 16 11 5 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 17 12 5 4 100%
HSC
RH		 Treble 16 11 5 3 100%
VCL- Bass 9 0 2 4 100%
Vla 8 0 1 4 100%
Vln
1		 Treble 9 0 2 2 100%
Vln
2		 Treble 8 0 3 3 100%
VNE- Bass 9 0 2 4 100%
GOBRIAS Bass 13 0 4 4 92%
 
HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV17A3N02Y1724 Sinfonia in D Major, "La battaglia"
edward.maurath
0:52 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 13 0 1 3 100%
Bass 11 0 1 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 13 0 1 3 100%
Bass 11 0 1 3 100%
Harpsichord Treble 13 0 1 3 100%
Bass 13 0 1 3 100%
Oboe Treble 13 0 2 4 100%
Treble 18 0 2 2 100%
Celli Bass 13 0 1 3 100%
Continuo Bass 13 0 1 3 100%
Kontrebaß Bass 13 0 1 3 100%
Violas 11 0 1 3 100%
Violini Treble 18 0 2 2 100%
 
"Non disperar, chi sa?" from HWV 17
edward.maurath
0:01 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 24 12 6 6 98%
Bass 23 4 6 5 98%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 24 12 6 6 98%
Bass 23 4 6 5 98%
Harpsichord Treble 24 10 7 6 98%
Bass 23 5 7 5 98%
Continuo Bass 23 0 6 5 98%
Cleopatra 16 0 5 5 72%
Violini Treble 16 0 2 6 62%
Celli Bass 17 0 1 3 56%
Violas 11 0 0 4 33%
Kontrebaß Bass 13 0 0 2 21%
 
"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)
edward.maurath
0:01 Est. Play
Time
98 Measures
1,841Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
Violoncello (Continuo) Bass 18 0 3 8 100%
Soprano
as Almirena		 13 0 2 11 77%
Violoncelli (Continuo) Bass 17 0 2 7 76%
Contrabassi (Continuo) Bass 16 0 1 7 75%
Violin Treble 17 0 2 8 75%
 
HWV56N30 - Behold and see, If there be any sorrow
edward.maurath
0:31 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 0 3 3 94%
Bass 16 2 4 3 94%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 0 3 3 94%
Bass 16 2 4 3 94%
Cello Bass 15 0 3 3 94%
Contrabass Bass 15 0 3 3 94%
Vln
I		 Treble 18 0 2 4 94%
Vln
II		 Treble 19 0 3 5 94%
Tenor Treble 12 0 2 6 81%
Viola 9 0 0 5 50%
 
HWV56N29 - Thy rebuke hath broken His heart
edward.maurath
0:36 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor 16 0 6 5 100%
Viola 10 0 3 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor 16 0 6 5 100%
Viola 10 0 3 3 100%
Violoncello Bass 13 0 6 3 100%
Violone Bass 13 0 6 3 100%
Vln
I		 Treble 11 0 5 5 100%
Vln
II		 Treble 11 0 4 5 100%
Cembalo Treble 19 6 8 7 85%
Bass 22 1 9 4 94%
 
HWV56N49 - Then shall be brought to pass
edward.maurath
0:22 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 15 22 1 7 100%
BC
RH		 Treble 16 29 2 7 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 15 22 1 7 100%
BC
RH		 Treble 16 29 2 7 100%
Cello Bass 6 0 1 3 100%
Contrabass Bass 6 0 1 3 100%
Alto 6 0 0 4 83%
 
HWV17a1n29y1725 "Madre!"
edward.maurath
0:56 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 18 8 4 100%
Bass 9 0 2 3 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 18 8 4 100%
Bass 9 0 2 3 100%
Violoncello Bass 9 0 2 3 100%
Sesto 11 0 4 3 93%
Harpsichord Treble 6 2 2 1 14%
Bass 2 0 1 2 14%
Cornelia 4 0 2 1 14%