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Participation: 1%-49%

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Brahms
Johannes BRAHMS - Sechs Quartette, Op.112 - 6. Zigeunerlieder n°4
fredipi
0:52 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 38 8 4 100%
Bass 19 21 3 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 38 8 4 100%
Bass 19 21 3 2 100%
Alto Treble 10 0 2 4 90%
Tenor Treble 13 0 3 4 69%
Bass Bass 4 0 1 2 49%
Soprano Treble 12 0 2 4 49%
 
Alface Book [Revised 2018]
n yamato
3:14 Est. Play
Time
65 Measures
2,796Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rhodes Treble 41 48 28 11 98%
Bass 33 36 15 8 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rhodes Treble 41 48 28 11 98%
Bass 33 36 15 8 100%
Bass Bass 28 2 14 9 100%
Muted
Guitar
 Treble 19 5 10 7 95%
Voice Treble 19 0 11 9 95%
Marimba Treble 35 26 19 4 94%
Flute Treble 26 0 8 8 87%
Nylon
Guitar		 Treble 36 127 20 7 87%
Cello Bass 29 1 14 9 81%
Electric
Rhythm
Guitar (Callope
Lead)		 Treble 36 102 19 8 81%
Strings Treble 32 22 15 7 76%
Steelpan Treble 24 1 9 6 28%
 
Brahms Johannes - 9 Lieder and Songs Op.32 No.5 - Wehe so willst du mich wieder
fredipi
1:54 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 21 58 12 4 100%
Bass 33 30 18 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 21 58 12 4 100%
Bass 33 30 18 4 100%
Singstimme Voice Treble 14 0 8 5 74%
Voice (Verse
2
cutaway)		 Treble 4 0 4 1 6%
 
Marienlieder, Op.22 - 2. Marias Kirchgang - Brahms
Jwagner
2:12 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 1 4 100%
Tenor Treble 10 0 2 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 1 4 100%
Tenor Treble 10 0 2 4 100%
Soprano
I+II		 Treble 14 0 4 4 82%
Bass Bass 3 0 0 4 31%
 
Seoslcia Tragiorte
n yamato
5:33 Est. Play
Time
127 Measures
1,661Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 40 51 17 7 99%
Bass 37 56 14 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 40 51 17 7 99%
Bass 37 56 14 7 100%
Bass Bass 22 1 8 6 97%
Guitar
/
Naoyuki		 Treble 36 82 14 8 96%
Sine
Wave		 Bass 28 0 10 3 91%
Flute
/
Fumiko		 Treble 22 0 8 5 76%
Mute
Trumpet
/
Yasuyuki		 Treble 23 0 10 5 76%
Soundtrack Treble 25 10 7 6 49%
 
Brahms Sextet Goes East IV
rostropo
19:16 Est. Play
Time
509 Measures
3,612Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 27 3 10 4 86%
Melodie
1
(Koto)		 Treble 36 3 14 8 81%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 27 3 10 4 86%
Melodie
1
(Koto)		 Treble 36 3 14 8 81%
Melodie
2
(Taisho
Koto)		 Treble 33 7 19 9 78%
Gitarre Treble 34 57 17 7 77%
Percussion
1
(Steel
Drums)		 Treble 35 22 16 8 75%
Percussion
2		 Treble 30 34 12 6 67%
Melodie
3
(Fagott)		 33 0 16 7 44%
 
Brahms - Zigeunerlieder opus 103 - No. 8
Jwagner
1:23 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 33 31 13 3 89%
Bass 24 7 2 3 92%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 33 31 13 3 89%
Bass 24 7 2 3 92%
Tenor Treble 13 0 3 3 91%
Alto Treble 10 0 4 3 65%
Soprano Treble 10 0 3 3 52%
Bass Bass 9 0 1 2 39%
 
Ave Maria — Brahms
Adriane Cordula Fox
4:08 Est. Play
Time
100 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 4 4 96%
Violoncello Bass 21 1 5 4 96%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 4 4 96%
Violoncello Bass 21 1 5 4 96%
2nd
Soprano		 Treble 16 0 5 4 89%
1st
Soprano		 Treble 15 0 5 4 85%
1st
Alto		 Treble 15 0 4 4 79%
2nd
Alto		 Treble 16 0 5 4 78%
2
Horns
in
F		 Treble 11 4 1 3 50%
2
Flutes		 Treble 17 17 5 4 40%
2
Clarinets
in
B♭		 Treble 13 12 1 4 20%
Viola 7 0 1 3 10%
1st
Violin		 Treble 9 0 2 3 7%
2nd
Violin		 Treble 9 0 1 4 7%
2
Oboes		 Treble 7 0 1 3 6%
2
Bassoons		 Bass 3 0 1 2 2%
 
Brahms - Zigeunerlieder opus 103 - No. 7
Jwagner
1:25 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 23 6 6 89%
Bass 22 5 2 7 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 23 6 6 89%
Bass 22 5 2 7 100%
Tenor Treble 14 0 2 4 92%
Alto Treble 11 0 2 4 46%
Bass Bass 14 0 2 4 46%
Soprano Treble 13 0 2 4 46%
 
Brahms - Zigeunerlieder opus 103 - No. 11
Jwagner
1:16 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 49 9 4 100%
Bass 32 36 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 49 9 4 100%
Bass 32 36 7 4 100%
Tenor Treble 16 0 4 4 84%
Alto Treble 12 0 6 4 46%
Bass Bass 13 0 0 4 46%
Soprano Treble 15 0 2 4 46%
 
Brahms - Vier Zigeunerlieder, No. 4 - opus 112
Jwagner
0:55 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 37 8 4 100%
Bass 19 21 3 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 37 8 4 100%
Bass 19 21 3 2 100%
Alto Treble 10 0 2 4 90%
Tenor Treble 13 0 3 4 69%
Bass Bass 5 0 1 2 49%
Soprano Treble 12 0 2 4 49%