Play Along Piano

Tags

Baroque

3:12	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	1	5	2	100%
	25	14	9	3	100%
Violin	14	0	5	6	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	1	5	2	100%
	25	14	9	3	100%
Violin	14	0	5	6	100%

K.208, Domenico Scarlatti

PreludeAndFugue

3:19	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	8	8	100%
		19	30	6	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	8	8	100%
		19	30	6	2	100%

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
Cello	17	0	3	5	95%
Juno	15	0	4	9	84%
Vln 1	20	0	4	5	80%
Violas	19	0	4	5	74%
Vln 2	21	0	6	3	70%
Celli	17	0	3	3	66%
Kontrebaß	17	0	3	3	66%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
4 Violini II	14	2	2	4	99%
Cembalo	18	45	5	3	98%
	17	0	3	3	97%
2 Celli e Contrabasso	17	0	3	3	97%
Contrabasso	17	0	3	3	97%
Orfeo	15	0	4	6	82%
Effetti MIDI	7	1	1	2	4%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	0	5	9	100%
Mellophone 2	18	0	4	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	5	9	100%
Mellophone 2	18	4	6	100%
Mellophone 3	11	2	6	100%
Trombone	25	8	3	100%

Movement II — Concerto for Two Chalumeaux in D Minor (Telemann)

Benjamin Davidson

3:10	Est. Play Time
91	Measures
	1,195Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	6	2	4	24%
	24	18	8	5	87%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	6	2	4	24%
	24	18	8	5	87%
Violoncello	22	0	5	4	87%
Violin	26	0	11	3	76%
Chalumeaux 1	15	0	4	10	66%
Viola	16	5	4	4	54%
Chalumeaux 2	15	0	3	6	45%

HWV1A2N21 - Zweier Augen Majestät

edward.maurath

2:35	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100%
	21	2	5	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100%
	21	2	5	2	100%
Bassoon	17	0	6	5	60%
	21	0	5	2	100%

HWV1A2N30 - Sanerà la piaga un dì

edward.maurath

3:30	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	45	6	4	98%
	23	14	5	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	45	6	4	98%
	23	14	5	2	100%
Bassoon Continuo	22	0	5	2	98%
Soprano as Almira	15	0	3	6	87%

Johannespassion - BWV 245 60 Mein teurer Heiland, laß dich fragen

SkGnam

3:57	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	26	0	9	3	100%
Organo	20	0	6	5	84%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	26	9	3	100%
Organo	20	6	5	84%
	19	7	6	98%
	27	5	5	98%
Basso Solo	18	6	6	87%
Alti	10	3	4	44%
Bassi	13	2	3	44%
Soprani	8	1	4	44%
Tenori	9	1	4	44%

HWV26A2N18 - Berengario, "D'instabile fortuna" in E Major

edward.maurath

6:14	Est. Play Time
85	Measures
	1,786Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	35	3	4	100%
	21	68	4	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	35	3	4	100%
	21	68	4	4	100%
Violoncello Continuo	20	0	3	4	99%
Vln 1	24	0	6	3	81%
Vln 2	23	0	6	3	81%
Kontrebaß	22	0	4	3	78%
Berengario	18	0	5	7	69%
Violas	16	0	4	3	46%

HWV26A1 - Se il mar promette calma - G Major

edward.maurath

4:08	Est. Play Time
65	Measures
	1,469Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
Viola	22	0	7	3	97%
Violino 1	23	0	6	7	97%
Violino 2	24	0	7	6	97%
Double Bass Continuo	22	0	7	3	95%
Violoncello Continuo	23	0	7	3	95%
Bass as Clodomiro	17	0	6	8	75%
Bassoon Continuo	23	0	7	4	75%

Bonne nuit

GB3

3:13	Est. Play Time
75	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	19	3	8	98%
		22	1	5	3	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	19	3	8	98%
		22	1	5	3	98%

HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)

edward.maurath

2:16	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
	17	20	5	4	83%
Esilena	15	0	6	6	97%

J. S. Bach - Harpsichord Concerto No. 1 in D-Minor BWV 1052 2. Adagio

leonkopecny11

7:50	Est. Play Time
87	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine	28	0	11	7	100%
	22	0	8	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine	28	0	11	7	100%
	22	0	8	4	100%
Cembalo	32	2	13	14	72%
	26	0	10	2	100%
Bratsche	23	0	8	3	100%
Kontrabass	26	0	10	2	100%