Active Filters:
Play Time: 1:30 - 2:10
Unique Accidentals: 2
Unique Accidentals: > 4
Unique Chords: 7-10
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Baroque
Invention No. 2
StaccatoFreak
1:32 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 29 4 7 4 100%
Bass 39 10 12 3 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 29 4 7 4 100%
Bass 39 10 12 3 98%
 
Elisabeth Jacquet de la Guerre Sarabande
pental
1:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 5 6 96%
Bass 20 3 5 6 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 5 6 96%
Bass 20 3 5 6 98%
 
K.178, Domenico Scarlatti
PreludeAndFugue
2:07 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 8 6 6 96%
Treble 19 5 4 3 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 8 6 6 96%
Treble 19 5 4 3 89%
 
Elisabeth Jacquet de la Guerre Allemande
pental
2:07 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 7 7 6 98%
Bass 28 2 8 8 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 7 7 6 98%
Bass 28 2 8 8 79%
 
Buxtehude - Toccata in F Major. {Professional production score.} Unfinished.
Jamie Holdham
2:09 Est. Play
Time
102 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 21 9 5 9 88%
Bass 13 4 2 9 87%
Bass 14 0 1 6 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 21 9 5 9 88%
Bass 13 4 2 9 87%
Bass 14 0 1 6 82%
 
Prelude No. 1 (D Minor)
Leonardo Cisija
1:55 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 0 11 7 100%
Bass 31 7 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 0 11 7 100%
Bass 31 7 11 4 100%
 
J.P. Rameau, Suite en Sol, Les Sauvages
pental
1:46 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 0 6 5 100%
Bass 24 9 6 6 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 0 6 5 100%
Bass 24 9 6 6 93%
 
HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
Violin
1		 Treble 10 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Silvio 11 0 2 6 77%
Contrabasses Bass 14 0 2 4 69%
Violoncellos Bass 14 0 2 4 69%
 
BWV245N11 - Wer hat dich so geschlagen - Chorale in A Major
edward.maurath
1:36 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 12 7 2 4 100%
Bass 16 1 5 5 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 12 7 2 4 100%
Bass 16 1 5 5 100%
Organo Continuo Treble 10 2 1 5 100%
Bass 16 0 5 5 100%
Alti 10 0 1 5 100%
Bassi Bass 16 0 5 5 100%
Bassono Grosso Continuo Bass 16 0 5 5 100%
Bassoon Continuo Bass 16 0 5 5 100%
Contrabassi Continuo Bass 16 0 5 5 100%
Flauto Traverso Treble 7 0 0 5 100%
Oboe Treble 7 0 0 5 100%
Soprani 7 0 0 5 100%
Tenori Treble 9 0 2 4 100%
Viola 10 0 1 5 100%
Violin 1 Treble 7 0 0 5 100%
Violin 2 Treble 10 0 1 5 100%
Violoncelli Continuo Bass 16 0 5 5 100%