Active Filters:
Participation: 1%-49%
Play Time: 2:10 - 3:20
Unique Durations: 4-5
Unique Durations: 6-7
Clear All Filters

Tags

Baroque
J.S. Bach Organ Themes for Strings and Woodwind Quartet
DaPlipsta
3:09 Est. Play
Time
65 Measures
1,383Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabassi Bass 13 0 2 6 92%
Violoncelli Bass 17 0 5 7 85%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabassi Bass 13 0 2 6 92%
Violoncelli Bass 17 0 5 7 85%
B
Clarinet		 Treble 18 0 7 9 78%
Flute Treble 17 0 4 8 78%
Oboe Treble 18 0 5 8 63%
Violins
2		 Treble 18 0 6 8 63%
Violins
1		 Treble 16 0 3 7 52%
Violas 20 0 6 7 49%
Bassoon Bass 18 0 3 8 43%
 
The Prince of Denmarks March Brass Quintet
Flávio Régis Cunha
2:10 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 1 6 100%
Trombone Bass 13 0 2 6 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 1 6 100%
Trombone Bass 13 0 2 6 100%
Trumpet
I
in
C		 Treble 12 0 2 8 100%
Trumpet
II
in
C		 Treble 15 0 2 7 100%
Tuba Bass 12 0 2 5 79%
Timpani Bass 2 0 0 7 49%
 
HWV7A2N4b - "Il Tricerbero humiliato"
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
Contrabasses Bass 21 0 5 9 100%
Violins
1		 Treble 21 0 4 9 100%
Violins
2		 Treble 19 0 4 9 100%
Violoncello Bass 21 0 5 9 100%
Violoncellos Bass 21 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
Concerto No. 1 For Cello Mvmt. 1
DrThorg
2:23 Est. Play
Time
63 Measures
1,044Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 21 0 2 10 95%
Violoncellos Bass 16 0 2 5 84%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 21 0 2 10 95%
Violoncellos Bass 16 0 2 5 84%
Violins
1		 Treble 20 0 0 6 51%
Violas 9 0 0 5 41%
Violins
2		 Treble 10 0 0 6 30%
Double
Bass		 Bass 6 0 0 3 27%
 
Movement II — Concerto for Two Chalumeaux in D Minor (Telemann)
Benjamin Davidson
3:10 Est. Play
Time
91 Measures
1,195Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 6 2 4 24%
Bass 24 18 8 5 87%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 6 2 4 24%
Bass 24 18 8 5 87%
Violoncello Bass 22 0 5 4 87%
Violin Treble 26 0 11 3 76%
Chalumeaux
1		 Treble 15 0 4 10 66%
Viola 16 5 4 4 54%
Chalumeaux
2		 Treble 15 0 3 6 45%
 
Baldassarre Galuppi - Alla tromba della Fama
trumpeter and theatre organist
3:09 Est. Play
Time
79 Measures
1,360Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavicembalo Bass 17 0 1 5 100%
Treble 0 0 0 0 0%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavicembalo Bass 17 0 1 5 100%
Treble 0 0 0 0 0%
Contrabbasso Bass 17 0 1 5 100%
Violoncello
(BC)		 Bass 17 0 1 5 100%
Violino
1		 Treble 24 7 6 6 96%
Violino
2		 Treble 24 7 6 5 96%
Viola 14 6 1 4 86%
Soprano Treble 18 0 6 7 54%
Tromba
in
Do		 Treble 9 0 1 7 49%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV1A2N14 "Nein, nein, Fernando, nein!"
edward.maurath
2:11 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
Fernando 14 0 4 6 46%
Harp Treble 19 25 6 4 42%
Bass 13 11 3 4 42%
Harpsi Treble 16 17 4 3 33%
Bass 17 15 5 3 33%
Lute Treble 17 17 6 2 25%
Bass 21 15 7 2 29%
Osman 11 0 1 3 17%
 
While My Guitar Gently Weeps Baroque Style
Carlos M. R. Coelho
3:00 Est. Play
Time
92 Measures
1,395Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cravo
 Treble 24 19 5 9 98%
Bass 19 10 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cravo
 Treble 24 19 5 9 98%
Bass 19 10 4 2 100%
Violoncelo Bass 21 5 5 7 100%
Violino Treble 24 8 5 5 82%
Treble 22 3 6 8 88%
Fagote Bass 17 0 2 5 75%
Oboé Treble 12 0 1 7 64%
Treble 11 0 1 5 49%
 
HWV7A2N0b "Siam prossimi al porto" (1731)
edward.maurath
2:15 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 58 6 8 99%
Bass 23 23 6 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 58 6 8 99%
Bass 23 23 6 7 100%
Violoncello Bass 22 0 6 7 100%
Goffredo 14 0 4 7 57%
Violins Treble 12 0 2 6 41%
Kontrebaß Bass 15 0 1 5 40%
Violoncellos Bass 15 0 1 5 40%
 
HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major
edward.maurath
2:40 Est. Play
Time
134 Measures
1,102Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 17 17 2 4 94%
Bass 19 20 3 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 17 17 2 4 94%
Bass 19 20 3 4 100%
Double
Bass Continuo		 Bass 16 0 2 4 94%
Violin
1		 Treble 20 0 2 5 94%
Violincello Continuo Bass 17 0 2 4 94%
Viola 17 0 2 5 93%
Violin
2		 Treble 18 0 3 5 93%
Bassoon Continuo Bass 17 0 2 4 89%
Bass
as Clodomiro		 Bass 16 0 3 5 65%
Oboe Treble 12 0 0 5 29%
 
Vivaldi: Beautiful Rapid-Versus-Lyrical Excerpts
Jayden Fung (Transcriptions & Arrangements)
2:13 Est. Play
Time
60 Measures
1,516Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 14 0 4 3 100%
Contrabass Bass 14 0 4 3 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 14 0 4 3 100%
Contrabass Bass 14 0 4 3 100%
Harpsichord Bass 14 0 4 3 100%
Treble 0 0 0 0 0%
Violin
I		 Treble 21 16 7 4 75%
Violin
II		 Treble 26 2 11 8 72%
Violins
I		 Treble 6 0 0 1 48%
Violins
II		 Treble 6 0 0 1 48%
Violin Treble 18 0 6 1 27%
Treble 19 0 7 1 25%
Bassoon Bass 14 0 6 1 25%
Flute Treble 13 0 3 7 25%
Violin
III		 Treble 18 0 6 6 25%
Oboe Treble 1 0 0 1 2%
Viola 1 0 0 1 2%
 
Rondo e-moll
jan.gasper.0
3:04 Est. Play
Time
77 Measures
1,305Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 16 2 5 100%
Bass 15 0 2 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 16 2 5 100%
Bass 15 0 2 4 100%
Violončelo Bass 15 0 2 4 100%
Husle Treble 12 0 1 4 68%
Treble 9 0 1 4 68%
Treble 17 0 2 5 77%
Zobcová
flauta		 Treble 15 0 2 5 42%
Treble 15 0 2 5 40%