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Participation: 1%-49%
Play Time: 2:10 - 3:20
Unique Durations: 1-3
Unique Durations: 4-5
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Baroque
Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”
Alexander Evstyugov-Babaev
3:17 Est. Play
Time
67 Measures
1,227Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
4
Violini
I		 Treble 20 1 5 5 100%
2
Viole		 15 0 4 4 99%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
4
Violini
I		 Treble 20 1 5 5 100%
2
Viole		 15 0 4 4 99%
4
Violini
II		 Treble 14 2 2 4 99%
Cembalo Treble 18 45 5 3 98%
Bass 17 0 3 3 97%
2
Celli e Contrabasso		 Bass 17 0 3 3 97%
Contrabasso Bass 17 0 3 3 97%
Orfeo 15 0 4 6 82%
Effetti
MIDI		 Treble 7 1 1 2 4%
 
Concerto No. 1 For Cello Mvmt. 1
DrThorg
2:23 Est. Play
Time
63 Measures
1,044Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 21 0 2 10 95%
Violoncellos Bass 16 0 2 5 84%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 21 0 2 10 95%
Violoncellos Bass 16 0 2 5 84%
Violins
1		 Treble 20 0 0 6 51%
Violas 9 0 0 5 41%
Violins
2		 Treble 10 0 0 6 30%
Double
Bass		 Bass 6 0 0 3 27%
 
Movement II — Concerto for Two Chalumeaux in D Minor (Telemann)
Benjamin Davidson
3:10 Est. Play
Time
91 Measures
1,195Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 6 2 4 24%
Bass 24 18 8 5 87%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 6 2 4 24%
Bass 24 18 8 5 87%
Violoncello Bass 22 0 5 4 87%
Violin Treble 26 0 11 3 76%
Chalumeaux
1		 Treble 15 0 4 10 66%
Viola 16 5 4 4 54%
Chalumeaux
2		 Treble 15 0 3 6 45%
 
'Praise my Soul, the King of Heaven' - Baroque Orchestration
tennickmusic
3:10 Est. Play
Time
158 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
D		 Treble 10 0 1 2 87%
Bassoon Bass 13 0 2 3 80%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
D		 Treble 10 0 1 2 87%
Bassoon Bass 13 0 2 3 80%
Oboe
I		 Treble 10 0 1 2 67%
Oboe
II		 Treble 7 0 0 3 66%
Continuo. Bass 22 0 4 3 59%
Flute
I		 Treble 10 0 1 2 51%
Flute
II		 Treble 7 0 0 3 50%
Soprano
amp;amp;
Alto		 Treble 11 21 1 2 49%
Tenor
amp;amp;
Bass		 Bass 14 28 2 3 49%
Violas 6 0 0 2 41%
Violino
I		 Treble 10 0 1 2 41%
Violino
II		 Treble 8 0 0 3 40%
Violoncellos Bass 13 0 2 3 39%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV1A2N14 "Nein, nein, Fernando, nein!"
edward.maurath
2:11 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
Fernando 14 0 4 6 46%
Harp Treble 19 25 6 4 42%
Bass 13 11 3 4 42%
Harpsi Treble 16 17 4 3 33%
Bass 17 15 5 3 33%
Lute Treble 17 17 6 2 25%
Bass 21 15 7 2 29%
Osman 11 0 1 3 17%