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Baroque

HWV8A1N7 - "Lontan del mio tesoro" in C Major

edward.maurath

5:20	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	40	3	8	70%
		23	24	4	5	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	40	3	8	70%
		23	24	4	5	100%
Violoncello		20	0	3	5	100%
Mirtillo		17	0	6	6	76%
Contrabasses		8	0	0	5	10%
Viola		9	0	0	4	10%
Violins 1		9	0	0	5	10%
Violins 2		10	0	0	4	10%
Violoncellos		8	0	0	5	10%

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	40	6	7	79%
		30	38	9	5	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	40	6	7	79%
		30	38	9	5	97%
Violoncello Continuo		23	0	7	5	97%
Arsace		18	0	6	7	74%
Violini		21	5	4	4	66%
Contrabassi Continuo		19	0	4	5	63%
Contrabasso Continuo		19	0	4	5	63%
Violoncelli Continuo		19	0	4	5	63%

HWV7A2N8b - "Mio cor, che mi sai dir?" (b minor)

edward.maurath

4:43	Est. Play Time
51	Measures
	1,285Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)		23	0	8	4	99%
Contrabassi (Continuo)		22	0	7	4	97%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)		23	0	8	4	99%
Contrabassi (Continuo)		22	0	7	4	97%
Violoncelli (Continuo)		21	0	7	4	97%
Cemballo (Continuo)		26	37	9	5	90%
		33	23	12	6	96%
Violins I		22	0	6	4	95%
Violins II		21	0	5	4	91%
Tenor as Goffredo		14	0	5	6	60%
Bassoon (Cembalo)		18	0	4	4	47%
Oboe		18	0	5	4	47%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)		19	0	5	6	100%
Violoncello (Continuo)		19	0	5	6	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)		19	0	5	6	100%
Violoncello (Continuo)		19	0	5	6	100%
Cembalo (Continuo)		21	45	5	7	87%
		24	36	4	7	87%
Harp (Continuo)		18	33	3	6	80%
		18	24	3	6	74%
Contrabassi (Continuo)		13	0	2	5	72%
Violini		17	0	3	5	72%
Violoncelli (Continuo)		13	0	2	5	72%
Osman		16	0	5	6	39%
Bassoon (Continuo)		13	0	2	5	37%
		13	0	2	5	37%
Oboe		12	0	2	5	37%
		12	0	1	5	37%
Violas		9	0	1	4	20%
Consalvo		8	0	0	2	11%

I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8

edward.maurath

3:47	Est. Play Time
35	Measures
	1,413Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		18	21	4	7	100%
		16	6	1	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		18	21	4	7	100%
		16	6	1	6	100%
Bassoon (Continuo)		15	0	1	6	100%
Contrabassi (Continuo)		15	0	1	6	100%
Violas		16	0	4	6	100%
Violins 1		22	0	4	7	100%
Violins 2		18	0	5	7	100%
Violoncelli (Continuo)		15	0	1	6	100%
Oboe		17	0	4	5	97%
Horn		12	0	1	5	79%
Alto		7	0	2	5	74%
Bass		12	0	1	5	74%
Soprano		10	0	1	6	74%
Tenor		8	0	1	5	74%

"Nasce il sol, e l'aura vola ride" from "Rodrigo," HWV 5 (1707)

edward.maurath

3:49	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1		18	0	3	4	84%
Violins 2		17	2	4	4	84%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1		18	0	3	4	84%
Violins 2		17	2	4	4	84%
Flute		15	0	3	4	75%
		17	2	3	4	75%
Esilena		16	0	6	4	71%
Cembalo (Continuo)		22	37	7	5	63%
		21	28	6	5	63%
Violoncello (Continuo)		18	0	3	5	63%
Contrabasses		14	0	0	5	43%
Violoncellos (Continuo)		14	0	0	5	43%

"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

3:51	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	8	4	4	100%
		22	20	5	4	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	8	4	4	100%
		22	20	5	4	100%
Harp Continuo		20	18	5	4	100%
		21	13	4	4	100%
Violoncello Continuo		20	0	4	4	100%
Contrabassi Continuo		17	0	3	4	93%
Violini		19	0	5	3	93%
Violoncelli Contniuo		18	0	3	4	93%
Cornelia		14	0	4	7	76%

"Lontan del mio tesoro" from "Il Pastor Fido," HWV 8 (Early 1733)

edward.maurath

5:20	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		23	46	7	10	100%
		23	24	4	5	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		23	46	7	10	100%
		23	24	4	5	100%
Violoncello (Continuo)		19	0	3	5	100%
Soprano as Mirtillo		17	0	6	6	76%
Contrabassi (Continuo)		7	0	0	5	10%
Viole		9	0	0	4	10%
Violini 1		9	0	0	5	10%
Violini 2		10	0	0	4	10%
Violoncelli (Continuo)		7	0	0	5	10%

HWV17A2N20Y1724 Cleopatra, "Se pieta di me non senti" in f sharp minor

edward.maurath

7:04	Est. Play Time
51	Measures
	1,747Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		20	43	8	5	92%
		26	13	8	5	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		20	43	8	5	92%
		26	13	8	5	100%
Harp Continuo		20	42	8	5	92%
		25	13	7	5	100%
Bassoon Continuo		20	0	6	4	100%
Violins 1 and 2		26	0	10	5	96%
Celli Continuo		18	0	5	4	94%
Contrabass Continuo		18	0	5	4	94%
Violoncello Continuo		18	0	5	4	94%
Violas		16	0	4	5	90%
Violins 3		17	0	6	5	90%
Soprano as Cleopatra		17	0	6	6	73%
Bassoon Obligato		13	0	2	4	29%

Va tacito e nascosto, quand avido e di preda from HWV 17

edward.maurath

6:09	Est. Play Time
52	Measures
	2,806Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CBass		18	0	4	5	100%
Cello		20	0	5	5	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CBass		18	0	4	5	100%
Cello		20	0	5	5	100%
Viola		15	0	4	4	100%
Violoncello Continuo		20	0	5	5	100%
Vln I		21	1	7	6	100%
Vln II		17	0	4	4	100%
Harp		29	6	11	6	97%
		20	0	5	6	35%
Hpsi		29	6	11	6	97%
		20	0	5	6	35%
Horn in C		12	1	0	5	80%
Soprano as Cesare		14	0	5	6	65%

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