Play Along Piano

Tags

Baroque

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

Ave Maria (Bach/Gounod) for violin and piano

Jaime Arturo Sánchez

2:17	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	4	2	100%
	19	1	5	6	51%
Violín	14	0	1	6	90%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	4	2	100%
	19	1	5	6	51%
Violín	14	0	1	6	90%

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
Contrabasses	21	0	5	9	100%
Violins 1	21	0	4	9	100%
Violins 2	19	0	4	9	100%
Violoncello	21	0	5	9	100%
Violoncellos	21	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

Johannespassion - BWV 245 60 Mein teurer Heiland, laß dich fragen

SkGnam

3:57	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	26	0	9	3	100%
Organo	20	0	6	5	84%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	26	9	3	100%
Organo	20	6	5	84%
	19	7	6	98%
	27	5	5	98%
Basso Solo	18	6	6	87%
Alti	10	3	4	44%
Bassi	13	2	3	44%
Soprani	8	1	4	44%
Tenori	9	1	4	44%

HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
Violin 1	14	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Dorinda	11	0	2	6	77%
Contrabasses	13	0	2	4	64%
Violoncellos	13	0	2	4	64%

Canon Pipe Organ

Classical Music Central

3:46	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
8' Clarinet	17	12	0	6	94%
	19	24	2	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
8' Clarinet	17	12	0	6	94%
	19	24	2	6	100%
8' Diapason	19	24	2	6	100%
	17	12	0	6	94%
16' Diapason	7	0	0	1	85%
16' String	6	0	0	1	85%
8' Crescendo	14	5	2	5	28%
	14	2	1	4	25%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
Fernando	14	0	4	6	46%
Harp	19	25	6	4	42%
	13	11	3	4	42%
Harpsi	16	17	4	3	33%
	17	15	5	3	33%
Lute	17	17	6	2	25%
	21	15	7	2	29%
Osman	11	0	1	3	17%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

Aria POMERANIAE from Harp of Orpheus

Piotr Tomasz Harasimiuk

4:52	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		16	0	1	6	94%
		14	2	0	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		16	0	1	6	94%
		14	2	0	5	100%

HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	20	4	5	100%
	16	7	2	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	20	4	5	100%
	16	7	2	6	100%
Violin 1	10	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Silvio	11	0	2	6	77%
Contrabasses	14	0	2	4	69%
Violoncellos	14	0	2	4	69%

Frescobaldi: "Toccata cromaticha per l'Elevatione" (1635)

SpaceGuru5

6:20	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	0	8	6	91%
	21	0	8	6	91%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	0	8	6	91%
	21	0	8	6	91%
	21	0	8	6	91%
	22	0	8	6	92%
	22	0	8	6	92%
	10	1	1	5	15%
	10	1	1	5	15%
	22	0	8	6	92%
	10	1	1	5	15%