Play Along Piano

Tags

Baroque

Cepheus Elf

0:48	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	5	77%
	17	9	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	5	77%
	17	9	2	3	100%
	17	1	3	7	100%
	14	0	2	7	76%

Gedenke doch, mein Geist, zurücke (Aria) BWV 509

Bartók forever

0:51	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	8	3	4	100%
	18	0	4	2	100%
Sopran	16	0	5	4	71%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	8	3	4	100%
	18	0	4	2	100%
Sopran	16	0	5	4	71%

Rule Britannia by Thomas Augustine Arne

ChurchOrganist

1:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	4	4	100%
Bassoon	18	0	5	4	92%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	4	4	100%
Bassoon	18	5	4	92%
Violins 1	16	5	7	79%
Violins 2	16	6	5	75%
Timpani	2	0	6	71%
Trumpets 1 amp; 2	11	1	7	69%
Oboe 1 Oboe 2	11	4	7	48%
	11	4	6	58%
Violas	11	3	5	58%
Alfred	10	3	7	52%
Alto	6	1	7	20%
Bass	6	2	7	20%
Soprano	7	2	6	20%
Tenor	5	1	7	20%

Gigue

pental

1:55	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	3	6	7	91%
		22	0	4	5	80%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	3	6	7	91%
		22	0	4	5	80%

HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744

edward.maurath

1:18	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	13	14	6	3	91%
	17	16	6	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	13	14	6	3	91%
	17	16	6	3	100%
Cello	15	0	3	3	100%
NITOCRIS	13	0	4	5	65%
Daniel	11	0	3	3	35%

Aria in g minor

BeatsByJay

0:48	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	14	0	4	5	46%
	11	0	3	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	14	0	4	5	46%
	11	0	3	3	100%
	16	38	8	3	100%
Violin	18	0	10	4	100%
Soprano	13	0	5	4	67%

Elisabeth Jacquet de la Guerre Gigue

pental

1:55	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	3	6	7	91%
		22	0	4	5	80%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	3	6	7	91%
		22	0	4	5	80%

Pastorale in F

Piotr Tomasz Harasimiuk

0:55	Est. Play Time
31	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	13	0	4	100%
	15	0	4	74%
	14	1	3	97%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	13	0	4	100%
	15	0	4	74%
	14	1	3	97%

Purcell - A New Ground for Flute

Daljin

2:44	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Flute I	14	0	2	4	90%
Bass Flute II	14	0	2	4	74%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Flute I	14	2	4	90%
Bass Flute II	14	2	4	74%
Flute II	18	5	6	71%
Alto Flute	15	4	5	55%
Flute I	10	3	7	52%

HWV8A1N4 - "Son di Mirtillo!" recitativo secco

edward.maurath

1:47	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
Mirtillo	10	0	3	3	50%
Hpsi	14	17	4	2	46%
	9	5	2	4	46%
Harp	14	12	4	1	43%
	12	10	3	2	43%
Theorbo	12	6	5	2	21%
Lute	13	10	4	3	18%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

Fuga a tres veus WIP

Gemma Merin

0:50	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	7	4	75%
		21	0	6	3	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	7	4	75%
		21	0	6	3	92%

Handel: Almira, "Wer umb Geld und Hoheit willen," (Consalvo)

edward.maurath

1:59	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	17	41	4	4	100%
	19	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	17	41	4	4	100%
	19	0	3	4	100%
Continuo	19	0	3	4	100%
Consalvo	16	0	4	4	76%

"Sol dal brando," from "Rinaldo," HWV 7

edward.maurath

2:43	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
Violoncello (Continuo)	19	0	4	5	100%
Alto as Goffredo	16	0	5	7	77%
Contrabasses	16	0	1	4	77%
Violini	16	0	1	4	77%
Violoncellos	16	0	1	3	77%

HWV56N38 - "How beautiful are the feet" - 1742

edward.maurath

2:24	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
	15	22	4	5	92%
Violini	18	0	4	8	92%
Contrabasses	16	0	3	5	76%
Violoncelli	17	0	3	5	76%
Soprano	12	0	3	6	68%
Cemballo	17	25	4	5	60%
	14	13	3	5	60%

Seufze, Tränen, Kümmer, Not, from BWV 21

edward.maurath

4:15	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon (Continuo)	21	1	5	5	100%
Oboe	21	1	7	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon (Continuo)	21	1	5	5	100%
Oboe	21	1	7	6	100%
Organo (Continuo)	22	29	8	4	100%
Soprano	17	0	5	4	55%