Play Along Piano

Tags

Baroque

Op. 27 - Double Canon

Bradley de Lucia

2:47	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	0	3	5	74%
	15	0	2	5	95%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	3	5	74%
	15	2	5	95%
	15	2	5	97%
	18	3	5	77%

K.466 [Em], Domenico Scarlatti

PreludeAndFugue

5:04	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	3	8	9	99%
		28	22	10	5	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	3	8	9	99%
		28	22	10	5	93%

Organ Sonata N°1 in E-flat major, BWV 525 - III. Allegro

Johann Sebastian Bach

5:26	Est. Play Time
64	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	8	5	94%
Organ	23	9	5	94%
	19	6	6	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	8	5	94%
Organ	23	9	5	94%
	19	6	6	100%

K.466 [Piano], Domenico Scarlatti

PreludeAndFugue

6:20	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	5	8	9	99%
		35	25	12	5	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	5	8	9	99%
		35	25	12	5	95%

String Quartet in D Major

sallyn64

2:19	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	27	3	11	8	100%
Viola	22	0	9	8	99%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	27	3	11	8	100%
Viola	22	0	9	8	99%
Violin II	27	2	15	8	99%
Violoncello	24	0	9	5	94%

Handel, G.F., O Sing unto the Lord a New Song

pental

3:11	Est. Play Time
60	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
Organ	27	0	5	5	100%
Oboe	17	0	5	7	98%
Violino I	22	0	6	7	98%
Canto	15	0	4	8	95%
Bassoon	17	0	4	5	93%
Violino II	25	0	8	6	93%
Violoncello	21	0	5	5	93%
Contrabass	20	0	4	5	92%
Basso	16	0	5	8	90%
Tenore	16	0	6	7	78%

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

J.S. Bach - Alone to God in the Highest be glory - Sax Duo & Bass

Aquarius-Ru

7:00	Est. Play Time
127	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Guitar	20	6	5	99%
Saxophone soprano	24	7	7	99%
Saxophone Tenor	24	9	5	97%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Guitar	20	6	5	99%
Saxophone soprano	24	7	7	99%
Saxophone Tenor	24	9	5	97%

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
Cello	17	0	3	5	95%
Juno	15	0	4	9	84%
Vln 1	20	0	4	5	80%
Violas	19	0	4	5	74%
Vln 2	21	0	6	3	70%
Celli	17	0	3	3	66%
Kontrebaß	17	0	3	3	66%

BWV248N4 - "Bereite dich, Zion"

edward.maurath

6:40	Est. Play Time
140	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95%
	22	4	7	5	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95%
	22	4	7	5	99%
Bassoon Continuo	22	0	7	5	99%
Oboe d'amore	27	0	10	5	91%
Violini	27	0	10	5	91%
Violoncello Continuo	21	0	6	5	89%
Alto	17	0	6	6	65%