Play Along Piano

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Bach

J. S. Bach — Minuet in G, BWV App. 116 (arrangement for violin–viola duet)

2:23	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		14	0	1	3	100%
Violin I		13	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		14	0	1	3	100%
Violin I		13	0	1	4	100%

Chorale Prelude: Komm, Gott, Schöpfer, heiliger Geist BWV 667 by J S Bach

ChurchOrganist

2:25	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	2	7	6	95%
	27	0	8	7	97%
	13	0	1	6	93%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	2	7	6	95%
	27	0	8	7	97%
	13	0	1	6	93%

Gottes Zeit ist die allerbeste Zeit. BWV 106

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

Ave Maria (Bach/Gounod) for violin and piano

Jaime Arturo Sánchez

2:17	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	4	2	100%
	19	1	5	6	51%
Violín	14	0	1	6	90%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	4	2	100%
	19	1	5	6	51%
Violín	14	0	1	6	90%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1	12	0	2	4	98%
	14	0	3	5	93%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1	12	0	2	4	98%
	14	0	3	5	93%
	22	1	6	5	100%
	15	0	3	5	100%
CtoR	17	45	4	7	100%
	18	0	5	6	100%
Tenor	15	0	3	5	100%
Alto	12	0	2	4	98%
Continuo	20	1	6	5	98%
Contrabass	20	1	6	5	98%
Bass	19	0	6	5	93%
Flute	14	0	3	5	93%
Soprano	14	0	3	5	93%
Oboe	18	34	5	6	82%
Trombe 1 amp;amp; 2	11	0	1	5	51%
Timpani	2	0	0	5	22%
Tromba 3	11	0	1	5	22%

Bach preludium #1: Orchestral version

Marcosà

2:22	Est. Play Time
35	Measures
	1,267Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	0	3	4	97%
Violin	16	0	4	3	89%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	0	3	4	97%
Violin	16	0	4	3	89%
Violoncello	10	0	2	2	74%
Flute	16	0	3	3	69%
B Clarinet	15	0	5	1	51%
Bassoon	7	0	0	1	46%
Contrabass	7	0	2	1	43%
F Tuba	5	0	0	1	37%
Trombone	11	0	1	3	37%
Horn	8	0	4	2	34%
Harp	15	1	2	2	31%
	9	1	1	5	21%
B Trumpet	9	0	3	1	20%
Oboe	4	0	1	2	20%
Timpani	7	0	1	3	20%

J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)

BSG

2:43	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	17	0	4	6	100%
	16	0	6	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	17	0	4	6	100%
	16	0	6	4	100%
Realization	16	46	5	7	100%
Tromba	11	0	1	5	100%
Viola	18	0	6	6	100%
Continuo	25	0	8	4	92%
Violoncello	25	0	8	4	92%
Alto	14	0	4	5	81%
Bass	16	0	4	4	81%
Soprano	11	0	1	4	81%
Tenor	15	0	5	6	81%

Bach: Machs mit mir, Gott, nach deiner Güt, BWV 957

Clarin Pardo

2:17	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	24	6	5	8	94%
	26	3	6	5	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	24	6	5	8	94%
	26	3	6	5	97%
	10	0	1	4	35%
Trombone	10	0	1	4	35%

BWV245N2 - EVANGELIST Jesus ging mit seinen Jungern

edward.maurath

3:07	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
Cembalo Continuo	16	30	7	4	67%
	21	2	9	4	72%
Organo Continuo	20	18	6	4	49%
	20	3	5	4	51%
	18	0	5	4	49%
Bassoon Continuo	16	0	3	3	26%
Contrabassi Continuo	16	0	3	3	26%
Oboe 1	17	0	5	3	26%
Viole	17	0	3	2	26%
Violini 1	20	0	3	2	26%
Violini 2	16	0	3	2	26%
Violoncelli Continuo	16	0	3	3	26%
Oboe 2	17	0	5	3	23%
Alti	11	0	2	5	21%
Bassi	15	0	4	4	21%
Jesus	12	0	2	4	21%
Soprani	10	0	1	4	21%
Tenori	12	0	3	4	21%
Flute 1	14	0	1	2	13%
Flute 2	14	0	1	2	13%