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Clef: BassBass
Unique Durations: 1-3
Unique Accidentals: 2
Unique Notes: 16 - 20
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Bach
March in D Major (BWV Anh. 122)
vinicarioca
1:13 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 3 6 100%
Bass 16 0 2 2 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 3 6 100%
Bass 16 0 2 2 92%
 
Passacaglia. JS Bach. Piano Duet
Cepheus Elf
0:48 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 2 5 77%
Bass 17 9 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 2 5 77%
Bass 17 9 2 3 100%
Bass 17 1 3 7 100%
14 0 2 7 76%
 
Bach: Menuett Trio (for Stölzel's Partita di Signore Steltzeln)
PianoXML
1:12 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 5 4 4 100%
Bass 16 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 5 4 4 100%
Bass 16 0 2 3 100%
 
March in D Major
mauvecat
1:57 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 3 6 100%
Bass 16 0 2 2 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 3 6 100%
Bass 16 0 2 2 92%
 
J. S. Bach - Pequeño preludio BWV 924
Mitocondria
0:36 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
1 Treble 23 2 6 4 100%
Bass 16 2 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
1 Treble 23 2 6 4 100%
Bass 16 2 2 3 100%
 
march in e-flat major anh127
Massimo 73
2:20 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord,
Klavier,
rechte
Hand		 Treble 16 0 3 7 100%
Bass 16 1 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord,
Klavier,
rechte
Hand		 Treble 16 0 3 7 100%
Bass 16 1 2 3 100%
 
9. Der Tag ist hin, die Sonne gehet nieder. Schemelli, Bach, choir setting: SATB, BWV 447.
SDG
0:56 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 4 100%
Tenor/Bass Bass 18 1 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 4 100%
Tenor/Bass Bass 18 1 2 3 100%
 
Fugue for Violin, Cello and Double Bass [Original]
Verlenzius
1:29 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Treble 18 0 3 5 100%
Violin Treble 15 0 3 4 83%
Contrabass Bass 16 0 2 3 65%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Treble 18 0 3 5 100%
Violin Treble 15 0 3 4 83%
Contrabass Bass 16 0 2 3 65%
 
21. Als Jesus Christus in der Nacht, BWV 265. Johann Sebastian Bach.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 22 0 5 5 100%
Contrabass Bass 16 0 2 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 22 0 5 5 100%
Contrabass Bass 16 0 2 3 50%