Play Along Piano

Tags

Bach

Cepheus Elf

0:48	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	5	77%
	17	9	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	5	77%
	17	9	2	3	100%
	17	1	3	7	100%
	14	0	2	7	76%

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	3	5	100%
	13	0	2	4	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	3	5	100%
	13	2	4	100%
Soprano/Alto	13	3	5	100%
Tenor/Bass	13	2	4	100%
Contrabass	10	2	3	50%

BWV248N6 "Und sie gebar ihren ersten Sohn”

edward.maurath

0:22	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	9	3	5	100%
	9	0	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	9	3	5	100%
	9	0	2	3	100%
Bassoon	9	0	2	3	100%
Evangelista	16	0	4	3	83%

Ach bleib bei uns, Herr Jesu Christ

Conservatorio Almendralejo

0:20	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	3	5	100%
Bajo	10	0	2	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	3	5	100%
Bajo	10	2	3	100%
Soprano	7	0	4	100%
Tenor	7	0	4	100%

J. S. Bach - Pequeño preludio BWV 924

Mitocondria

0:36	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1		23	2	6	4	100%
		16	2	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1		23	2	6	4	100%
		16	2	2	3	100%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	0	1	6%
	14	0	3	5	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	16	3	4	100%
	16	3	4	100%
Soprano/Alto	14	3	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	14	2	2	50%

Choral: Ertödt uns durch dein' Güte

Serse Cessone

0:56	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	1	3	100%
Bass	13	0	2	2	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	1	3	100%
Bass	13	2	2	100%
Soprano	7	0	3	100%
Tenor	8	1	4	100%

19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.

SDG

0:41	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
	19	1	4	6	100%
	19	1	4	6	100%
Soprano/Alto	13	0	2	5	100%
Tenor/Bass	19	1	4	6	100%
Contrabass	15	0	2	3	50%

8. Der lieben Sonne Licht und Pracht, Schemelli, Bach, choir setting: SATB, BWV 446.

SDG

0:59	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		15	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		15	0	2	3	100%

Ach bleib bei uns, Herr Jesu Christ

Kieler83

0:20	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	3	5	100%
Bass	10	0	2	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	3	5	100%
Bass	10	2	3	100%
Soprano	7	0	4	100%
Tenor	7	0	4	100%

8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.

SDG

0:25	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	2	100%
	13	0	2	2	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	2	100%
	13	2	2	100%
	18	3	2	100%
	18	3	2	100%
Soprano/Alto	13	2	2	100%
Tenor/Bass	18	3	2	100%
Contrabass	11	2	2	50%

25. Auf meinen lieben Gott, J.S. Bach, BWV 148.

SDG

0:38	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	2	4	100%
	12	0	2	4	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	2	4	100%
	12	2	4	100%
	15	3	5	100%
	15	3	5	100%
Soprano/Alto	12	2	4	100%
Tenor/Bass	15	3	5	100%
Contrabass	11	2	3	50%

4. Waar is een God aan U gelijk

SDG

0:46	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	2	2	100%
T B		15	0	2	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	2	2	100%
T B		15	0	2	2	100%

9. Der Tag ist hin, die Sonne gehet nieder. Schemelli, Bach, choir setting: SATB, BWV 447.

SDG

0:56	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	4	100%
Tenor/Bass		18	1	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	4	100%
Tenor/Bass		18	1	2	3	100%

361. Bin ich gleich von dir gewichen, Werde munter, mein Gemüthe, J.S. Bach, BWV 244-40.

SDG

0:52	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	3	5	100%
	12	0	3	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	3	5	100%
	12	3	5	100%
	20	3	3	100%
	20	3	3	100%
Soprano/Alto	12	3	5	100%
Tenor/Bass	20	3	3	100%
Contrabass	15	2	3	54%

invencion 10

Juan Cane

0:56	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	24	2	2	100%
		15	5	2	3	86%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	24	2	2	100%
		15	5	2	3	86%

34. Christe, der du bist Tag und Licht. BWV 274. Johann Sebastian Bach.

SDG

0:25	Est. Play Time
9	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	10	2	4	100%
Tenor/Bass	17	3	4	100%
Contrabass	11	2	3	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	10	2	4	100%
Tenor/Bass	17	3	4	100%
Contrabass	11	2	3	50%

3. Ach Gott und Herr, BWV 255.

SDG

0:25	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	1	4	100%
	18	0	3	2	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	1	4	100%
	18	3	2	100%
Soprano/Alto	12	1	4	100%
Tenor/Bass	18	3	2	100%
Contrabass	13	2	2	50%

37. Christ ist erstanden (Alleluja). BWV 66.6

SDG

0:28	Est. Play Time
10	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	2	3	100%
Tenor/Bass	16	3	3	100%
Contrabass	13	2	3	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	2	3	100%
Tenor/Bass	16	3	3	100%
Contrabass	13	2	3	50%