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Clef: TrebleTreble
Composition: Ensemble
Play Time: 1:00 - 1:30
Unique Accidentals: 1
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Bach
J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis
BSG
1:21 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
Contrabass Bass 15 0 5 6 100%
Soprano Treble 6 0 1 4 100%
Tenor Treble 12 0 4 5 100%
 
Johann Sebastian Bach - Marcha para Orquestra
mavojazz
1:20 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 12 0 1 4 100%
Violinos
1		 Treble 14 0 3 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 12 0 1 4 100%
Violinos
1		 Treble 14 0 3 4 100%
Violinos
2		 Treble 14 0 3 5 100%
Violinos
3		 Treble 12 0 1 4 100%
Violoncelos Bass 15 0 1 4 100%
Tímpanos Bass 2 0 0 4 58%
 
C.P.E. Bach: Polonaise in G Minor
jrd2014
1:04 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 25 3 1 7 98%
Bass 16 2 3 3 98%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 25 3 1 7 98%
Bass 16 2 3 3 98%
Flute Treble 17 0 2 5 98%
Oboe Treble 12 0 1 6 98%
Viola Bass 16 0 2 5 95%
Violoncello Bass 15 2 4 3 93%
 
J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis
BSG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
Contrabass Bass 17 0 5 3 100%
Soprano Treble 8 0 0 4 100%
Tenor Treble 9 0 1 4 100%
 
Bach - Missa in F Major, Gloria. {Professional production full score.} Unfinished.
Jamie Holdham
1:07 Est. Play
Time
89 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo. Bass 13 0 1 3 100%
Violino
I.		 Treble 16 0 2 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo. Bass 13 0 1 3 100%
Violino
I.		 Treble 16 0 2 4 100%
Violino
II.		 Treble 15 0 1 4 100%
Viola. 16 0 2 3 97%
Oboe
I.		 Treble 15 0 2 5 77%
Oboe
II.		 Treble 12 0 1 5 77%
Corno
I.		 Treble 10 0 0 4 63%
Corno
II.		 Treble 9 0 0 4 57%
Basso. Bass 13 0 1 3 47%
Tenore. 13 0 2 3 43%
Alto. 11 0 1 2 27%
Soprano. 12 0 1 2 23%
 
J.S. Bach: Unter deinen Schirmen (BWV 227, #3)
BSG
1:05 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 2 5 100%
Treble 10 0 3 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 2 5 100%
Treble 10 0 3 4 100%
Alto Treble 10 0 1 5 100%
Bass Bass 14 0 3 4 100%
Tenor Treble 13 0 4 4 100%
 
Verleih uns Frieden gnädiglich
euphonic
1:12 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B
Trompete		 Treble 9 0 1 5 100%
Treble 10 0 2 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B
Trompete		 Treble 9 0 1 5 100%
Treble 10 0 2 6 100%
Euphonium Treble 16 0 4 6 100%
Euphonium Treble 11 0 2 6 100%
 
J.S. Bach: Von Gott kommt mir ein Freudenschein (BWV 172, #6)
BSG
1:28 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 0 3 100%
Bass Bass 14 0 1 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 0 3 100%
Bass Bass 14 0 1 3 100%
Contrabass Bass 14 0 1 3 100%
Soprano Treble 8 0 0 3 100%
Tenor Treble 8 0 1 5 100%
Violin Treble 15 0 1 3 100%
 
BWV 925, Little Prelude in D - (Revised and modified Dec 28, 2109)
Astrel
1:06 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 20 7 3 6 100%
Treble 18 7 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 20 7 3 6 100%
Treble 18 7 3 6 100%
Contrabasses Bass 15 0 2 3 100%
Violas 22 1 2 4 100%
Violoncellos Bass 20 0 2 5 100%
C
Trumpet		 Treble 17 4 2 7 94%
Horn
in
F		 Treble 18 1 2 5 94%
Flute Treble 13 7 2 6 73%
Oboe Treble 14 4 1 5 73%
B♭
Clarinet		 Treble 18 0 2 5 69%
A
Bass
Clarinet		 Treble 19 0 1 4 67%
 
30. Aus meines Herzens Grunde, BWV 269.
SDG
1:20 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 5 100%
Treble 10 0 1 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 5 100%
Treble 10 0 1 5 100%
Bass 14 0 0 5 100%
Bass 14 0 0 5 100%
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 14 0 0 5 100%
Contrabass Bass 9 0 0 4 50%
 
378. Wie bin ich doch so herzlich froh, BWV1 #6, J.S. Bach. Wie schön leuchtet der Morgenstern.
SDG
1:05 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
9 0 0 4 100%
Soprano Treble 8 0 0 2 100%
Treble 8 0 0 2 100%
8 0 0 2 100%
Bass Bass 14 0 2 3 100%
Bass 14 0 2 3 100%
Tenor Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
Basso. Bass 14 0 2 3 100%
Continuo. Bass 14 0 2 3 100%
Corno
I.		 Treble 8 0 0 2 100%
Corno
II.		 Treble 10 0 1 5 100%
Oboe
di
caccia
I.		 9 0 0 4 100%
Oboe
di
caccia
II.		 9 0 0 4 100%
Tenore 9 0 0 4 100%
Viola. 9 0 0 4 100%
Violino
I.		 Treble 8 0 0 2 100%
Violino
II.		 Treble 9 0 0 4 100%
Violoncello Bass 14 0 2 3 100%
 
Menuet n°2
Maskangou
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Marimba Treble 12 0 2 1 100%
Bass 22 0 6 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Marimba Treble 12 0 2 1 100%
Bass 22 0 6 4 100%
Xylophone Treble 11 0 2 2 88%
Glockenspiel Treble 9 0 1 1 75%
 
Bach - Wachet auf, ruft uns die Stimme. (Chorus I.) {Unfinished.}
Jamie Holdham
1:16 Est. Play
Time
123 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 21 0 4 6 100%
Harpsichord Treble 19 0 3 4 97%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 21 0 4 6 100%
Harpsichord Treble 19 0 3 4 97%
Bass 19 0 3 4 97%
Bassoon Bass 19 0 3 4 97%
Continuo. Bass 19 0 3 4 97%
Oboe
I.		 Treble 14 0 2 6 97%
Organ Bass 19 0 3 4 97%
Oboe
II.		 Treble 13 0 1 6 76%
Violino
II		 Treble 13 0 1 5 71%
Taille. Treble 11 0 0 5 65%
Viola. 15 0 3 5 65%
Soprano. 7 0 0 1 47%
Alto. 10 0 1 4 32%
Tenore. 9 0 0 5 32%
Basso. Bass 11 0 0 4 24%