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kensington

Allegro v1.07.03

kensington

6:48	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	72	6	4	100 %
	17	0	3	7	100 %
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	72	6	4	100 %
	17	0	3	7	100 %
Continuo	17	0	3	7	100 %
Oboe	16	0	3	8	100 %
Viola	16	0	3	6	92 %
Violin 2	16	0	3	8	92 %
Violin 1	17	0	2	7	90 %

Benedictus 2.03

kensington

2:12	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	13	0	0	3	100 %
Soprano	9	0	0	5	100 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	13	0	3	100 %
Soprano	9	0	5	100 %
Alto	9	0	6	96 %
Tenor	11	1	6	92 %

Fugue in G-Major for chamber orchestra v1.10

kensington

4:29	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	16	0	4	8	84 %
Violin II	16	0	4	7	78 %
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	16	4	8	84 %
Violin II	16	4	7	78 %
Viola	13	4	7	75 %
Violoncello	14	3	7	72 %
Oboe	12	1	7	51 %
Bassoon	15	2	7	48 %
Horn in F	12	0	6	38 %
Flute	11	2	8	37 %
Contrabass	7	1	8	34 %
Bass Trombone	6	1	4	13 %

Ave Maria 0.01

kensington

7:37	Est. Play Time
90	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	2	6	91 %
Tenor	13	0	3	6	86 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	2	6	91 %
Tenor	13	3	6	86 %
Bass	13	1	5	84 %
Soprano	13	3	6	84 %

Fuge 'O thou that tellest good tidings to Zion' 0.02

kensington

1:25	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	0	4	6	96 %
		15	0	4	5	80 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	0	4	6	96 %
		15	0	4	5	80 %

Adagio v0.02

kensington

6:24	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord realization	22	75	8	4	100 %
	19	0	6	6	100 %
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord realization	22	75	8	4	100 %
	19	0	6	6	100 %
Continuo	19	0	6	6	100 %
Viola	15	0	5	6	100 %
Violin 1	21	0	7	6	100 %
Violin 2	17	0	5	6	100 %
Oboe concertato	20	0	7	6	95 %

Mass for 3 Voices - Benedictus

kensington

2:00	Est. Play Time
25	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	5	100 %
Alto	9	0	6	96 %
Tenor	11	1	6	92 %

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	5	100 %
Alto	9	0	6	96 %
Tenor	11	1	6	92 %

Agnus Dei 0.03

kensington

4:27	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	7	0	0	5	100 %
Alto	12	0	2	6	98 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	7	0	5	100 %
Alto	12	2	6	98 %
Tenor	8	0	6	88 %
Bass	11	0	7	73 %

Mass for 3 Voices - Agnus Dei II

kensington

3:16	Est. Play Time
45	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	10	0	4	96 %
Soprano	11	0	6	93 %
Alto	11	1	5	91 %

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	10	0	4	96 %
Soprano	11	0	6	93 %
Alto	11	1	5	91 %

Ave Maris Stella V 0.05

kensington

1:20	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	2	4	100 %
Bass	9	0	1	3	100 %
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	2	4	100 %
Bass	9	1	3	100 %
Soprano I	8	0	3	100 %
Soprano II	7	1	3	100 %
Tenor	9	1	4	100 %

Mass for 3 Voices - Hosanna

kensington

1:09	Est. Play Time
21	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	4	100 %
Soprano	8	0	4	100 %
Tenor	10	1	4	100 %

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	4	100 %
Soprano	8	0	4	100 %
Tenor	10	1	4	100 %

Fuga a 4 voci 0.05

kensington

4:24	Est. Play Time
32	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	5	8	89 %
	18	5	7	85 %
Pedal	7	1	5	23 %

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	5	8	89 %
	18	5	7	85 %
Pedal	7	1	5	23 %

故郷 0.02

kensington

1:54	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	100 %
Bass	9	0	1	5	100 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	2	5	100 %
Bass	9	1	5	100 %
Soprano	8	0	5	100 %
Tenor	12	3	5	100 %

Ave Maris Stella IV 0.07

kensington

3:49	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	1	5	100 %
Alto	14	0	2	5	95 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	1	5	100 %
Alto	14	2	5	95 %
Tenor	12	2	4	89 %
Bass	10	0	4	73 %

Mass for 3 Voices - Kyrie

kensington

4:33	Est. Play Time
63	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	13	2	6	98 %
Alto	11	2	6	93 %
Tenor	10	0	6	87 %

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	13	2	6	98 %
Alto	11	2	6	93 %
Tenor	10	0	6	87 %

Preludium -Sicut Cervus- 0.04

kensington

3:36	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	1	3	2	100 %
	8	0	1	6	71 %
Pedal	12	0	2	4	100 %

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	1	3	2	100 %
	8	0	1	6	71 %
Pedal	12	0	2	4	100 %

Allegro v0.02

kensington

2:46	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord realization	19	75	6	4	100 %
	20	0	6	5	100 %
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord realization	19	75	6	4	100 %
	20	0	6	5	100 %
Continuo	20	0	6	5	100 %
Oboe concertato	17	0	4	6	98 %
Viola	15	0	6	5	90 %
Violin 1	20	0	6	6	90 %
Violin 2	15	0	4	6	90 %

Travel and Homeland v0.03.00

kensington

3:32	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	41	4	4	94 %
	16	8	2	4	100 %
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	41	4	4	94 %
	16	8	2	4	100 %
Oboe	11	0	0	5	49 %
Violino I	7	0	0	5	44 %
Violino II	13	0	0	4	30 %
Viola	8	0	1	6	23 %

Travel and Homeland v0.04.01

kensington

3:32	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	41	4	4	94 %
	16	8	2	4	100 %
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	41	4	4	94 %
	16	8	2	4	100 %
Contrabass	10	0	1	4	98 %
Violoncello	10	0	1	4	98 %
Oboe	11	0	0	5	49 %
Violino I	7	0	0	5	44 %
Violino II	13	0	0	4	30 %
Viola	8	0	1	6	23 %

Mass for 3 Voices - Gloria

kensington

7:55	Est. Play Time
128	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	12	1	6	97 %
Alto	12	2	6	95 %
Tenor	14	2	6	94 %

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	12	1	6	97 %
Alto	12	2	6	95 %
Tenor	14	2	6	94 %