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Roland Bouman

J.S. Bach - St Matthew Passion Part II No. 39: Aria "Erbarme dich, mein Gott"

Roland Bouman

5:52	Est. Play Time
47	Measures
	1,796Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	28	0	10	8	100 %
Violoncello	25	0	8	3	100 %
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	28	10	8	100 %
Violoncello	25	8	3	100 %
Violas	22	8	4	98 %
Violins 1	19	6	7	98 %
Violins 2	22	9	4	98 %
Alto	17	6	7	77 %

Gregorio Allegri - Miserere mei, Deus

Roland Bouman

2:40	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	9	0	1	5	65 %
Alto	10	0	2	7	35 %
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	9	1	5	65 %
Alto	10	2	7	35 %
	5	0	6	45 %
Bass	9	2	4	35 %
	9	0	5	45 %
Soprano	7	1	5	43 %
	6	1	7	35 %
	7	2	5	40 %
	9	1	9	35 %

Enschede3

Roland Bouman

0:20	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hand Bells		13	1	2	5	93 %
		7	1	1	3	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hand Bells		13	1	2	5	93 %
		7	1	1	3	100 %

WA Mozart KV 231: Kanon für sechs Stimmen ("Leck mich im Arsch!")

Roland Bouman

0:28	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stimme		13	0	0	4	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stimme		13	0	0	4	100 %

WA Mozart KV 231: Kanon für sechs Stimmen ("Leck mich im Arsch!") - Arranged for SAT Choir

Roland Bouman

1:56	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	0	0	4	35 %
	13	0	0	4	71 %
View all 6 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Tenor	13	4	35 %
	13	4	71 %
Bass	13	4	35 %
	13	4	35 %
Soprano	13	4	35 %
	13	4	35 %

Thomas Tallis - Canon (All praise to Thee, My God)

Roland Bouman

0:16	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		8	0	0	1	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		8	0	0	1	100 %

Wilhelmus van Nassouwe (Dutch Anthem) - SATB arr. Diepenbrock)

Roland Bouman

0:49	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	6	0	0	5	100 %
Bass	9	0	0	5	100 %
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Alto	6	5	100 %
Bass	9	5	100 %
Soprano	9	4	100 %
Tenor	7	5	100 %

Sweelinck - Miserere mei, Domine - SATB

Roland Bouman

1:30	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	2	5	100 %
Soprano	9	0	1	6	100 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	5	100 %
Soprano	9	1	6	100 %
Bass	10	2	5	62 %
Tenor	9	1	7	62 %

Henry Purcell: "When I am laid" (aka "Dido's Lament" from Act 3 of "Dido and Aeneas")

Roland Bouman

3:36	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	0	3	3	100 %
	0	0	0	0	0 %
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	3	3	100 %
	0	0	0	0 %
Violin	20	6	7	89 %
Viola	11	2	6	80 %
Soprano	16	4	8	77 %

J.S. Bach - Musikalisches Opfer: Canon a 2 - I (Cancrizans)

Roland Bouman

0:36	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		31	0	12	3	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		31	0	12	3	100 %

11. Viva la musica (Canon a 3)

Roland Bouman

0:12	Est. Play Time
6	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	0	4	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	0	4	100 %

W.A. Mozart - God is our Refuge and Strength (KV 20)

Roland Bouman

1:09	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	7	0	0	5	100 %
Alto	10	0	1	5	87 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	7	0	5	100 %
Alto	10	1	5	87 %
Bass	12	3	5	74 %
Tenor	11	3	5	73 %

Mahler - Kindertotenlieder I: "Nun will die Son' so hell aufgeh'n"

Roland Bouman

4:37	Est. Play Time
85	Measures
	1,687Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F (I)	20	0	6	8	59 %
Singstimme	13	0	6	6	56 %
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F (I)	20	0	6	8	59 %
Singstimme	13	0	6	6	56 %
Oboe	23	0	8	6	48 %
Harfe	16	0	6	4	33 %
	18	2	7	5	48 %
Violoncelli	34	1	11	7	42 %
2 Fagotten	29	2	11	7	39 %
2 Klarinetten in B	23	1	10	7	35 %
Bassklarinette in B	12	0	4	7	30 %
Violen	20	0	8	6	26 %
Horn in F (II)	8	0	0	5	26 %
Violinen I	29	0	11	6	26 %
Violinen II	26	0	11	5	20 %
2 Flöten	22	1	8	4	19 %
Glockenspiel	1	0	0	3	14 %
Kontrabässe	5	0	1	4	14 %

Flows (reed sextet version)

Roland Bouman

6:40	Est. Play Time
100	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet	28	0	11	11	90 %
Bass Clarinet	30	0	11	10	85 %
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet	28	11	11	90 %
Bass Clarinet	30	11	10	85 %
Alto Saxophone	26	10	10	84 %
Soprano Saxophone	24	9	10	78 %
Bassoon	26	10	10	61 %
E♭ Clarinet	26	10	11	59 %

Lupus Hellinck - Missa Surge Propera (pars 4: Et in terra pax hominibus)

Roland Bouman

2:30	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	12	0	2	6	92 %
Contra	13	0	3	7	88 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	12	2	6	92 %
Contra	13	3	7	88 %
Tenor	9	0	7	85 %
Bassus	9	1	6	63 %

Franciscus IJsenbaert - Dixerunt discipuli (prima pars)

Roland Bouman

2:08	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	9	0	0	6	96 %
Barriton	9	0	0	5	89 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	9	0	6	96 %
Barriton	9	0	5	89 %
Discantus	10	1	5	89 %
Contratenor	8	0	7	87 %

36. Drie ganzen in 't haverstro (Canon a 4)

Roland Bouman

0:24	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	4	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	4	100 %

Palestrina: Missa de beate Virgine - Kyrie

Roland Bouman

2:24	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	1	6	94 %
Tenor	9	0	1	6	90 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	1	6	94 %
Tenor	9	1	6	90 %
Soprano	12	2	5	85 %
Baritone	11	2	5	83 %

19. De klokken van Haarlem (Canon a 3)

Roland Bouman

0:48	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		8	0	0	6	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		8	0	0	6	100 %

Anonymous - Prosa Inviolata

Roland Bouman

3:07	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	1	7	92 %
Bass	10	0	0	5	91 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	1	7	92 %
Bass	10	0	5	91 %
Soprano	7	0	7	91 %
Tenor	9	0	5	87 %