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TRAVIATA de Verdi : Chœurs Partie 5/10 Acte 2 Chœur des bohémiennes – Soprano 1

Papibois

2:47	Est. Play Time
84	Measures
	1,428Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	29	8	7	99 %
		28	37	8	4	100 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	29	8	7	99 %
		28	37	8	4	100 %
Alto		17	0	4	10	81 %
Soprano 1		17	0	3	10	81 %
Soprano 2		17	0	4	10	81 %

AÏDA de Verdi : Chœurs Partie 8/10 Acte 3 : Introduzione - SOPRANO Prêtresse

Papibois

3:28	Est. Play Time
62	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	25	8	11	94 %
		25	14	4	4	69 %
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	25	8	11	94 %
		25	14	4	4	69 %
Prêtres Bas		10	0	1	10	36 %
Prêtres Ten		9	0	1	10	36 %
Prêtresses Sop		6	0	1	6	33 %
Ramfis		16	0	4	7	23 %
Amnéris		7	0	1	7	10 %

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100 %
		28	28	8	7	98 %
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100 %
		28	28	8	7	98 %
Belcore		16	0	3	6	63 %
Basse		7	0	1	5	38 %
Ténor 1		8	0	1	5	36 %
Ténor 2		8	0	1	5	32 %
Soprano 1		7	0	1	4	16 %
Soprano 2		6	0	2	4	16 %
Nemorino		5	0	1	4	4 %

L'ELISIR D'AMORE de Donizetti : Choeurs : Répliques isolées

Papibois

1:48	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	34	14	6	75 %
		37	43	14	8	75 %
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	34	14	6	75 %
		37	43	14	8	75 %
Dulcamara		12	0	4	4	55 %
Basse		12	0	4	5	27 %
Ténor		14	0	4	5	27 %
Adina		10	0	1	4	24 %
Soprano		11	0	3	5	24 %
Ténor 2		8	0	1	3	14 %
Némorino		4	0	0	2	10 %
Gianetta		4	0	2	4	8 %

AÏDA de Verdi : Chœurs Partie 10/10 Acte 4 : Finale ultimo

Papibois

3:33	Est. Play Time
61	Measures
	1,036Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	37	9	9	99 %
		33	27	8	5	96 %
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	37	9	9	99 %
		33	27	8	5	96 %
Aïda		15	0	2	9	70 %
Radamès		14	0	2	9	62 %
Prêtres Bas		9	4	2	9	48 %
Prêtresses Sop		11	5	3	9	48 %
Prêtres Ten		10	6	2	9	41 %
Amnéris		7	0	1	6	18 %

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione

Papibois

2:13	Est. Play Time
75	Measures
	1,156Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100 %
		21	21	1	3	100 %
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100 %
		21	21	1	3	100 %
Tenore 1		13	0	2	4	92 %
Ténore 2		15	0	4	4	92 %
Soprano 1		16	0	6	4	87 %
Basso		10	1	0	4	87 %
Soprano 2		13	0	5	4	87 %
Gianetta		9	0	0	4	55 %

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE

Papibois

2:13	Est. Play Time
75	Measures
	1,171Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100 %
		21	21	1	3	100 %
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100 %
		21	21	1	3	100 %
Tenor 1		13	0	2	4	92 %
Tenor 2		15	0	4	4	92 %
Soprano 1		16	0	6	4	87 %
Basse		10	1	2	4	87 %
Soprano 2		13	0	4	4	87 %
Gianetta		9	0	0	4	55 %

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? » SOPRANO 2

Papibois

4:12	Est. Play Time
127	Measures
	1,330Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98 %
		30	70	9	8	99 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98 %
		30	70	9	8	99 %
Gianetta		15	0	3	8	72 %
Soprano 2		13	0	3	7	61 %
Soprano 1		12	0	2	8	59 %

TRAVIATA de Verdi : Chœurs Partie 2/10 Acte 1 Brindisi - Alto

Papibois

2:47	Est. Play Time
194	Measures
	1,788Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	35	11	4	97 %
		22	31	4	3	100 %
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	35	11	4	97 %
		22	31	4	3	100 %
Violetta		13	0	3	4	48 %
Alfredo		11	0	3	4	47 %
Alto		11	0	3	4	34 %
Basse		15	1	5	4	34 %
Soprano 1		15	0	5	4	34 %
Soprano 2		11	0	3	4	34 %
Tenor 1		15	0	5	4	34 %
Tenor 2		15	0	5	4	34 %

TRAVIATA de Verdi : Chœurs Partie 5/10 Acte 2 Chœur des bohémiennes – Alto

Papibois

2:47	Est. Play Time
84	Measures
	1,428Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	29	8	7	99 %
		28	37	8	4	100 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	29	8	7	99 %
		28	37	8	4	100 %
Alto		17	0	4	10	81 %
Soprano 1		17	0	3	10	81 %
Soprano 2		17	0	4	10	81 %

Va pensiero BASSE

Papibois

4:11	Est. Play Time
51	Measures
	1,614Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	21	12	8	100 %
		26	18	9	8	100 %
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	21	12	8	100 %
		26	18	9	8	100 %
A		12	0	2	7	78 %
B		12	0	1	7	78 %
S		13	0	2	7	78 %
T		13	0	2	7	78 %

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	43	7	5	100 %
		24	28	4	4	98 %
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	43	7	5	100 %
		24	28	4	4	98 %
Tenor 1		13	0	2	4	93 %
Tenor 2		13	0	3	4	93 %
Soprano 1		15	0	5	4	89 %
Soprano 2		16	0	4	4	89 %
Basse		10	1	2	4	87 %
Gianetta		11	0	0	4	76 %
Nemorino		11	0	2	4	70 %

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 2

Papibois

2:13	Est. Play Time
75	Measures
	1,163Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100 %
		21	21	1	3	100 %
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100 %
		21	21	1	3	100 %
Tenor 1		13	0	2	4	92 %
Tenor 2		15	0	4	4	92 %
Soprano 1		16	0	6	4	87 %
Basso		10	1	0	4	87 %
Soprano 2		13	0	4	4	87 %
Gianetta		9	0	0	4	55 %

L’ELISIR D’AMORE de Donizetti : Choeurs Partie 15/16 bis Acte 2 : Coro Scena 6 SOPRANO 2 (avec coupures)

Papibois

4:47	Est. Play Time
265	Measures
	2,513Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	56	15	10	96 %
		39	87	16	8	93 %
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	56	15	10	96 %
		39	87	16	8	93 %
Nemorino		15	0	3	8	56 %
Adina		17	0	6	7	44 %
Soprano 1		12	0	3	8	41 %
		11	0	3	8	41 %
Giannetta		17	0	6	8	41 %
Dulcamara		15	0	4	6	40 %

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? »

Papibois

4:12	Est. Play Time
127	Measures
	1,324Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98 %
		30	70	9	8	99 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98 %
		30	70	9	8	99 %
Gianetta		15	0	3	8	72 %
Soprano 2		13	0	3	7	61 %
Soprano 1		12	0	2	8	59 %

Insalata italiana ALTO

Papibois

4:10	Est. Play Time
140	Measures
	1,344Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor1		14	2	5	8	91 %
Ténor2		14	2	5	8	91 %
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor1		14	2	5	8	91 %
Ténor2		14	2	5	8	91 %
Bass:		16	1	4	8	90 %
Sopr:		15	0	6	9	90 %
Alto:		12	0	4	8	89 %
Bass Solo:		15	0	4	8	15 %
Sop Solo		15	0	5	7	7 %
Tén Solo		8	0	1	4	3 %

Insalata italiana SOPRANO

Papibois

4:10	Est. Play Time
140	Measures
	1,344Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor1		14	2	5	8	91 %
Ténor2		14	2	5	8	91 %
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor1		14	2	5	8	91 %
Ténor2		14	2	5	8	91 %
Bass:		16	1	4	8	90 %
Sopr:		15	0	6	9	90 %
Alto:		12	0	4	8	89 %
Bass Solo:		15	0	4	8	15 %
Sop Solo		15	0	5	7	7 %
Tén Solo		8	0	1	4	3 %

Insalata italiana BASSE

Papibois

4:10	Est. Play Time
140	Measures
	1,345Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor1		14	2	5	8	91 %
Ténor2		14	2	5	8	91 %
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor1		14	2	5	8	91 %
Ténor2		14	2	5	8	91 %
Bass:		16	1	4	8	90 %
Sopr:		15	0	6	9	90 %
Alto:		12	0	4	8	89 %
Bass Solo:		15	0	4	8	15 %
Sop Solo		15	0	5	7	7 %
Tén Solo		8	0	1	4	3 %

FAUST de Gounod : Choeurs Partie 4/14 Ainsi que la brise légère

Papibois

2:25	Est. Play Time
174	Measures
	1,353Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	16	6	6	100 %
		29	21	6	5	99 %
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	16	6	6	100 %
		29	21	6	5	99 %
Soprano 1		11	0	1	4	57 %
Basso		7	0	0	3	53 %
Soprano 2		6	0	0	4	53 %
Tenor 1		6	0	0	4	53 %
Tenor 2		7	0	0	4	53 %
SIEBEL		4	0	1	3	10 %
FAUST		9	0	2	3	7 %
MEPHISTOPHELES		7	0	1	4	5 %

TRAVIATA de Verdi : Chœurs Partie 6/10 Acte 2 Chœur des matadors – Basse

Papibois

3:39	Est. Play Time
221	Measures
	2,166Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	30	16	4	97 %
		31	37	12	4	99 %
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	30	16	4	97 %
		31	37	12	4	99 %
Bass		14	0	4	8	80 %
Tenor 1		16	1	7	8	77 %
Tenor 2		13	0	6	8	77 %
Alto		13	0	5	6	40 %
Soprano 1		15	0	6	6	40 %
Soprano 2		13	0	5	6	40 %

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