Play Along Piano

Uploaders

Charles Villiers Stanford

At the mid hour of night

1:27	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	7	100%
Soprano	9	0	0	7	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	3	7	100%
Soprano	9	0	7	98%
Tenor	14	4	7	98%
Bass	16	4	7	93%

O Praise God in His Holiness (Psalm 150)

Charles Villiers Stanford

2:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	11	0	0	3	92%
	15	31	1	4	84%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	11	0	0	3	92%
	15	31	1	4	84%
	12	1	1	4	100%
	19	24	2	3	87%

Hymn (after a Song of Trust) - Purest and Highest

Charles Villiers Stanford

0:01	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	33	3	6	90%
	23	17	3	6	90%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	33	3	6	90%
	23	17	3	6	90%
Choir	15	3	2	6	64%
	15	3	2	6	63%
Tenor	10	0	2	2	22%
Alto	8	0	1	2	20%
Bass	11	0	1	3	20%
Soprano	6	0	1	3	20%

It is not the tear

Charles Villiers Stanford

1:10	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	4	6	100%
Soprano	12	0	2	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	4	6	100%
Soprano	12	0	2	6	100%
Tenor	13	0	3	6	100%
Bass	15	1	1	5	97%

Hymn (after a song of Wisdom) - Oh for a closer walk with God

Charles Villiers Stanford

3:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
org	30	39	10	5	94%
	21	50	3	5	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
org	30	39	10	5	94%
	21	50	3	5	97%
S	15	0	3	5	66%
T B	18	0	4	5	64%

Diaphenia

Charles Villiers Stanford

1:42	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (For practice only)	15	35	3	5	100%
	19	29	4	6	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (For practice only)	15	35	3	5	100%
	19	29	4	6	100%
Alto	8	1	0	4	100%
Bass	15	2	3	5	100%
Soprano	10	0	1	5	100%
Tenor	13	0	4	4	100%

What the bee is to the flow'ret

Charles Villiers Stanford

0:57	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	9	6	0	6	83%
Soprano	11	0	1	6	83%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	9	6	0	6	83%
Soprano	11	0	1	6	83%
Tenor	12	3	2	6	82%
Alto	10	5	0	6	74%

A Song of Battle

Charles Villiers Stanford

3:02	Est. Play Time
122	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	28	79	14	5	100%
	22	67	12	5	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	28	79	14	5	100%
	22	67	12	5	100%
Pedals	26	0	16	4	98%
Voice	14	0	7	7	80%

My Love's an Arbutus

Charles Villiers Stanford

1:12	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	10	0	1	4	100%
Bass	14	0	3	5	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	10	1	4	100%
Bass	14	3	5	94%
Alto	13	4	4	92%
Soprano	8	0	5	92%

Shall we go dance?

Charles Villiers Stanford

1:15	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (For practice only)	19	39	4	6	94%
	19	22	4	6	90%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (For practice only)	19	39	4	6	94%
	19	22	4	6	90%
Soprano	12	0	2	6	92%
Alto	11	0	3	6	88%
Tenor	10	0	1	6	86%
Bass	17	1	4	6	82%

Double Chant in A-flat Major

Charles Villiers Stanford

0:28	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		10	0	0	2	100%
		13	0	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		10	0	0	2	100%
		13	0	2	4	100%

Farewell, My Joy

Charles Villiers Stanford

2:06	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	20	5	7	6	100%
Soprano	16	0	5	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	20	5	7	6	100%
Soprano	16	0	5	6	100%
Tenor	14	3	4	6	100%
Alto	14	0	5	6	98%

Pray that Jerusalem

Charles Villiers Stanford

1:29	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
P3	21	27	5	6	88%
	24	17	5	6	85%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
P3	21	27	5	6	88%
	24	17	5	6	85%
P2	16	0	3	5	88%
P1	11	0	1	5	70%

Corydon, Arise!

Charles Villiers Stanford

1:16	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (for rehearsal only)	20	30	5	7	95%
	14	33	2	7	85%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (for rehearsal only)	20	30	5	7	95%
	14	33	2	7	85%
Soprano	12	1	2	7	87%
Alto	11	0	2	6	84%
Bass	10	2	1	7	82%
Tenor	11	0	2	7	82%

Jubilate in B flat, Op. 10

Charles Villiers Stanford

3:52	Est. Play Time
117	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	83	9	6	100%
	27	40	12	6	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	83	9	6	100%
	27	40	12	6	98%
Alto	14	0	6	6	95%
Bass	15	2	7	6	95%
Soprano	17	3	7	6	93%
Tenor	18	0	7	6	92%

Quick! We have but a second

Charles Villiers Stanford

0:58	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (For practice only)	11	13	0	3	95%
	15	29	3	2	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (For practice only)	11	13	0	3	95%
	15	29	3	2	100%
Alto	6	2	0	3	100%
Bass	11	0	3	2	100%
Tenor	11	0	0	2	100%
Soprano	9	0	0	3	96%

Sweet love for me

Charles Villiers Stanford

2:25	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (For Practice Only)	16	38	3	9	96%
	18	31	3	9	90%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (For Practice Only)	16	38	3	9	96%
	18	31	3	9	90%
Alto	11	0	1	9	94%
Soprano	13	0	2	9	94%
Tenor	13	1	2	8	93%
Bass	14	0	1	8	91%

Double chant in E flat major

Charles Villiers Stanford

0:14	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	2	100%
		11	0	2	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	2	100%
		11	0	2	2	100%

God and the Universe

Charles Villiers Stanford

2:36	Est. Play Time
79	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (for rehearsal only)	25	63	12	8	96%
	0	0	0	0	0%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (for rehearsal only)	25	63	12	8	96%
	0	0	0	0	0%
	28	55	10	8	94%
Alto	19	1	8	8	97%
Tenor	20	3	6	8	92%
Bass	22	4	7	8	89%
Soprano	20	1	8	8	81%

Coelos ascendit hodie, Op. 38, No. 2

Charles Villiers Stanford

1:28	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ (for rehearsal only)	16	31	4	8	100%
	21	27	7	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ (for rehearsal only)	16	31	4	8	100%
	21	27	7	8	100%
Alto	9	0	3	8	89%
	9	0	2	8	89%
Soprano	13	0	2	8	89%
	11	0	2	8	89%
Bass	18	0	5	8	89%
	17	0	5	8	86%
Tenor	10	0	2	8	86%
	11	0	3	8	89%