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julius

Entry of the Gladiators (Thunder and Blazes)

Smallgaier25

2:17	Est. Play Time
111	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet		24	0	12	4	100%
Trombone		20	0	11	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet		24	0	12	4	100%
Trombone		20	0	11	5	100%
Tuba		17	0	9	5	99%
B♭ Clarinet		26	0	11	5	95%

Hymnus fuer 12 Celli

Caspar Ernst

0:01	Est. Play Time
81	Measures
	1,103Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello 5		24	0	9	6	79%
Violoncello 8		18	3	3	5	79%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello 5		24	0	9	6	79%
Violoncello 8		18	3	3	5	79%
Violoncello 6		17	4	5	5	78%
Violoncello 7		20	0	8	4	78%
Violoncello 12		24	9	9	5	61%
Violoncello 11		26	40	10	5	59%
Violoncello 4		24	3	8	5	58%
Violoncello 1		17	0	4	6	56%
Violoncello 2		18	0	5	5	56%
Violoncello 3		16	0	5	4	56%
Violoncello 10		27	10	11	5	55%
Violoncello 9		31	38	11	5	51%

HWV17a2n16y1724: Cleopatra, "Venere belle" in A Major

edward.maurath

11:30	Est. Play Time
123	Measures
	1,072Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	31	5	5	62%
		26	50	8	5	90%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	31	5	5	62%
		26	50	8	5	90%
Harp		17	18	3	5	45%
		25	61	8	5	90%
Continuo		20	0	5	5	90%
Violino solo		22	0	6	6	85%
Cleopatra		16	0	5	5	67%
Violini		17	0	1	5	38%
Celli		12	0	0	5	35%
Kontrebaß		12	0	0	5	35%

Della Verita

Julius Borris

2:00	Est. Play Time
62	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone		23	1	4	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone		23	1	4	6	100%

HWV17A3N02Y1724 Sinfonia in D Major, "La battaglia"

edward.maurath

0:52	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		13	0	1	3	100%
		11	0	1	3	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		13	0	1	3	100%
		11	0	1	3	100%
Harpsichord		13	0	1	3	100%
		13	0	1	3	100%
Oboe		13	0	2	4	100%
		18	0	2	2	100%
Celli		13	0	1	3	100%
Continuo		13	0	1	3	100%
Kontrebaß		13	0	1	3	100%
Violas		11	0	1	3	100%
Violini		18	0	2	2	100%

HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major

edward.maurath

6:16	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli		21	0	5	6	100%
Kontrbaß		21	0	5	6	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli		21	0	5	6	100%
Kontrbaß		21	0	5	6	100%
Cleopatra		15	0	2	8	88%
Vln 1		20	0	4	5	80%
Harpsichord		18	9	3	6	78%
		18	6	3	6	78%
Continuo		17	0	3	6	78%
Vln 2		20	0	4	5	64%
Flute		11	0	1	4	51%

HWV17A2N20Y1724 Cleopatra, "Se pieta di me non senti" in f sharp minor

edward.maurath

7:04	Est. Play Time
51	Measures
	1,747Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		20	43	8	5	92%
		26	13	8	5	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		20	43	8	5	92%
		26	13	8	5	100%
Harp Continuo		20	42	8	5	92%
		25	13	7	5	100%
Bassoon Continuo		20	0	6	4	100%
Violins 1 and 2		26	0	10	5	96%
Celli Continuo		18	0	5	4	94%
Contrabass Continuo		18	0	5	4	94%
Violoncello Continuo		18	0	5	4	94%
Violas		16	0	4	5	90%
Violins 3		17	0	6	5	90%
Soprano as Cleopatra		17	0	6	6	73%
Bassoon Obligato		13	0	2	4	29%

HWV17A3N07Y1724vEJM Cesare, "Aure, deh, per pieta" in F Major

edward.maurath

15:34	Est. Play Time
190	Measures
	1,986Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		22	53	8	8	91%
		28	43	9	8	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		22	53	8	8	91%
		28	43	9	8	98%
Continuo		25	0	8	8	98%
Vln 1		21	0	5	8	93%
Vln 2		21	0	7	8	92%
Violas		18	0	5	8	82%
Celli		23	0	7	8	81%
Kontrebaß		23	0	7	8	81%
Cesare		13	0	4	7	72%

HWV17a2n12y1724 - Cornelia, "Cessa omai di sospirare!" in F Major

edward.maurath

4:44	Est. Play Time
81	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	4	5	7	78%
		23	12	6	6	99%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	4	5	7	78%
		23	12	6	6	99%
Harpsichord		17	4	5	7	65%
		23	11	6	6	99%
Continuo		21	0	5	7	99%
Vln 1		16	0	4	7	79%
Vln 2		17	0	5	7	79%
Celli		19	0	3	6	62%
Contrabasses		22	0	3	6	62%
Cornelia		12	0	3	7	62%
Flute		13	0	4	7	59%
Violas		16	0	4	7	56%

HWV17a2n06y1724-Deh piangete, oh mesti lumi from "Giulio Cesare in Egitto"

edward.maurath

1:56	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	36	4	7	100%
		21	31	4	7	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	36	4	7	100%
		21	31	4	7	100%
Harpsichord		20	36	4	7	100%
		21	31	4	7	100%
Continuo		19	0	3	7	100%
Cornelia		12	0	3	5	78%

HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"

edward.maurath

1:29	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo		15	0	9	3	100%
Sesto		14	0	7	3	59%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo		15	0	9	3	100%
Sesto		14	0	7	3	59%
Harp		15	17	7	4	55%
		15	15	12	4	57%
Harpsichord		10	11	3	3	48%
		15	13	8	3	52%
Cornelia		12	0	4	4	48%

HWV17a1n29y1725 "Madre!"

edward.maurath

0:56	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		18	18	8	4	100%
		9	0	2	3	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		18	18	8	4	100%
		9	0	2	3	100%
Violoncello		9	0	2	3	100%
Sesto		11	0	4	3	93%
Harpsichord		6	2	2	1	14%
		2	0	1	2	14%
Cornelia		4	0	2	1	14%

HWV17A3N09Y1724 Cesare, "Quel torrente che cade dal monte" in C Major

edward.maurath

2:48	Est. Play Time
157	Measures
	1,037Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	2	4	3	99%
		21	4	4	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	2	4	3	99%
		21	4	4	4	100%
Violoncello Continuo		21	0	4	4	97%
Cesare		15	0	3	6	71%
Violins		22	0	5	7	69%
Kontrebaß		15	0	1	3	43%
Celli		14	0	0	3	41%

"S'armi a miei danni" from "Giulio Cesare in Egitto," HWV 17, 1725

edward.maurath

9:11	Est. Play Time
109	Measures
	1,118Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		26	50	9	8	74%
		24	6	4	4	99%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		26	50	9	8	74%
		24	6	4	4	99%
Continuo		21	0	3	4	99%
Sesto		16	0	6	7	68%
Violin		19	0	2	8	62%
		17	0	2	6	62%
Celli		18	0	1	4	61%
Kontrebaß		16	0	1	4	61%
Viola		12	0	1	4	49%

"Tu sei il cor di questo core" from Giulio Cesare in Egitto, HWV 17, (1724)

edward.maurath

3:35	Est. Play Time
65	Measures
	1,464Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		22	44	7	5	100%
		26	53	8	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		22	44	7	5	100%
		26	53	8	5	100%
Harpsichord		22	44	7	5	100%
		26	53	8	5	100%
Bassoon		21	0	5	7	100%
Celli		25	0	8	5	100%
Continuo		25	0	8	5	100%
Kontrebaß		25	0	8	5	100%
Violini		26	2	8	7	95%
Achilla		18	0	5	7	74%

HWV17A3N11Y1725 Sesto, "Sperai ne m'inganni"

edward.maurath

3:33	Est. Play Time
114	Measures
	1,491Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		23	29	7	9	69%
		19	2	4	7	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		23	29	7	9	69%
		19	2	4	7	99%
Cello		18	0	4	7	99%
Sesto		14	0	4	8	76%
Violini		20	0	4	9	70%
Violoncellos		17	0	3	7	68%
Violone		17	0	3	7	68%

HWV17A2N14Y1724 Sesto, "Langue offeso mai riposa" in c minor

edward.maurath

11:06	Est. Play Time
102	Measures
	1,997Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		23	40	8	7	100%
		25	45	8	6	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		23	40	8	7	100%
		25	45	8	6	99%
Harp		23	33	8	7	99%
		25	56	8	6	99%
Continuo		24	0	8	4	99%
Celli		23	0	8	5	82%
Kontrebaß		23	0	8	5	82%
Vln 1		23	0	8	8	82%
Soprano as Sesto		18	0	6	8	70%
Vln 2		23	0	7	7	63%
Violas		18	0	5	7	49%

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