Active Filters:
Measures: < 20
Participation: 1%-49%
Participation: 100%
Play Time: > 3:20
Unique Durations: 4-5
Unique Notes: ≤ 5
Unique Notes: 11 - 15
Unique Notes: > 20
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Satie - Ogives
MarshallTRogers
7:27 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 64 14 4 100%
Bass 27 59 9 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 64 14 4 100%
Bass 27 59 9 4 100%
 
Air on the G String
ed92214
4:30 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 12 6 7 100%
Bass 35 25 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 12 6 7 100%
Bass 35 25 11 4 100%
 
Air (From Orchestral Suite No. 3) (Transcribed and Arranged for Violin, String Ensemble, and Continuo)
Arianna2001
4:21 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ
or
Harpsichord
or
Opt.
Piano
(Continuo)		 Treble 20 36 5 5 100%
Bass 25 0 8 3 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ
or
Harpsichord
or
Opt.
Piano
(Continuo)		 Treble 20 36 5 5 100%
Bass 25 0 8 3 100%
Violin Treble 17 0 4 6 100%
Treble 17 0 4 6 100%
Contrabass Bass 25 0 8 3 100%
Viola 11 0 2 4 100%
Violas 11 0 2 4 100%
Violin
Solo
or
Principal		 Treble 14 0 5 8 100%
Violins
I		 Treble 17 0 4 6 100%
Violins
II		 Treble 17 0 4 6 100%
Violoncello Bass 25 0 8 3 100%
Violoncellos Bass 25 0 8 3 100%
 
Air ('on the G string')
Shoichi
3:36 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 14 0 5 8 100%
Guitar Treble 26 14 8 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 14 0 5 8 100%
Guitar Treble 26 14 8 5 97%
 
Four Ogives (Erik Satie)
Novelty
8:01 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 64 14 4 94%
Bass 27 60 9 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 64 14 4 94%
Bass 27 60 9 4 100%
 
Air in G
Matttiii
4:21 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ
or
Harpsichord
or
Opt.
Piano
(Continuo)		 Treble 20 36 5 5 100%
Bass 25 0 8 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ
or
Harpsichord
or
Opt.
Piano
(Continuo)		 Treble 20 36 5 5 100%
Bass 25 0 8 3 100%
Contrabass Bass 25 3 8 3 100%
Viola 11 0 2 4 100%
Violas Treble 11 0 2 4 100%
Violin Treble 17 0 4 6 100%
Violins
I (Section
or
Solo
Principal)		 Treble 14 0 5 8 100%
Violins
II		 Treble 17 0 4 6 100%
Violoncello Bass 25 0 8 3 100%
Violoncellos Bass 25 0 8 3 100%
 
Air on the G-string - JS Bach (String Quintet)
Peet du Toit
4:30 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
1		 Treble 14 0 5 8 100%
Violin
2		 Treble 11 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
1		 Treble 14 0 5 8 100%
Violin
2		 Treble 11 0 2 4 100%
Violin
3		 Treble 14 0 4 4 100%
Violoncello Bass 15 0 4 3 100%
Viola 20 0 5 6 89%